Bad Love by Maame Blue

Date Read: November 23rd 2020

Published: June 2020

Publisher: Jacaranda Books

Pages: 340

The Blurb

#TwentyIn2020 Bad Love is the story of London-born Ghanaian Ekuah Danquah and her tumultuous experience with first love. Marked by this experience, she finds herself at a crossroads – can she fall in love again, or does the siren song of her first love still call?

Against a backdrop of enigmatic nights scattered with spoken-word poetry in London, Venice, Accra and Paris, Ekuah tries to reconcile her personal journey with the love she struggles with for Dee Emeka, a gifted musician who is both passionate and aloof in his treatment of Ekuah. After 18 months together, he disappears from her life, confirming her worst fears about the unstable foundation of their relationship. She attempts to graduate university whilst retreating into herself, searching for new validations and preoccupations from heartbreak. 

Life marches on and Ekuah finds personal fulfillment in her poetry and community work. But when she must choose between her first love and the promise of a new, unexpected love, in the form of Jay Stanley, can she handle the vulnerability and forgiveness required? Grappling with her examples of love, Ekuah must forge her own path. With an increasingly successful career, she finds herself travelling around the world. When her rise intersects with Dee’s own fame, the two are pushed to reach a final resolution.

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Review – ★★★ (3 stars)

In case you’ve been living under a rock, Twenty in 2020 is a collaboration between Jacaranda Books and Words of Color, where they dedicate this year to publishing 20 works by Black British writers. The works include adult fiction, non-fiction and poetry. The aim of this trailblazing program is to normalize the presence of diverse literature, characters and authors across all genres and curricula, with the hope that it will be a source of inspiration for a new generation of publishing professionals and authors. Maame Blue’s debut was among the 20 works published by Jacaranda Books, back in June of this year.

Bad Love is more of a 3.5 stars rating (out of 5), for sure! I double-fisted this debut by listening to the book via Audible alongside reading the paperback, which I recently purchased. I really enjoyed the audio narration of this book! The narrator – Vivienne Acheampong, did a superb job. Maame Blue is a stellar writer and I must say – I enjoyed how smooth and lucid the writing was in this novel.

Black Brits – especially Ghanaian-British readers would appreciate this story, as there are nuances only they can fully grasp within the novel. Since I was a child born and partially raised in the Diaspora, I appreciated these nuances – for example, being raised by Ghanaian parents outside of Ghana; going to Ghanaian restaurants in the West and realizing that bad (rude) customer service is one of our trademarks; constantly grappling with double identities; viewing the world through double lenses, etc. At this novel’s core, Bad Love is a coming-of-age cum love story. At the periphery, the story delves into family, marriage, same-sex love and travel. The latter themes intrigued me most.

I’m not really a fan of the romance genre, especially involving young characters. A part of me felt annoyed by Ekuah’s ‘situationships’, her misplaced priorities and her need to feel wanted. Ekuah’s entanglements with Dee and Jay definitely felt real, but were cliché (and slightly triggering!) and I was not moved by their shenanigans. In fact, I actually really disliked those two male characters – especially Dee. Maame Blue’s mastery in her development of these characters allowed me to have strong emotions towards them, which is telling. Perhaps readers aged 17-26 would be more into Ekuah’s love entanglements. However, while reading, a part of me felt compassion for Ekuah, as I journeyed with her into adulthood. She’s just your typical university student finding her way through life while trying to not lose herself in ‘bad love’.

Bad Love takes readers from London to Venice, Paris to Accra, and back to London. I enjoyed being in different settings with Ekuah – descriptions of places and happenings in Italy and Accra were palpable and made me miss spoken word/literary events and musical concerts during this pandemic.

There are quite a number of characters to keep track of in the novel, and I was very much entertained by Ekuah’s parents and their marriage. Ekuah’s Dad in particular was such a different character. What a man! I wonder what a character like Okonkwo from Chinua Achebe’s Things Fall Apart would think of him! Ekuah’s Dad was the complete opposite of the African hyper-masculine stereotype that I’m so used to reading about in literature. Without giving too much away, the evolution of Ekuah’s parents’ marriage was fascinating and I loved the trajectory of that relationship, as it was sooo unexpected.

Overall, the title ‘Bad Love’ may have readers expecting a story laden with sour happenings, but this isn’t the case at all. Bad Love is an entertaining coming-of-age story that follows Ekuah into slowly realizing that she is her own best thing.

★★★ (3 stars) – Good book. I recommend it!

Purchase Bad Love on Amazon


P.S: I’ll be hosting a GIVEAWAY for Bad Love + other goodies, kind courtesy of Maame Blue over on Bookstagram – Monday November 30th to December 4th. Be sure to enter the giveaway at @africanbookaddict on Monday! It’s open to all readers on the African continent. All the details will be posted on African Book Addict!‘s Bookstagram.

Lastly, if you’re still wondering whether you should indulge in Maame Blue’s writing, definitely read her 2018 award-winning short story, entitled – Black Sky. This is probably the 5th time I’m referencing this short story on this book blog. Read it oh!

Zikora by Chimamanda Adichie, transphobia and more

Long time, no blog! I was extremely busy back in September and October. I was taking my final Dental exams during those months, but I’m finally free now.

I started this book blog a couple of months before I started Dental school, back in 2014. By God’s grace, I’m finally done and I’m proud to announce that I’m finally a Dentist and no longer a dental student. My childhood dream has been fulfilled and I’m grateful that this book blog, the camaraderie it garnered and my reading habits over the years have helped to sustain me throughout the 6 years of Dental school.

I’m using this time to take it easy for now, while still trying to complete my 2020 reading goal of reading 10 books. Hopefully I can finish up before this hectic year ends.


Below is my mini book review of Zikora: A Short Story by Chimamanda Adichie and some awesome articles I’ve loved since my absence. Enjoy!

Date Read: November 3rd 2020

Published: October 27th 2020

Publisher: Amazon Original Stories

Pages: 35

The Blurb

The emotional storms weathered by a mother and daughter yield a profound new understanding in a moving short story by the bestselling, award-winning author of Americanah and We Should All Be Feminists.

When Zikora, a DC lawyer from Nigeria, tells her equally high-powered lover that she’s pregnant, he abandons her. But it’s Zikora’s demanding, self-possessed mother, in town for the birth, who makes Zikora feel like a lonely little girl all over again. Stunned by the speed with which her ideal life fell apart, she turns to reflecting on her mother’s painful past and struggle for dignity. Preparing for motherhood, Zikora begins to see more clearly what her own mother wants for her, for her new baby, and for herself.

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Review –★★★★ (4 stars)

I’m glad Chimamanda is back to writing fiction because I was getting tired of her non-fiction pamphlets – Dear Ijeawele and We Should All Be Feminists. Zikora is a short story that’s essentially about womanhood – our loves, our bodies, our minds, our longings, our hurts, our strengths and our weaknesses. Themes such as fraught mother-daughter relationships, ageism, love, motherhood and more are explored in this short story.

I must say – Zikora and Kwame relationship’s demise (this is not a spoiler) had me feeling soooo depressed while reading. How can Kwame disgrace we Ghanaians like this? In true Chimamanda fashion, she adeptly develops the characters through the incorporation of past and present anecdotes, which simultaneously propel this emotional story forward.

In my opinion, Chimamanda isn’t the best short story writer. I wasn’t crazy about her short story collection- The Thing Around Her Neck because the conclusions of the short stories ended way too rudely and abruptly. But she definitely excels as a full-fledged novelist and I hope this Zikora is part of a forthcoming NOVEL! *fingers crossed*

I want more.

★★★★ (4 stars) – Great book. Highly recommend!

Purchase Zikora: A Short Story on Amazon



Below are pieces I found important to read:

4 Nigerian Authors to Read Who Haven’t Been Proudly Transphobic

image via Bitch Media

“We can recognize both Adichie’s talent as a writer and the cultural impact of her work, but her continued unwillingness to unlearn transphobia sullies her legacy and credentials when discussing gender politics. It’s disappointing—but it’s also an opportunity to continue investing in other Nigerian authors asking important questions of the culture and seeking to challenge some of Nigeria’s cultural norms while uplifting stories often relegated to the shadows”

This list is packed with a lot of references to J.K. Rowling and Chimamanda’s dismissal of Trans lives in the recent past. Take the time to read them all, if you can. It’s quite disappointing and I find myself wondering if I should still indulge in Chimamanda’s work… Trans women are WOMEN. Period.

Chinelo Okparanta, Chibundo Onuzo and Akwaeke Emezi and Chike Franke Edozien are the writers listed as actively rejecting transphobia. I’ve read and reviewed 3/4 of these writers!


Toni Morrison Taught Black Women, ‘You Are Your Best Thing’

image via Zora

“Ms. Morrison’s work had the courage to confront the U.S.’s historical amnesia of systemic violence and marginalization of Black folks in a nuanced and inevitably intersectional way by finding the balance between portraying intergenerational trauma and radical healing among Black American women in historically White American literary traditions”


Black Lives Matter, grandma and me: how our world changed during lockdown

image via The Guardian

“After months apart, Jade Bentil was reunited with her grandmother, in time to see the BLM protests unfold. She reflects on a history of repression”

This is a long read, but I really like Jade’s writing (and her tweets!) and look forward to her debut Rebel Citizen, out in 2022.


Beyoncé and the Heart of Darkness

“Few black thinkers and creatives in the United States seem able to grapple with the implications of their Americocentrism in relation to Africa”


Sharmaine Lovegrove: ‘You must spend a year in a bookshop before you get a job in publishing’

image via The Guardian

“Seeing the transformative experience of reading on customers’ faces is magic”

This piece by Lovegrove is short and sweet. But I couldn’t help but wonder if African readers on the continent of Africa were also part of the demographic she was writing about…


A Litany for Survival by Naomi Jackson

illustration by Diana Ejaita via Harper’s Magazine

“Giving birth as a black woman in America”

Whew! I left the best piece for last. I’m not new to Jackson’s work as I read, enjoyed and reviewed Naomi Jackson’s debut – The Star Side of Bird Hill, about 4 years ago. This piece is deeply heart-wrenching and it was beautifully written! Jackson held nothing back in this piece and I respect her a lot for this, even though it heightened my anxiety with regards to childbirth, significantly.


Happy reading!

The Deep Blue Between by Ayesha Harruna Attah

Date Read: July 29th 2020

(to be) Published: October 15th 2020

Publisher: Pushkin Children’s Books

Pages: 256

The Blurb

Twin sisters Hassana and Husseina’s home is in ruins after a brutal raid. But this is not the end but the beginning of their story, one that will take them to unfamiliar cities and cultures, where they will forge new families, ward off dangers and truly begin to know themselves.

As the twins pursue separate paths in Brazil and the Gold Coast of West Africa, they remain connected through shared dreams of water. But will their fates ever draw them back together?

A sweeping adventure with richly evocative historical settings, The Deep Blue Between is a moving story of the bonds that can endure even the most dramatic change.

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Review – ★★★★ (4 stars)

This has been a long journey, especially for readers of The Hundred Wells of Salaga, where we are first introduced to the twins – Hassana and Husseina. Imagine the deep annoyance I felt encountering Wofa Sarpong again, at the beginning of this novel. Does anyone hate him more than me?

The deep blue sea eventually separates Hassana and Husseina not only physically, but also spiritually and mentally. Hassana and Husseina (who later changes her name to Vitória) are separated by the sea after raiders destroy their village in Botu. By fate, Hassana remains in the Gold Coast and is sold into slavery, while Husseina is taken to Lagos and later to ‘greener pastures’ in Bahia, thanks to her godmother.

In true Ayesha H. Attah fashion, this novel is character-driven, with each character’s storyline alternating in the book’s chapters. Hassana and Husseina are both well-rounded characters and readers witness their growth from their painful separation, to the journey that leads them to realizing their full selves. The oldest twin – Hassana, reminded me of the bold, fearlessness of Akua-Afriyie in Harmattan Rain and Wurche in The Hundred Wells of Salaga. While I gravitate more towards these fearless women characters, I found myself really craving more of Husseina’s/Vitória’s chapters whenever I was reading Hassana’s. It was only when Hassana moved to Accra and befriended a vibrant Ga girl, that I started to enjoy her storyline – because who doesn’t love to see camaraderie between young black girls? Their sisterhood wasn’t free of conflict, but it felt so realistic and pure.

I was soooo fascinated by Vitória’s life in Brazil. It always escapes me that Brazil is part of the African diaspora; but this book reminded me of our extended family in South America, because of the expansiveness of slavery. Even the font style of Vitória’s chapter headings show how different and somewhat vibrant her life was. Her life in Bahia brought to light similarities in our foods, like – acarajé akin to Ghanaian koose; moqueca and feijoada akin to our seafood and beef stews, respectively. It was eye-opening to learn about Candomblé, Yemanja and other orixás and how Vitória wholeheartedly leaned into her newfound beliefs. Besides the constant Googling I was doing of Portuguese words, I was also refreshing my memory on Ghana’s pre-colonial history – especially the role of missionaries and the Anglo- Ashanti wars between 1824 and 1900.

I loved that Attah shed light on some of the (women-led) organizations that had been fighting for the rights of native Ghanaians during colonial times, like – Native Ladies of Cape Coast and Gold Coast Aborigines’ Rights Protection Society. Mainstream history will have anyone thinking that Ghanaian women activists did not exist, which is far from the truth. Introducing young readers to this fact is commendable.

What propels The Deep Blue Between forward is how each and every character Hassana and Vitória encounter help them draw closer to finding each other. It reminded me of how real life operates, in that, by Divine order things work out how they are supposed to (at least that’s what I believe). While I really loved reading and experiencing Hassana and Vitória’s journeys, I wanted the story to be a little more exciting. I wanted there to be more plot twists to keep me on the edge of my seat. I’ve read and enjoyed all of Ayesha H. Attah’s novels and I love that her writing style is primarily character-driven, but I’d also like to read a story with a different style.

Since this is Attah’s first YA novel, I thought it would be corny and rife with unrealistic happenings within the story – as some YA books are (this is my opinion, sorry). But this evenly-paced novel is really laden with so much history and wisdom! If anyone new to Ayesha Harruna Attah’s work is wondering which of her books to read first, The Deep Blue Between is a good place to start. Young Ghanaian readers will feel proud to read this novel, as they would see themselves reflected in the characters and smile at the great showcase of our history and culture within the book. I’ve already pre-ordered a copy for my little cousin who’ll be 12 years old in October, when The Deep Blue Between will be published!

★★★★ (4 stars) – Great book. Highly recommend!

Pre-order The Deep Blue Between on Amazon

Special thanks again to Elise Jackson, Poppy Stimpson and the rest of the team at Pushkin Press for the ARC!

In case you missed it, back in March I was privileged to be part of the cover reveal campaign for this forthcoming novel! Be sure to check out the Cover Reveal + Q&A with Ayesha Harruna Attah for The Deep Blue Between.


Check out my book reviews of Ayesha H. Attah’s other novels below:

An American Marriage by Tayari Jones

Date Read: April 9th 2020

Published: January 2018

Publisher: Algonquin Books

Pages308

The Blurb

Newlyweds, Celestial and Roy, are the embodiment of both the American Dream and the New South. He is a young executive and she is artist on the brink of an exciting career. They are settling into the routine of their life together, when they are ripped apart by circumstances neither could have imagined. Roy is arrested and sentenced to twelve years for a crime Celestial knows he didn’t commit. Though fiercely independent, Celestial finds herself bereft and unmoored, taking comfort in Andre, her childhood friend, and best man at their wedding. As Roy’s time in prison passes, she is unable to hold on to the love that has been her center. After five years, Roy’s conviction is suddenly overturned, and he returns to Atlanta ready to resume their life together.

This stirring love story is a deeply insightful look into the hearts and minds of three people who are at once bound and separated by forces beyond their control. An American Marriage is a masterpiece of storytelling, an intimate look into the souls of people who must reckon with the past while moving forward- with hope and pain- into the future

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Review – ★★★★★ (5 stars)

I finished reading An American Marriage yesterday. I usually take my time with my current reads, but I devoured this book in two days because I just wanted to get the pain over and done with. A book hits differently when you read it once the hype has subsided. My heart!

I initially wanted to give up on this book after the first 40 pages, but my Mom encouraged me to finish it (the book was a gift to her last year, and she loved it even though it was a painful read). I wanted to stop reading because the story was laden with a type of grief I didn’t want to deal with, especially not during this anxious time of Coronavirus. The events that led to Roy’s arrest were traumatic, painful and heartbreaking to read – especially with him being innocent. While the couple’s arguments prior the arrest were probably normal, I wasn’t encouraged by their relationship, as a whole. Reading the letters Celestial and Roy wrote each other while Roy was in prison was heavy. Their relationship before and after prison was just heavy! *sigh*… Andre, really sir?

There are no good or bad characters in this story – I’m on everyone’s side. I love that Jones showed how all the characters in this book came from imperfect (loving) families and how messy their relationships were. But I sympathize with Roy the most. Jones definitely highlights Black masculinity in all its forms, through poor Roy’s character, as well as the other men in this story – Andre, Big Roy, Carlos, Franklin, Uncle Banks. An American Marriage definitely reminds readers of the terrible effects of mass incarceration – not only for the people imprisoned, but also the friends and families involved. The last 50 pages of this book were probably the best! My heart raced as I was eager to know how the story would end. I quite liked how it ended, really. One thing that stuck out for me was how history repeated itself – with regards to how Celestial’s parents got married and Roy’s biological father in prison…

Jones made this book as Southern as possible and I loved that! Readers are acquainted with Georgia (Atlanta) and Louisiana (Eloe) via the landscape, the soul food, the accents and the lifestyles. It’s hard not to crave shrimp croquettes and blackberry jam cake while reading!

An American Marriage reminded me of Baldwin’s ‘If Beale Street Could Talk’ and Ava DuVernay’s documentary ’13th’ – both tragic explorations of the serious systemic issues America is slow to rectify. Jones’ beautiful writing kept this story captivating, emotional and very human. I know this novel is a love story at it’s core, but ultimately, I found the story to be an intimately devastating tale that exposes the effects of America’s humongous issue of mass incarceration. Read this, if you have the heart.

Last thing! Maybe its because I’m almost a Dentist, but I can’t seem to get over how pained I am about Roy’s tooth… what’s the significance of the whole tooth thing? Someone please enlighten me!

★★★★★ (5 stars) – Amazing book, I loved it. Absolutely recommend!

Purchase An American Marriage on Amazon

Girl, Woman, Other by Bernardine Evaristo

Date Read: February 22nd 2020

Published: May 2nd 2019

Publisher: Hamish Hamilton

Pages: 453

The Blurb

Teeming with life and crackling with energy — a love song to modern Britain and black womanhood.

Girl, Woman, Other follows the lives and struggles of twelve very different characters. Mostly women, black and British, they tell the stories of their families, friends and lovers, across the country and through the years.

Joyfully polyphonic and vibrantly contemporary, this is a gloriously new kind of history, a novel of our times: celebratory, ever-dynamic and utterly irresistible.

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Review – ★★★★★ (5 stars)

Whew! It’s been a while since I read and reviewed a 5-star book. Girl, Woman, Other is probably really 4.5 stars, but I’m giving this novel 5 stars purely because of how this book made me feel. Yes, believe the hype!

Girl, Woman, Other is an inter-generational novel that follows 12 different characters in the UK. The book is divided into 5 parts, with each part containing 3 chapters/character storylines.

Part 1 follows – Amma, Yazz and Dominique; Part 2 follows Carole, Bummi and LaTisha; Part 3 follows Shirley, Winsome and Penelope; Part 4 follows Megan/Morgan, Hattie and Grace; Part 5 is the Epilogue (which I found a bit unnecessary). Each chapter in this book is dedicated to a character and the characters are mostly woman of color (either Black or bi- or multiracial), with one character being non-binary.

Readers follow characters through their lives, as their stories oscillate from past to present. All characters and stories are interconnected in such a fascinating way. Even in this book, readers see just how small the world is. Bernardine Evaristo’s sharp wit and ability to fabricate such nuanced characters, displaying all their idiosyncrasies is such an awesome feat! The writing style of this novel is unique. It’s so unique that you might need some patience getting used to it. Once I got acclimated to Evaristo not using punctuation marks, I was easily able to vividly hear the voices of the characters.

Having all 12 characters interconnected made this book so enjoyable for me! I’ve always been a sucker for inter-connected short stories (Edwidge Danticat does this well!) and family sagas. I felt like I was part of the wonderful community Evaristo created. Each character has her/their own set of issues and the icing on the cake for me was analyzing how each character viewed themselves, and others. I loved the way perspective and our views/opinions/feelings about people play a huge role in this book. Evaristo did an incredible job of showing us how the characters viewed themselves and others from different angles.

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Anyway, that’s enough gushing over how much I enjoyed Girl, Woman, Other, as a whole. Let’s now delve into 9 of the characters I loved/disliked.

NOTE – kindly tread lightly. I do my best not to include spoilers in my analysis of these characters. But also, just know that whatever I say here can’t even do the actual characters justice. You really get the full scope of the characters when you read the book!

Yazz: she’s the daughter of Amma Bonsu – a badass lesbian playwright and Ronald Quartey – a pissy, arrogant gay professor (sorry, but I hated his arrogance and self-hate). Yazz’s chapter was second in this book and really had me revved up to continue reading. She almost embodies the modern day enlightened teen. She’s a 19 year old super ambitious University student who is open-minded, opinionated, self-assured, woke (conscious of social issues and inequalities in the world) and not down with the bullshit. I had fun witnessing her trying to find herself and maintain a solid friend group, while dealing with her annoying, yet hilarious parents.

Dominique: poor Dominique! Her chapter was almost the most frustrating to read. Dominique is Amma’s bestie and the duo started a production company as young adults, while navigating their broke lives in London. She’s a lesbian of Caribbean heritage and from a family who disowns her after she comes out as a lesbian teen. Dominique follows an African-American woman to the States and almost loses herself. That’s all I’ll say on Dominique. I loved how her chapter shed light on abuse that happens within relationships and how oblivious the one being abused can be.

Carole: I think Carole’s character was complex. I liked Carole as I read her chapter, but when I read her mother’s chapter – Bummi, and even her school teacher’s chapter – Shirley, I realized how trash Carole actually was! I think she was a victim of her circumstances. As a young teen, Carole followed the wrong group of girls and had some unfortunate events happen in her life. She excels as an adult, but throws away her heritage. What made me dislike Carole was how negative she was. Her actions and views on innocent folks who had good intentions towards her were just off! I wonder if other readers saw her to be an opportunist… She’s a brilliant young lady, but the self-hate she displays was quite disappointing (but so real in many peoples’ lives today).

Bummi: what a woman! Bummi is Carole’s mother. Her chapter brought tears to my eyes – tears from feeling her pain, struggle and joy, all at once! Bummi is a heroine.

LaTisha: she’s Carole’s childhood friend, who isn’t the brightest of the bunch. As a teen and young adult, LaTisha’s dysfunctional family led her to fall into the arms of many men. I was shocked at how fertile she was and how dumb she was every time she slept with a man that lied to her. Like the great J. Cole once said: ‘Fool me one time shame on you; Fool me twice, can’t put the blame on you’. Given that LaTisha was fooled sooo many times, who is the fool here?

Shirley: she’s another one of Amma’s friends, but from childhood. Shirley’s a plain Jane teacher of high school students. She starts out teaching with a passion, but burns-out as the years go by. I personally think she has a perfect family – her loving husband, Lennox, is perfect for her (or so I thought….); her daughters are wonderful and Shirley’s parents are well-off pensioners with a beach house in Barbados. Like I said before, Shirley’s chapter made me see how ungrateful Carole was. But Shirley is a complainer! Her life really had no problems, but she saw problems with most things, which was hilarious and annoying at the same time. Oh, and she might be a closeted homophobe…

Winsome: she’s Shirley’s mother. Her chapter will make your jaw drop! What a wild, deprived, shameless woman! She’s the epitome of the Ghanaian phrase – ‘onipa yɛ bad’ which literally means ‘human beings are bad’ but actually means – ‘be weary of people/ you can’t trust anyone’. Period. 

Morgan: They are the non-binary character, who was initially called Megan. I didn’t find their chapter convincing, to be honest. I didn’t like the flow of their storyline and found their eventual fame so random and misplaced.

Grace: she’s Morgan’s great-grandmother. I ended up loving Grace especially when she snapped out of her postpartum depression. Flossie’s (Grace’s maid) unsympathetic attitude towards Grace was unfortunate, but so real! People are quick to judge other mothers, without knowing the misery and sadness mothers who’ve experienced multiple miscarriages, or just had zero luck in seeing their babies survive after 3 months. Grace’s chapter tackled tough motherhood issues so beautifully. Grace is definitely an MVP.

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I hope my brief discussion of some of the characters whetted your appetite to pick up this book! While there are a ton of characters in this book, their storylines are not hard to follow and appreciate. Bernardine Evaristo managed to make this novel modern and timeless and I really wish she didn’t have to share the 2019 Booker Prize with anyone.

This is an apt book to enjoy during International Women’s Day, which is today! Girl, Woman, Other is Evaristo celebration of Black British womanhood.

★★★★★ (5 stars) – Amazing book, I loved it. Absolutely recommend!

Purchase Girl, Woman, Other on Amazon

A Particular Kind of Black Man by Tope Folarin

Date Read: August 30th 2019

Published: August 6th 2019

Publisher: Simon & Schuster

Pages: 272

 The Blurb

A stunning debut novel, from Rhodes Scholar and winner of the Caine Prize for African Writing, Tope Folarin about a Nigerian family living in Utah and their uncomfortable assimilation to American life.

Living in small-town Utah has always been an uneasy fit for Tunde Akinola’s family, especially for his Nigeria-born parents. Though Tunde speaks English with a Midwestern accent, he can’t escape the children who rub his skin and ask why the black won’t come off. As he struggles to fit in and find his place in the world, he finds little solace from his parents who are grappling with their own issues.

Tunde’s father, ever the optimist, works tirelessly chasing his American dream while his wife, lonely in Utah without family and friends, sinks deeper into schizophrenia. Then one otherwise-ordinary morning, Tunde’s mother wakes him with a hug, bundles him and his baby brother into the car, and takes them away from the only home they’ve ever known.

But running away doesn’t bring her, or her children, any relief from the demons that plague her; once Tunde’s father tracks them down, she flees to Nigeria, and Tunde never feels at home again. He spends the rest of his childhood and young adulthood searching for connection—to the wary stepmother and stepbrothers he gains when his father remarries; to the Utah residents who mock his father’s accent; to evangelical religion; to his Texas middle school’s crowd of African-Americans; to the fraternity brothers of his historically black college. In so doing, he discovers something that sends him on a journey away from everything he has known.

Sweeping, stirring, and perspective-shifting, A Particular Kind of Black Man is a beautiful and poignant exploration of the meaning of memory, manhood, home, and identity as seen through the eyes of a first-generation Nigerian-American.

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Review – ★★★★ (4 stars)

I was so excited when Simon & Schuster sent me Folarin’s debut. I’m a fan of Folarin’s Caine Prize shortlisted stories – Miracle and Genesis and I had been waiting for this debut since 2016 – when he was shortlisted for the second time for the Caine Prize.

A Particular Kind of Black Man is a coming-of-age tale that follows Tunde and his family, in Utah and later in Dallas. Throughout the novel, Tunde is trying to understand himself while enduring various changes that emotionally rock his family.

While reading this debut, I was hoping it wouldn’t be the cliché immigrant story of the first-generation American character trying to strike a balance between their American-ness and their African-ness – I’ve honestly read ENOUGH of such stories over the years. This novel did touch on those identity issues, but Folarin gave us more. I love that Folarin shed light on the importance of a mother’s love in the development of the boy child; the effect a mother’s abuse and absence have on the boy child’s psyche. Throughout the novel, it’s clear that Tunde childhood with and without his mother affected him in a plethora of ways. I always knew mothers/mother figures were important in families, but this novel somehow made me see their importance from a whole different angle, especially with Tunde’s lack of his mother’s love.

Tunde’s dad is such an important character in this book – if this debut is ever read for a literature class or discussed in a book club, soooo much can be said about him! He was a loving, strict father, who was deeply affected by the demise of his marriage(s). He was a proud Yoruba man, yet desired to assimilate into American culture (especially in his need to acquire an American accent) just so he could keep a job. Stress gets the best of him and readers see hints of depression, as he fought to stay jovial and positive for his family. Reading and relating to his character felt so real, because in real life, many immigrants don’t always achieve the ‘American dream.’ I wish Folarin gave more insight into Tunde’s dad’s life towards the end of the novel, because he just vanished when Tunde went off to college.

Folarin made this debut more exciting for me with how he played with perspective and memory throughout the novel. At one point, the novel is written in first person (Tunde’s voice) and in some chapters it’s written in the third person. With chapters that are written in first person, Tunde admits to readers that the re-telling of various events discussed in the book may be false, as he seems to suffer from double-memory. I found this both upsetting and fascinating, because Tunde himself isn’t sure of anything anymore, to the point where he thinks he possesses symptoms of his mother’s Schizophrenia. Tunde steadily tries to be a particular type of black man, and Folarin’s use of various perspectives help us witness Tunde’s performance from various aspects.

What I’ve always liked about Folarin’s writing is how lucid and artfully descriptive his stories are. This debut shows Folarin’s poetic and funny side, as various passages display bits of humor and poetic melodies. I will continue to read anything Folarin writes! Read this book if you can.

Special thanks to Simon & Schuster for a copy of this book!

★★★★ (4 stars) – Great book. Highly recommend!

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Frying Plantain by Zalika Reid-Benta

Date Read: July 21st 2019

Published: June 4th 2019

Publisher: House of Anansi Press

Pages: 272

 The Blurb

Kara Davis is a girl caught in the middle – of her Canadian nationality and her desire to be a ‘true’ Jamaican, of her mother and grandmother’s rages and life lessons, of having to avoid being thought of as too ‘faas’ or too ‘quiet’ or too ‘bold’ or too ‘soft’.

Set in Little Jamaica, Toronto’s Eglinton West neighbourhood, Kara moves from girlhood to the threshold of adulthood, from elementary school to high school graduation, in these twelve interconnected stories. We see her on a visit to Jamaica, startled by the sight of a severed pig’s head in her great aunt’s freezer; in junior high, the victim of a devastating prank by her closest friends; and as a teenager in and out of her grandmother’s house, trying to cope with the ongoing battles between her unyielding grandparents.

A rich and unforgettable portrait of growing up between worlds, Frying Plantain shows how, in one charged moment, friendship and love can turn to enmity and hate, well-meaning protection can become control, and teasing play can turn to something much darker. In her brilliantly incisive debut, Zalika Reid-Benta artfully depicts the tensions between mothers and daughters, second-generation Canadians and first-generation cultural expectations, and Black identity and predominately white society.

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Review – ★★★ (3 stars)

The title of this collection is so cool! Everyone loves fried plantain, so the title is truly inviting (Fun fact – fried plantain is called kelewele in Ghana (when diced & spiced), dodo in Nigeria, alloco in Cote d’Ivoire). Frying Plantain is a coming-of-age collection of interconnected short stories that follow Canadian-Jamaican girl, Kara Davis. Initially, I thought with each successive story, I’d be engrossed into Kara’s journey as she went through childhood into adolescence. But now, a part of me feels a little disappointed by this collection. While reading, I felt like I was drowning because I found the characters relentlessly toxic, hence making my reading experience a bit sour.

The collection commences with a story called ‘Pig Head.’ In ‘Pig Head’, we’re introduced to Kara who is on holiday in Jamaica with her family. While on holiday, Kara is sent to get something from the freezer and is terrified by the sight of a huge severed pig head stored there. Kara goes back to her 4th grade classmates in Canada and tells fibs about the pig head. She brags about how she helped kill the pig and gives her classmates gory details of the killing, which eventually land her into trouble with her school’s principal and her mother. Kara fabricates the story in an effort to seem unique and to claim her Jamaican roots even though her neighborhood friends call her ‘stush’ (posh/boujee).

Throughout this collection, Kara tries to fit in by either lying, falling prey to peer pressure or staying quiet to keep the peace. As a child, she spends a lot of time with (toxic) neighborhood friends, who are also of Caribbean heritage. Among her group of friends, some are even straight from the Islands and they impose their Caribbean authenticity by constantly reminding others within the group – including Kara, of how un-Jamaican/Caribbean they are –

Miss Canada gwine fi bust out the patois? Yuh need to stop Ja-fakin’ it, Kara – pg. 32

I enjoyed the short stories that explored Kara’s relationships with boys and wanted more! I found the descriptions of her first kiss so cringey yet hilarious, as Reid-Benta aptly portrays the awkwardness –

I told him he could kiss me, and then he inched forward and meshed his lips with mine… My own lips were still puckered when he started to open his mouth. He pressed the tip of his tongue against my teeth until I unclenched and allowed him access. I couldn’t figure him out… I hunched my shoulders instead, trying to show eagerness, and twirled my tongue around his, but he got excited and shoved his tongue so far down my throat I gagged. I pulled away – pg. 116

But Kara’s mother’s sharp gaze always marred my joy of witnessing Kara find love (or have fun, in general). Kara is raised by a single mother – Eloise, who seems pretty miserable. Initially I didn’t feel any love between mother and daughter, but later I realized Eloise’s brash, over-controlling manner was driven by fear. Eloise raises Kara on her own but with the help of her own parents, who come with their own set of issues. *sigh* Eloise’s relationship with her parents (Kara’s grandparents) is tragic – there is a lot of emotional abuse, verbal abuse, manipulation and gaslighting between Eloise and her parents, but also between Kara and her grandparents. Eloise’s parents also have a dysfunctional marriage – but I don’t even have the energy to get into their marriage. Kara’s family dynamics in this book are just A LOT.

Since Kara is raised in an over-controlled, stern environment, her personality is unassuming and quite unclear. She comes off as meek, subdued and repressed; but she can defend herself or react to unfair treatment when pushed to her limit, which is often.

According to other readers on Goodreads, this collection is very Canadian. I wasn’t sensitive to the Canadian-ness of this collection, as I wouldn’t even know where to catch the nuances. I’ve only visited Canada three times (Toronto when I was about 5 years old, Montréal as a sophomore in college and Windsor when I was a senior in college), so I didn’t have the eye for spotting the Canadian vibes from the collection. I did like the mention of poutine though, when Kara and her friends trekked through a snow storm just to eat some.

I thoroughly enjoyed Zalika Reid-Benta’s writing style. She has a beautiful way with words such that I vividly saw Kara’s quiet awkwardness; I could hear Eloise shouting at Kara to stop crying; I could feel Kara’s desire to fit in with her fellow Caribbean friends. Zalika Reid-Benta’s writing is the reason I finished this collection. She has a gift with words, and I surely admire that!

I think I would have enjoyed this collection more if I was new to African Diaspora literature. But I’ve read countless stories like this, so it didn’t really stand out to me as super unique. I just find it very interesting how Caribbean women writers always seem to touch on strained mother-daughter relationships in their work. I haven’t read a ton of work by Caribbean women writers, but so far Jamaica Kincaid, Edwidge Danticat, Naomi Jackson, Alexia Arthurs ALL touch on this strained relationship in their stories. Why is this type of relationship so prevalent in their work? Anyway, even though I wasn’t blown away by this collection, I look forward to reading more of Reid-Benta’s work! She’s a pretty damn good writer.

Thank you to House of Anansi Press for sending me a review copy of the book!

★★★ (3 stars) – Good book. I recommend it, I guess.

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You Too Will Know Me by Ama Asantewa Diaka (Poetra Asantewa)

Date Read: July 16th 2019

Published: June 11th 2019

Publisher: Akashic Books

Pages: 30

 The Blurb

“Here is a poet whose practiced weaving of talk and song is a testament to her devotion to language and her clarity of vision. Those of us who have encountered Diaka with excitement invite you to listen with us as she offers us a new song, one which will surely not be her last” – Tjawandwa Dema

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Review – ★★★★ (4 stars)

You Too Will Know Me is a chapbook that reads like a series of confessions, in an effort to better love and accept oneself. Through the sincere truths and feelings revealed, Diaka shows that ‘any day is a good day for redemption’, that there is joy in the morning and we can all start over again. Most of the poems speak to the challenges of adulthood, abandonment of lovers, unrequited love, (un)forgiveness, feminine strength + beauty and more.

Diaka’s writing style is bold – bold enough to have the words ‘God’ and ‘blowjob’ in the same stanza! Bold enough to capture the essence of what it’s like to be deeply disappointed in your home country for not loving its citizens enough (from my favorite poem – And I’ve Mastered The Art of Receiving Hand-Outs Because I Come From This Place).

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Favorite quotes from various poems in the chapbook:

‘how do I distract myself from myself in order to free myself?’ – Before The Gag, page 12

‘What’s the English word for someone who still has hope in lovers who cause too much anxiety?
Tell me so I can spit it out.’ – Spit, page 13

‘Damn everybody!
Do they not know
that the sun borrows light from your fingertips?
Do they not know
that you give color to the rose?
Do they not know
that your breath is studied by the highest of connoisseurs
to make the best perfumes?
There’s something about you
that makes looking away impossible’ – Suicide Sarah, page 15

‘I am hungry for a love my country cannot afford…
I want a love
that doesn’t require me to be ridiculously multifaceted
in order to have a fraction of an equation at being equipped for survival;
a love that doesn’t wait for another suitor to sing the praises of my genius
before recognizing my worth,
or worse, only after I’m dead.
I am hungry for a love my country cannot afford,
the way white lusts for a backdrop to outshine.

And I’ve Mastered The Art of Receiving Hand-Outs Because I Come From This Place, page 18

‘I have been fretting over things that God shakes his head at
toying with faith as if it were a disappearing act.
One minute I’m full of it,
the next, I don’t exactly know the shape of it.
I fret over now and tomorrow,
giving myself and God a headache.
Spoon feed myself faith,
and come up hungry again…’ – Let It Be, page 22

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Bloom is an unapologetically Ghanaian poem, that reads like a vivid short film. In the poem, the narrator takes readers to Accra, Ghana- Labadi, to be precise. The narrator describes the ordinary Ghanaians she sees on the road, simply living. The laugh and smiles of a porridge seller – Ms. Atta, keeps her customers coming for more, despite the deep pain and hurt she feels within.

‘These people teach me,
that if you are from Accra and you are placed anywhere in
the world,
there’s no way you won’t know how to bloom’ – Bloom, page 24

This collection is meant to be read more than once. Multiple readings will reveal different truths – about the poet and even you, the reader! Diaka’s work allows readers to meditate and examine their feelings towards their present lives. You Too Will Know Me is honest, visceral and necessary. Also, it’s Ghanaian AF!

★★★★ (4 stars) – Great book. Highly recommend!

You Too Will Know Me is part of a series published by Akashic Books in collaboration
with the African Poetry Book Fund:
New-Generation African Poets: A Chapbook Box Set (Sita) (African Poetry)

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