She Would Be King by Wayétu Moore

Date Read: September 10th 2018

Published: September 2018

Publisher: Graywolf Press

Pages: 312

The Blurb

Wayétu Moore’s powerful debut novel, She Would Be King, reimagines the dramatic story of Liberia’s early years through three unforgettable characters who share an uncommon bond. Gbessa, exiled from the West African village of Lai, is starved, bitten by a viper, and left for dead, but still she survives. June Dey, raised on a plantation in Virginia, hides his unusual strength until a confrontation with the overseer forces him to flee. Norman Aragon, the child of a white British colonizer and a Maroon slave from Jamaica, can fade from sight when the earth calls him. When the three meet in the settlement of Monrovia, their gifts help them salvage the tense relationship between the African American settlers and the indigenous tribes, as a new nation forms around them.

Moore’s intermingling of history and magical realism finds voice not just in these three characters but also in the fleeting spirit of the wind, who embodies an ancient wisdom. “If she was not a woman,” the wind says of Gbessa, “she would be king.” In this vibrant story of the African diaspora, Moore, a talented storyteller and a daring writer, illuminates with radiant and exacting prose the tumultuous roots of a country inextricably bound to the United States. She Would Be King is a novel of profound depth set against a vast canvas and a transcendent debut from a major new author.

 

Review –★★★★ (4 stars)

Prior to reading She Would Be King, I was a newbie when it came Liberian literature – I still am! I only knew about Nobel Peace Prize winner and writer – Leymah Gbowee, and her feature in the amazing documentary film – Pray the Devil Back to Hell (which I watched and deeply enjoyed for a Women’s Studies class in college). This debut had me wanting to know more about Liberia and the work of Liberian writers, such as – Helene Cooper, Hawa Jande Golakai, Vamba Sherif, Leymah Gbowee, Bilphena Yahwon (Gold Womyn) and others. While reading, I actually found a YouTube video where Liberian writer- Vamba Sherif, talks about Liberian literature in an interview. Enjoy!

She Would Be King is a beautiful mélange of historical fiction, magical realism and coming-of-age. Moore skillfully develops the three main characters of this novel: Gbessa – a Vai girl who is cursed and exiled to the forest; June Dey – the child of the strongest rebel on the Emerson plantation in Virginia; Norman Aragon – the child of Nani who was a gifted Jamaican Maroon and a British anthropologist/colonizer (such a terrible man!) . These three characters are guided by the wind and use their gifts – which are considered curses to ordinary people, to save present-day Liberia from its many hidden troubles. I always knew Liberia was the land where some freed slaves and freeborn African Americans made a living, but I had no idea freed slaves from the Caribbean also settled in present-day Liberia, making the nation a flavorful melting pot of indigenous and Diaspora folk.

The first three chapters of this debut explore these three main characters. I loved delving into the characters’ storylines and witnessing their evolution through the years. While African-American June Dey and Jamaican Norman play key roles in the establishment of Liberia through their gifts, Gbessa is the shero of this novel (this is not a spoiler, relax!) . Gbessa, who is described as a dark-skinned woman with wild red long hair, grows immensely in this story, to the point where her layered identities begin to haunt her. I’m itching to discuss Gbessa’s evolution, but unfortunately it would require divulging spoilers – and that wouldn’t be right!

[Images via Wayétu Moore’s Instagram for her US book tour dates; illustrations by Art Therapy Houston, PLLC]

Wayétu Moore’s writing felt light and magical in this debut. While reading, my heart raced as I could feel Gbessa’s loneliness and isolation, June Dey’s anger and power, Norman’s intelligence and bravery. The many issues in this story come together beautifully as Moore explores the legacies of slavery and colonialism as well as love, friendship, womanhood and independence. The sisterhood between Gbessa and Maisy – the wonderful woman who plays an immense role in Gbessa’s ‘civilization’ was so heartfelt!

I enjoyed the brotherhood between June Dey and Norman, but I wished their relationship was explored more. These men spent most of their time fighting invaders so there wasn’t enough dialogue between them. Also, it took me a while to finish this book thanks to school work, but also because I got bored of June Dey and Norman’s chapters, which were heavy with magical realism and lots of action. It wasn’t easy keeping up with the wordiness of their fighting scenes which required me to imagine all of their complex, superhero stunts. I really just desired some more depth to June Dey and Norman’s relationship and their connection to the settlement of Monrovia.

What I loved most about this novel was reading about the tensions between members of the indigenous tribes and former enslaved African Americans/ free-borns from the United States. I always knew these two groups had difficulty in seeing eye-to-eye, even in present day Liberia, but I didn’t realize how deep that tension was.

“But… some of them don’t think all of us the same. Some of them think… some of then think they smarter and better fit to lead than those who were already here” pg. 173.

The phrase ‘All My Skinfolk ain’t Kinfolk’ gnawed at me as I read how the African American settlers blatantly disregarded indigenous Liberians. It was eye-opening (and disappointing) to witness how settlers from the US treated indigenous folk similar to the ways slave masters treated them back in the US. Imperialist white-supremacist capitalist patriarchy emigrated with the African American settlers to Monrovia, where they imposed their power and discriminated against the natives. Indigenous folk had little say in the governing of their land, as the mayors and key thinkers of Monrovia were predominently the African American settlers. I had to do quite a bit of outside reading on Liberian history and the role of the American Colonization Society (ACS) in Monrovia’s complete independence. It was so intriguing to read on the motives of this society and I think I now understand why the election of Liberia’s current president- George Weah, was such a big deal.

There’s so much to say about this book! While I’d like some clarity on the use of language (pidgin) in the novel and Gbessa’s (unrealistic) infatuation with her childhood friend – Safua, this debut is pretty solid. I’d love to know what Liberians and Liberian-Americans think of this novel, as they would probably better understand the nuances of the story. I can confidently say I will read anything by Wayétu Moore, and that this debut is a lovely ode to the country of Liberia and Liberian womanhood, through Gbessa’s complex characterization.

[Today is pub day! Special thanks to Graywolf Press and Wayétu Moore for an Advanced Review Copy of this debut]

★★★★ (4 stars) – Great book. Highly recommend!

Purchase She Would Be King on Amazon

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Mini Reviews | Audiobooks

Hey everyone!

I’ve been listening to quite a few audiobooks lately. As an avid consumer of numerous podcasts, audiobooks – especially essay collections and non-fiction (read by the author), act as extended podcast episodes for me! Below are 4 mini reviews of the audiobooks I’ve enjoyed thus far.

Eloquent Rage: A Black Feminist Discovers Her Superpower by Brittney Cooper

Date Read: April 28th 2018

Published: 2018

Narrated by: Brittney Cooper

Length: 6hrs 57mins

 

 

The Blurb

So what if it’s true that Black women are mad as hell? They have the right to be. In the Black feminist tradition of Audre Lorde, Brittney Cooper reminds us that anger is a powerful source of energy that can give us the strength to keep on fighting.

Far too often, Black women’s anger has been caricatured into an ugly and destructive force that threatens the civility and social fabric of American democracy. But Cooper shows us that there is more to the story than that. Black women’s eloquent rage is what makes Serena Williams such a powerful tennis player. It’s what makes Beyoncé’s girl power anthems resonate so hard. It’s what makes Michelle Obama an icon.

Eloquent Rage keeps us all honest and accountable. It reminds women that they don’t have to settle for less. When Cooper learned of her grandmother’s eloquent rage about love, sex, and marriage in an epic and hilarious front-porch confrontation, her life was changed. And it took another intervention, this time staged by one of her homegirls, to turn Brittney into the fierce feminist she is today. In Brittney Cooper’s world, neither mean girls nor fuckboys ever win. But homegirls emerge as heroes. This book argues that ultimately feminism, friendship, and faith in one’s own superpowers are all we really need to turn things right side up again.

 

Review – ★★★★★ (5 stars)

I honestly don’t know how to review this book. There are updates I shared on Goodreads of my rough thoughts after some of the chapters I enjoyed. All I can say is: Dr. Brittney Cooper is my shero! That is all.

Purchase Eloquent Rage on Amazon

 


Tears We Cannot Stop: A Sermon to White America by Michael Eric Dyson

Date Read: May 16th 2017

Published: 2017

Narrated by: Michael Eric Dyson

Length: 5hrs 32mins

 

 

The Blurb

Short, emotional, literary, powerful—Tears We Cannot Stop is the book that all Americans who care about the current and long-burning crisis in race relations will want to read.

As the country grapples with racist division at a level not seen since the 1960s, one man’s voice soars above the rest with conviction and compassion. In his 2016 New York Times op-ed piece “Death in Black and White,” Michael Eric Dyson moved a nation. Now he continues to speak out in Tears We Cannot Stopa provocative and deeply personal call for change. Dyson argues that if we are to make real racial progress we must face difficult truths, including being honest about how black grievance has been ignored, dismissed, or discounted.

 

Review – ★★★★★ (5 stars)

Excellent, excellent, excellent – from beginning to end! I love how Prof. Dyson takes his time to break everything down to white folk – who are the target audience of this book. I’m glad I listened to this via audiobook, because Dyson was very entertaining while performing his words. He has a wonderful, melodic (and sometimes superfluous) way with words that made this an excellent listen. This book is in the form of a sermon and almost every other sentence is quotable; so it was challenging to listen to this book while driving, because I’d always want to add a note to certain clips of chapters as reminders to transcribe the quotes when writing a review (one disadvantage of audiobooks). But I loved Dyson’s bold, fearless approach to enlightening white America of ALL the mess they’ve caused and still remain silent about.

When I started listening, I wondered if Dyson would address the ways white America relates to Black Americans and Black immigrants – i.e: folks from Africa and the Caribbean, and he indeed addresses this towards the end of the book. While Black people from Africa and the Caribbean don’t carry the same intricate baggage of slavery as Black Americans, in the United States, we are all just Black to the white man. Dyson addressing these facts in the book made me think of how divisive we (Black people) tend to be in our communities, and how it only hurts us.

Towards the end of the book, Dyson gives a plethora of recommendations for readers to educate themselves on race in America. Some of his recommendations of writers to read include – Classics: Audre Lorde, Barbara Smith, bell hooks, Michelle Wallace, Kimberly Crenshaw, Patricia Hill Collins, W.E.B. DuBois, Ralph Ellison, Alice Walker, Angela Davis, Maya Angelou, Barack Obama; Gifted Black Voices In Media: Ta’Nehisi Coates, Clint Smith, Henry Louis Gates Jr, Brittney Cooper, Eve Ewing, Wesley Lowrey; Ambassadors Of Truth: Peggy McIntosh (she came to my college to speak when I was in my junior year. It was such an honor to be in her presence!), Tim Wise and many more!

I really hope white folks are purchasing and reading this book, because it was carefully written for them.

Purchase Tear We Cannot Stop on Amazon

 


Born a Crime: Stories from a South African Childhood by Trevor Noah

Date Read: January 17th 2018

Published: 2016

Narrated by: Trevor Noah

Length: 8hrs 44mins

 

 

The Blurb

Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life.

The stories collected here are by turns hilarious, dramatic, and deeply affecting. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love.

 

Review –★★★★ (4 stars)

What more can be said about Born A Crime? Everybody and their grandmother has read this book.

I started the book in November (2017) but got side tracked. If I had listened to this book in 3 sittings, I might have given the book 5 stars because it was really enjoyable when I first started. Nevertheless, Trevor Noah is a very compelling storyteller – listening to him re-enact South African accents/languages and imitate various characters was such a treat. But what a stubborn child this boy was!

To me, this book is an ode to his phenomenal mother, who I truly admire. The ending of this book was deeply emotional and brought me to tears… Born A Crime had the right blend of South African racial history, humor and life lessons.

Purchase Born A Crime on Amazon

 


What I Know for Sure by Oprah Winfrey

Date Read: July 31st 2017 & (re-read) June 23rd 2018

Published: 2014

Narrated by: Oprah Winfrey

Length: 3hrs 53mins

 

The Blurb

As a creative force, student of the human heart and soul, and champion of living the life you want, Oprah Winfrey stands alone. Over the years, she has made history with a legendary talk show – the highest-rated program of its kind, launched her own television network, become the nation’s only African-American billionaire, and been awarded both an honorary degree by Harvard University and the Presidential Medal of Freedom. From all her experiences, she has gleaned life lessons―which, for fourteen years, she’s shared in O, The Oprah Magazine’s widely popular “What I Know For Sure” column, a monthly source of inspiration and revelation.

 

Review – ★★★★★ (5 stars)

Listening to Oprah is probably the best way you can consume this candid, uplifting book. I grew up watching & hearing Oprah’s voice on television, so obviously it didn’t take much for me to decide to experience this collection full of wisdom, via audio.

Hearing Oprah read her words gives you so much clarity and seriously puts things into perspective. I think I’ll make it a point to re-listen to this book at the beginning of every new year. It’ll help get my mind right and remind me of the things I NEED to fall back on, like – praying, taking the time to be present and feel myself breathe, making a conscious effort to see the good in everything, enjoying life, being full of gratitude and doing unto others as I would have them do unto me. What I Know For Sure reminds you that life isn’t as difficult as we make it seem, if we choose to live life full of gratitude.

Purchase What I Know For Sure on Amazon

 


Other excellent audiobooks I’ve enjoyed so far:

My thoughts of these books are on Goodreads (they do not cohere to the Black focus of this blog, so reviews won’t be posted here). Kindly click on the titles to be redirected to my thoughts on them.

The next audiobook I have lined up is – Dreams From My Father by Barack Obama. I hope to read along with the physical copy of the book (which was actually a gift to my Dad, from 9 years ago).

 

I’d love more recommendations! Which audiobooks have you enjoyed thus far?

Ghanaian Writers | Book Chat :: with Nana Ekua Brew-Hammond

Once again, the month of March is here! Ghana gained independence in March, so I like to dedicate this month to celebrating Ghanaian writers and their work. In the African literature scene, Ghanaian writers and their books are seriously underrated. As a reader of Ghanaian heritage, I enjoy discovering new Ghanaian writers and learning about our pioneer writers. If we don’t celebrate our own, who will?

Last year on African Book Addict! we celebrated 75 Ghanaian writers and their books in a 3-part series. This month, (more like this month), I’ll be in conversation with some of the writers highlighted in last year’s series! This week is the last installment of the conversations I have with writers of Ghanaian descent.


 

This week, I chat with Nana Ekua Brew-Hammond – author of Powder Necklace, which was published in 2010. I enjoyed Powder Necklace back in 2013, before the creation of this book blog (hence no book review on the site). Since my 2018 reading intentions are to re-read some novels and indulge in more work by Ghanaian writers, I shall be re-reading and reviewing Nana Ekua’s coming-of-age debut this year. Enjoy this fun book chat where Nana Ekua talks about what she learned about herself while writing her debut, how she feels about the future of Ghanaian literature, the Black writers who influence her work, new projects that will be published soon & more!

(note – ‘NEBH’ represents Nana Ekua Brew-Hammond’s responses)

••

Check out the synopsis for Powder Necklace below:

To protect her daughter from the fast life and bad influences of London, her mother sent her to school in rural Ghana. The move was for the girl’s own good, in her mother’s mind, but for the daughter, the reality of being the new girl, the foreigner-among-your-own-people, was even worse than the idea. 

During her time at school, she would learn that Ghana was much more complicated than her fellow ex-pats had ever told her, including how much a London-raised child takes something like water for granted. In Ghana, water “became a symbol of who had and who didn’t, who believed in God and who didn’t. If you didn’t have water to bathe, you were poor because no one had sent you some.”

After six years in Ghana, her mother summons her home to London to meet the new man in her mother’s life—and his daughter. The reunion is bittersweet and short-lived as her parents decide it’s time that she get to know her father. So once again, she’s sent off, this time to live with her father, his new wife, and their young children in New York—but not before a family trip to Disney World.

 

  • I remember reading your debut novel, Powder Necklace back in 2013 and resonating with it on so many levels. At the time, I hadn’t read a book that accurately articulated the many issues I had with myself and others (mostly Ghanaians) after I moved to Ghana at the age of 10, so I thank you! Why was it important for you to write the story?

NEBH: Thank you! I’m so glad to know Powder Necklace resonated with you. It was important to me to write Powder Necklace because I had so many misconceptions about Ghana before I went to live and school there at 12.

My parents had pumped it up as this utopia where kids never misbehaved, and would threaten to send my siblings and me there whenever we didn’t act right. Meanwhile, it felt like American news programs of the early ‘80s were conflating the Ethiopian famine with all of Africa. Add that to the Save the Children commercials starring Sally Struthers that were repeatedly on air, and it seemed as if Africa was a Land of Flies and Kwashiorkor-Stricken Children. No wonder some of my classmates in the States thought anyone from Africa was a “Booty Scratcher.”

With Powder Necklace, I wanted to share the slice of Africa I experienced in Ghana. Yes, there was poverty, but there was also wealth and both stations were far more complicated than depicted in American media or even by family. Everything and everyone I encountered was far more nuanced.

I also felt like there weren’t many contemporary books for Black kids who weren’t African-American—at least I hadn’t come across many growing up. In the ‘90s, when Black literature was experiencing a wave with books by Terry McMillan, E. Lynn Harris, Bebe Moore Campbell, J. California Cooper, April Sinclair, et al, most centered on the African-American experience. I wanted Powder Necklace to speak to the experience of being Black and African in the diaspora.

 


  • Did you learn anything about yourself while writing Powder Necklace?

NEBH: I did. Powder Necklace was inspired by my experience getting sent to school in Ghana at 12. It fundamentally changed my personality and intensified my faith in God, but I had not fully dealt with the resentment and anger I felt from being tricked into staying in Ghana. As I began to write the book, I realized how much I had suppressed about the experience. I was surprised by how painful it was to revisit the isolation and fear I felt as a kid when it sunk in that I would be in Ghana without my parents for years, at a boarding school two hours’ drive from my home in Accra.

I had also been hazed by many of my schoolmates during my time at school. In my mind they were all villains, but as I wrote, and had the distance to see myself as a character in a bigger story, I could see the cultural chauvinism I brought to my interactions with my fellow students and still held in some ways.

 


  • Three years ago, I read a compelling essay of yours in Mosaic Literary Magazine – ‘The African Renaissance’, where you discussed the trajectory of African literature over the years and the interrogation of ‘authentic’ African identity tagged to stories and writers. Some writers dislike being ‘pigeon-holed’ and labeled as ‘African writer’ or ‘Black writer.’ How do you prefer to be identified as a writer?

NEBH: I appreciate being identified as an “African writer” or “Black writer” because I am proud of my Africanness and my Blackness. It took me a long time to get here. I had to get over years of cultural indoctrination designed to make me feel ashamed of my dark skin, and my Ghanaian name and origin—and now that I have, I refuse to have my identity erased or downgraded by anyone, including myself.

The only reason being labeled an “African” or a “Black” writer can pigeonhole is because mainstream culture is infected with racist notions about what it means to be African and Black, and the powers that be have a track record of allowing only certain types of narratives by Black people to see the light of day. By standing proudly in my identity and working to tell authentic stories, I am defying the idea that we should be ashamed of who we are and forcing people to see that no race or ethnicity can be narrowed down to one story or experience.

 


  • Do you remember the first book you read by a Ghanaian writer? If so, what book was it and how was the experience? After working on the #GHat60 project last year, I was amazed at the great number of Ghanaian writers doing amazing work. How do you feel about the future of Ghanaian literature?

NEBH: The first book I read by a Ghanaian writer was a play—Ama Ata Aidoo’s The Dilemma of a Ghost. I immediately connected with her story of a Ghanaian man bringing his African-American wife home to Ghana and the clash they were dealing with because I was going through a similar experience as I read it at school in Ghana.

I think the future of Ghanaian literature is limitless. Writers like Kofi Akpabli, Nana-Ama Danquah, Nana Awere Damoah, Esi Edugyan, Martin Egblewogbe, Boakyewaa Glover, Yaa Gyasi, Ayesha Harruna Attah, Lesley Lokko, Cheryl Ntumy, Nii Ayikwei Parkes, Kwei Quartey, Taiye Selasi, and yourself are not only writing a diversity of stories, but many are creating opportunities and support systems for other writers.

Nana Awere Damoah has started the Ghana-based online bookstore BookNook, which should make it easier for readers in Ghana to get their hands on books by Ghanaian authors. Together with Kofi Akpabli, Nana Awere Damoah also goes around Ghana producing open mic nights. Martin Egblewogbe co-founded Writers Project Ghana and co-hosts a radio show on Ghana’s Citi FM that features Ghanaian writers as well as writers from all over the continent.

(all these Ghanaian writers were featured in the #GHat60 3-part series, last year)

You have your blog, which promotes African authors, and there are other sites focused on African literature too like Nana-Ama Kyerematen’s AfriDiaspora and Ainehi Edoro’s Brittle Paper. Plus, there are writing contests geared toward young Ghanaians like the #360WritersChallenge, which is aimed at university students and the Blooming Minds Young Writers Award for children, not to mention the proliferation of prizes that have cropped up in the last five years geared toward African writers including the Miles Morland Writing Scholarship.

Right now, Ghanaian writers of any age and stage can find encouragement, support, and inspiration among peers and promoters. If this continues—and I believe it will if we as writers and lovers of literature remain vigilant about creating and supporting individuals, initiatives, and institutions that support us—there’s no reason Ghana can’t be home to a proliferation of powerful literary voices generation after generation.

 


  • What have you been reading and loving lately? And who are some of your favorite Black writers and influencers of your work?

NEBH: I recently devoured Baruch Sterman’s The Rarest Blue. I know I’m so so late on The Life of Pi, but I finally read it and absolutely loved it. Currently, I’m in the middle of Chigozie Obioma’s The Fishermen.

 

My favorite Black writer is Buchi Emecheta. Reading her work, it’s clear how much empathy she had for her characters, and she had a gift for pacing. In addition to Ms. Emecheta, there are so many Black writers I aspire to be as honest and fearless as in my writing, including Zadie Smith and Chimamanda Ngozi Adichie. Both women are such astute and commanding storytellers.

I love the care Ayesha Harruna Attah gives to the tiniest details. NoViolet Buluwayo has a fierce way with words that I deeply admire. I so appreciate the poetry of Taiye Selasi’s style. And Ama Ata Aidoo is a legend. Her commitment to telling nuanced stories of Ghanaian lives, particularly Ghanaian women’s lives, has set the benchmark for contemporary Ghanaian writers.


  • I enjoyed your short story – Mama Africa, which was published in the Africa39 Anthology (2014) and I’m excited to see that you’ll be featured in Everyday People: The Color of Life – a Short Story Anthology this summer (August 2018). Do you have a new novel or collection of stories currently in the works to be published soon?

NEBH: Thank you for reading and following my work! I have finished a second novel that I’m really eager to get out into the world. I don’t have a publication date yet, or a publisher, but I’m confident I will soon. In the meantime, I’m working on another novel, a children’s book series, and a literary project for Ghanaian writers. I also have a short story in the forthcoming anthology Accra Noir.

 


  • Thanks so much for taking the time to participate in this book chat!

NEBH: Thank YOU for all of your support.

 

Purchase Powder Necklace on Amazon

 

 

SPECIAL THANKS TO: Ayesha Harruna Attah, Michael Donkor and Nana Ekua Brew-Hammond for participating in this fun miniseries of book chats! Also, thank you to all the readers of the book blog who have enjoyed these book chats with writers of Ghanaian descent. #ReadGhanaian!


Check out the 75 Ghanaian writers that were highlighted in last year’s 3-part series below:

Ghanaian Writers | Book Chat :: with Ayesha Harruna Attah

Once again, the month of March is here! Ghana gained independence in March (TODAY, March 6th 1957), so I like to dedicate this month to celebrating Ghanaian writers and their work. In the African literature scene, Ghanaian writers and their books are seriously underrated. As a reader of Ghanaian heritage, I enjoy discovering new Ghanaian writers and learning about our pioneer writers. If we don’t celebrate our own, who will?

Last year on African Book Addict! we celebrated 75 Ghanaian writers and their books in a 3-part series. This year (more like this month), I’ll be in conversation with some of the writers highlighted in last year’s series!


 

First up is Ayesha Harruna Attah – author of Harmattan Rain, Saturday’s Shadows and forthcoming The Hundred Wells of Salaga, which will be published by Cassava Republic Press in May! Enjoy this fun book chat where Ayesha talks about the inspirations for her forthcoming novel, the first book she read by a Ghanaian writer & the future of Ghanaian literature, the Black writers who influence her work and why we should indulge in The Hundred Wells of Salaga.

(note – ‘AHA’ represents Ayesha Harruna Attah’s responses)

••

Check out the synopsis for The Hundred Wells of Salaga below:

Aminah lives an idyllic life until she is brutally separated from her home and forced on a journey that turns her from a daydreamer into a resilient woman. Wurche, the willful daughter of a chief, is desperate to play an important role in her father’s court. These two women’s lives converge as infighting among Wurche’s people threatens to cleave the region, during the height of the slave trade at the end of the 19th century.

Set in pre-colonial Ghana, The Hundred Wells of Salaga is a story of courage, forgiveness, love and freedom. Through the experiences of Aminah and Wurche, it offers a remarkable view of slavery and how the scramble for Africa affected the lives of everyday people.

 

  • The Hundred Wells of Salaga is your 3rd forthcoming novel, congratulations on this achievement! When did you first get ideas on the story and how long did it take you to write the novel?

AHA: Thank you! About ten years ago, I found out that my great-great grandmother was enslaved. I wanted to know more. Who was she? Where had she come from? What were her desires before her dreams were snatched away? To unearth more, I made a trip to Salaga, in northern Ghana, where there was an infamous slave market. But I kept hitting walls – either people didn’t want to talk or they didn’t know enough. So in 2012, I decided to research how people ended up in Salaga and to also put my imagination to work. I officially started writing in 2014.

 


  • Did you learn anything about yourself while writing The Hundred Wells of Salaga?

AHA: I learned just how much I didn’t know about African history. For instance, it was a big surprise to me that in the 19th century in the Sokoto Caliphate, there were women teachers, jajis, who taught other women and they used poetry as a way of disseminating values.

 


  • While reading Harmattan Rain, I saw bits of my life reflected in Sugri’s character and in Saturday’s Shadows, Kojo’s character mirrored a lot of my life as well! How much of your personal life seeps into your stories?

AHA: I don’t consciously set out to put my lived experiences into my writing, but it would be almost impossible to divorce myself from my characters. Even if I were writing the vilest character on earth, it would be with my flavor and through my eyes. Of course, there are certain moments in life that are too good to keep to oneself and, those, I very intentionally put into my stories. For instance, the anecdote in Saturday’s Shadows, where a man cuts himself with a blade to prove he’s invincible—that was a real life scene I witnessed.

 


  • Do you remember the first book you read by a Ghanaian writer? If so, what book was it and how was the experience? After working on the #GHat60 project last year, I was amazed at the great number of Ghanaian writers doing amazing work. How do you feel about the future of Ghanaian literature?

AHA: I think it was The Anthill in the Sea, an illustrated poetry book by Atukwei Okai. I don’t even remember how old I was. Maybe seven. I loved it.

On the future of Ghanaian literature, there is so much potential and possibility brimming, which I find really exciting. I think the work the Writers Project of Ghana is doing is commendable and writers such as Ruby Goka, Nana Awere Damoah, Mohammed Naseehu Ali, Nana Ekua Brew-Hammond, Nii Ayikwei Parkes, Boakyewaa Glover give me hope for our generation of writers. What we desperately need are publishing houses with serious distribution networks.

(all these Ghanaian writers were featured in the #GHat60 3-part series, last year)

 


  • What have you been reading and loving lately? And who are some of your favorite Black writers and influencers of your work?

AHA: After almost a year and a half of new mummy duties, I have started reading again. Since January, I have read Akwaeke Emezi, JJ Bola, Ayobami Adebayo, all debut novelists and I have loved all their books.

I devour work by Toni Morrison, Alice Walker, Bessie Head, Ama Ata Aidoo, Lucille Clifton, and of course, Ayi Kwei Armah, who gave me the push I needed to write my first novel.

 


  • Finally, why would you like readers to indulge in your forthcoming, The Hundred Wells of Salaga? What would you like us to take away from the story?

AHA: The involvement of Africans in the slave trade is a part of history that I feel hasn’t been confronted or dealt with enough. There were entire villages built in rocks to prevent slave raiders from attacking. It was a traumatic moment we suffered on the continent, and if trauma isn’t healed it manifests itself in disease, passiveness, self-harm… The list is endless. My impression is that most African countries do not want to deal with this past. Just recently, the world learned of slave auctions in Libya. I was ashamed and appalled that Ghanaians and Nigerians were involved, once again as middlemen. I hope that this book will wake us up to the role that we played in the slave trade, and begin us on the path of forgiveness and healing.

 

Pre-order The Hundred Wells of Salaga on Amazon

 

Check out my thoughts on Ayesha Harruna Attah’s novels:

Harmattan Rain  |  Saturday’s Shadows

 


Check out the 75 Ghanaian writers that were highlighted in last year’s 3-part series below:

 

LIT LINKS MÉLANGE V

Hey everyone!

I hope the month of February is treating everyone well. Over the weeks, I’ve been consuming great literature gems online. Below is a compilation of some of the LIT links I highly recommend you indulge in:

 

Raised by a single, independent mother, one young woman struggles with her familial inheritance and the relationship between self-sufficiency and social isolation.

(Image via Longreads via Klaus Vedfelt/Getty)

This isn’t the first time I’m mentioning Zoë’s name on this platform. In previous LIT Links posts, I highlighted her short story- Safe House, which was featured in AFREADA two years ago; she was also among the 75 Ghanaian writers highlighted in the GH at 60 | Our Writers & Their Books series, back in March.

Read My Secondhand Lonely and marvel at Zoë’s visceral, lucid writing. I hope she blesses us with a full novel or collection of short stories in the near future! Don’t be surprised when you see Zoë Gadegbeku’s name in lights soon.

 


  • AFREADA’s Valentine’s Day Short Story Collection – In case you’ve been living under a rock, AFREADA held a Valentine’s Day short story competition, where writers could submit love/romance-related stories for a chance to win £100! The competition is over now – as Valentine’s Day has passed (check out the winning story – HERE), but a bunch of the stories have been compiled into an ebook! Check out the breathtaking stories, for free – HERE.

 


  • Oldie but Goodie: Book review – African Love Stories: An Anthology edited by Ama Ata Aidoo. We’re still in the month of love! Two years ago, I reviewed this wonderful anthology on love stories, which was published in 2006. I gave the book 5 stars and encourage everyone to enjoy some love stories once in a while!

 


  •  Market FiftyFour is a new platform that publishes and markets affordable audio and e-books in African languages! Marthe van der Wolf and Melat G. Nigussie who are both Ethiopian, run Market FiftyFour.

Their first publication is entitled – Sheekadii Noloshayada (in English – The Story of Us), which is a a collection of short stories published in Somali by Hanna Ali. I recently had the opportunity to read the English version of the collection by Ali and I’m excited to review it soon. I look forward to the future projects Market FiftyFour will be publishing and hope more stories are from the Horn of Africa are published, as stories from that region of the continent aren’t really popular in the mainstream literary sphere!

(Image via Market FiftyFour)

 


  • Listen to episode 14 of The Sankofa Book Club, where I was joined Co-founder – Akua, to discussed their December book – Questions For Ada by Ijeoma Umebinyuo. The Sankofa Book Club was featured on this platform last year, and it’s still a popular post!

I had lots of fun recording with Akua over the Christmas break on this phenomenal poetry collection. I’ve spoken ad nauseam about this collection as it was the BEST book I read in 2017. If you’re still wondering whether you should purchase Questions For Ada, what are you waiting for? Enjoy the episode!


  • Libros Agency is an online bookstore and publishing agency based in Kenya, founded by Giovanni Patrick and Carly Gilbert. The aim of Libros Agency is ‘to have the unheard and unread stories of talented authors in the hands of  yearning readers.’ They have a good selection of books in their online bookstore, which delivers books digitally. Check them out if you want to enjoy the unread stories of talented writers!

(Image via Libros Agency)

 


  •  I hope Black History Month has been inspiring so far! If you’re active on social media (Twitter & Instagram), definitely follow the annual #ReadSoulLit photo challenge which was curated by Didi of Brown Girl Reading 4 years ago, with the aim of encouraging the love of books by African-American authors.

Check out Didi’s interview with Leslie Reese of blog – Folklore & Literacy, and read on how the #ReadSoulLit photo challenge begun and why it’s important. Its not too late to join the photo challenge- it’s running till the end of Black History Month!

 

·····

Check out:

LIT Links Mélange ILIT Links Mélange II

LIT Links Mélange IIILIT Links Mélange IV

2018 NEW RELEASES TO ANTICIPATE!

Happy New Year, everyone!

What books are you excited to read this year? Below are 56 new African, African-American and Caribbean books that look very promising. This is just a snippet of the books 2018 has to offer!

Please click on the images to read the blurbs and/or to purchase the books.

(this post contains Amazon affiliate links)

MORE books to look out for in 2018:

Image via Nylon

Well-Read Black Girl: Finding Our Stories, Discovering Ourselves

Yes! Glory Edim, aka – Well-Read Black Girl, is working on an anthology that will feature black women writers like – Zinzi Clemons, Nicole Dennis-Benn, Marita Golden, and Tayari Jones as they highlight the first time they saw themselves represented in literature. To be published by Random House.

 


Image via Simon & Schuster

I first encountered Bahamian writer – Janice Lynn Mather’s writing in the 2014 anthology, Pepperpot: Best New Stories From The Caribbean. Her short story- ‘Mango Summer’ was such a poetic, gentle and innocent tale on sisterhood and loneliness; with the abundance of mangoes being a humorous distraction to the heartfelt tale.

I loved her writing in ‘Mango Summer’ and eagerly look forward to this debut! To be published by Simon & Schuster, June 2018.

 


Image via Reader’s Digest 

She Would Be King by Wayétu Moore

Wayétu Moore is a writer of Liberian heritage and is the founder of One Moore Book, which is a children’s book publishing company that focuses on providing culturally sensitive and educational stories for children living in regions with low literacy rates and underrepresented cultures. Her debut – She Would Be King, reimagines the dramatic story of Liberia’s early years through three characters who share an uncommon bond. I can’t wait for the book cover to be revealed soon!! To be published by Graywolf Press, September 2018.

 


Image via Anissa Photography 

On The Come Up by Angie Thomas

If you loved The Hate You Give, you’ll probably love Angie Thomas’ second novel – On The Come Up! I hope the book cover is revealed soon. To be published by Balzer + Bray, May 2018.

 


Image via Ibi Zoboi

Pride by Ibi Zoboi

Haitian writer – Ibi Zoboi’s second novel, Pride is a love story inspired by Jane Austen’s Pride and Prejudice, set in Bushwick (Brooklyn, NY). To be published by Balzer + Bray, September 2018.

 

What new releases are you excited about? Please do share!

2017 Recap & My Top 5!

Hey everyone!

I hope the holiday season has been relaxing for you all. 2017 is almost over and it’s time for a recap of the year! I ended up reading 28 books this year. The break down of my 2017 reading experience is as follows:

Average books read per month: 2 books 

Anthologies read: 3 books

Audiobooks ‘read’: 3 books

African literature: 10 books

Caribbean literature: 4 books

African-American literature: 13 books

Others: 1 book (this is a non-African/non-Diaspora book. Written by Cheryl Strayed).

20 women writers 5 men writers


Top 5 favorite books of 2017

  1. Questions for Ada by Ijeoma Umebinyuo
  2. Our Sister Killjoy by Ama Ata Aidoo
  3. Born On A Tuesday by Elnathan John
  4. Houseboy by Ferdinand Oyono
  5. Now We Will Be Happy by Amina Gautier

These were the most insightful, affirming and enjoyable books for me this year! School/life has been quite hectic this year, so I’m behind on book reviews. Expect the remaining book reviews in 2018, but in the meantime, I HIGHLY recommend these 5 books!

Reviews for books read this year are in the Book Reviews section of the book blog.

What were your top 5 favorite books of 2017?


Favorite bookish events / images of the year:


African Book Addict! FEATURES:

It’s been both overwhelming and exciting being recognized for all the hard work that goes into creating content for this book blog. Book blogging here at African Book Addict! is purely a hobby (as I’m currently a 4th year Dental Student – its a 6 year program), so receiving recognition and praise is always affirming and such a blessing.

Below is a list of the features and recognitions African Book Addict! has gained this year:

Also, special thanks to the authors who’ve contacted me to show their appreciation for reviews of their books that have been posted on this platform and/or AFREADA.

Image via novelscript Instagram stories


2017 Reading Intentions round up:

At the beginning of the year, I set 3 reading intentions. But I don’t think I’ve successfully achieved them all…

  • My first reading intention was to READ MY OWN DAMN BOOKS. Only 9 of the books I read this year had been on my bookshelf for a while. The rest of the books I’ve enjoyed were acquired THIS year! Is it possible for a moody book lover to restrict him/herself to just the books sitting on one’s bookshelf? It’s tough y’all!

 

  • The second reading intention was to PURCHASE LESS books this year. Well… I ended up purchasing about 30 books (discounted/ used books – chill out!) over the summer and many, many more for friends & family as gifts. I might have jinxed myself by setting this goal/intention for myself!  *shrug*

 

  • Lastly, I set out to buddy-read some novels with other book bloggers/ book lovers. I successfully read Behold The Dreamers with Ifeyinwa Arinze and we had a great conversation on the book as well! I had planned to read books with other bloggers – Osondu (of Incessant Scribble), Didi (of Brown Girl Reading) and Afoma (of Afoma Umesi). Osondu and I weren’t excited about the book we set out to read, so our buddy-read was unsuccessful; Didi and I were to read a debut that a writer had sent us – but we couldn’t get passed the first 50 pages, so we quit; Afoma and I also tried to read an ARC together this month, but the book is super slow… maybe we’ll continue to read it together in the new year. Buddy-reading has been challenging! I think I’ll talk more about this in the new year.

Were you able to achieve some of your 2017 Reading Intentions? 

[Don’t beat yourself up if you weren’t able to – its definitely not that serious and you can still achieve them in 2018!]

Total books read in 2017

I’m TRULY grateful to everyone who frequents this book blog and for the great discussions (agreements, disagreements and recommendations) we have in the comments section. I always appreciate the support and love shown here, from you all. This year, I’ve enjoyed discovering new book blogs, book lovers & Bookstagram accounts (Book Instagram) and I hope to connect with more in the future! Here’s to more great years of reading ahead, for all of us. 🙂  

 

2017 Christmas Wish list

Hey everyone!

Christmas is right around the corner and I honestly have no business buying any new books, anytime soon! But a simple wish list won’t hurt, would it? Below are books I’d love Santa to drop into my imaginary Christmas stockings:

(not in order of preference; click titles to read the blurbs on Goodreads)

 

The Ways of White Folks by Langston Hughes

It’s been a while since I indulged in some Langston Hughes. The last time I enjoyed his work (poetry/ stories) was 5 years ago in college, for the myriad of American Studies, African American History and African American Literature classes I was taking. This short story collection is set in the 1920’s and 30’s – so you can be assured it explores racial tension between black and white folk and possibly tension within the black community. Is it me, or does Mr. Hughes look super hot on the book cover? I want it!


Still Can’t Do My Daughter’s Hair by William Evans

I never knew this collection even existed! I discovered this poetry collection and the author thanks to Black Book Quotes Bookstagram account, where Leila highlights a huge array of books by Black writers. How adorable is the cover art?! In this collection, Evans explores masculinity, fatherhood, family, and what it means to make a home as a black man in America today. Since this book is about 96 pages, I could easily read it via my Kindle app, but the cover art makes me want to buy the physical copy! It deserves a spot in my bookshelf.


Always Another Country: A Memoir of Exile and Home by Sisonke Msimang

If you’ve read All your faves are problematic: A brief history of Chimamanda Ngozi Adichie, stanning and the trap of #blackgirlmagic via Africa Is A Country, I’m sure you’d want to indulge in more of Msimang’s lucid writing. Jonathan Ball Publishers in South Africa released this memoir back in October of this year. Unfortunately, Sisonke Msimang hasn’t sold the book rights outside South Africa yet, so its unavailable online at the moment. In Always Another Country, Msimang takes readers from Zambia to Kenya, Canada, the US and South Africa as she reflects on childhood jealousies, adult passions, motherhood and ‘what it means to be born into a life scored by history.’ I want this book in my hands!


The House of Hunger by Dambudzo Marechera

The House of Hunger has been on my TBR for about 3 years. All the readers I know who’ve indulged in Marechera’s work claim him as an ultimate favorite. This novella portrays life in a Zimbabwean township and explores the lives of families living in black urban areas. Some readers have described this novella as ‘a masterpiece’ and ‘one of the greatest Zimbabwean novels of our time’ while using words like ‘brutal’, ‘sharp’, ‘disturbing’, ‘sublime’ to describe Marechera’s writing. I want to see/read what I’ve been missing out on! I hope to read this at some point in 2018.


Queer Africa 2 edited by Makhosazana Xaba and Karen Martin

This anthology (pub. 2017) is the sequel to Queer Africa: New and Collected Fiction which found great success back in 2013. It consists of 25 stories by writers from Kenya, Nigeria, Rwanda, Sierra Leone, Somalia, South Africa, Uganda. The stories touch on “desire, disruption and dreams; others on longing, lust and love – a range of human emotions abound in lives of Africans and those of the Diaspora who identify variously along the long and fluid line of the sexuality, gender and sexual orientation spectrum in the African continent.” I absolutely love the colorful needlework on the book cover! Last time I checked, this anthology was quite pricey. I hope my local library gets this book soon so I can experience the stories.


Black Cool: One Thousand Streams of Blackness edited by Rebecca Walker

Whether you like it or not, BLACK people have defined what it means to be cool – worldwide. Black Cool, which is edited by well-known feminist – Rebecca Walker (Alice Walker’s daughter), explores the emergence of black cool, through essays by Mat Johnson, bell hooks, Margo Jefferson and more. Henry Louis Gates forwards the anthology with historical context, where he connects past African elements to the current concepts of ‘cool’. I’m mostly curious to know how the writers articulate the thousand streams of our blackness. Blackness embodies so many shades, cultures, countries, customs, beliefs. Blackness is surely NOT a monolith!


What books are on your Christmas wish list? Please share some titles!

Happy Holidays & Merry Christmas, everyone!

 

• Check out the 2016 Christmas wish list