Mini Reviews | Audiobooks

Hey everyone!

I’ve been listening to quite a few audiobooks lately. As an avid consumer of numerous podcasts, audiobooks – especially essay collections and non-fiction (read by the author), act as extended podcast episodes for me! Below are 4 mini reviews of the audiobooks I’ve enjoyed thus far.

Eloquent Rage: A Black Feminist Discovers Her Superpower by Brittney Cooper

Date Read: April 28th 2018

Published: 2018

Narrated by: Brittney Cooper

Length: 6hrs 57mins

 

 

The Blurb

So what if it’s true that Black women are mad as hell? They have the right to be. In the Black feminist tradition of Audre Lorde, Brittney Cooper reminds us that anger is a powerful source of energy that can give us the strength to keep on fighting.

Far too often, Black women’s anger has been caricatured into an ugly and destructive force that threatens the civility and social fabric of American democracy. But Cooper shows us that there is more to the story than that. Black women’s eloquent rage is what makes Serena Williams such a powerful tennis player. It’s what makes Beyoncé’s girl power anthems resonate so hard. It’s what makes Michelle Obama an icon.

Eloquent Rage keeps us all honest and accountable. It reminds women that they don’t have to settle for less. When Cooper learned of her grandmother’s eloquent rage about love, sex, and marriage in an epic and hilarious front-porch confrontation, her life was changed. And it took another intervention, this time staged by one of her homegirls, to turn Brittney into the fierce feminist she is today. In Brittney Cooper’s world, neither mean girls nor fuckboys ever win. But homegirls emerge as heroes. This book argues that ultimately feminism, friendship, and faith in one’s own superpowers are all we really need to turn things right side up again.

 

Review – ★★★★★ (5 stars)

I honestly don’t know how to review this book. There are updates I shared on Goodreads of my rough thoughts after some of the chapters I enjoyed. All I can say is: Dr. Brittney Cooper is my shero! That is all.

Purchase Eloquent Rage on Amazon

 


Tears We Cannot Stop: A Sermon to White America by Michael Eric Dyson

Date Read: May 16th 2017

Published: 2017

Narrated by: Michael Eric Dyson

Length: 5hrs 32mins

 

 

The Blurb

Short, emotional, literary, powerful—Tears We Cannot Stop is the book that all Americans who care about the current and long-burning crisis in race relations will want to read.

As the country grapples with racist division at a level not seen since the 1960s, one man’s voice soars above the rest with conviction and compassion. In his 2016 New York Times op-ed piece “Death in Black and White,” Michael Eric Dyson moved a nation. Now he continues to speak out in Tears We Cannot Stopa provocative and deeply personal call for change. Dyson argues that if we are to make real racial progress we must face difficult truths, including being honest about how black grievance has been ignored, dismissed, or discounted.

 

Review – ★★★★★ (5 stars)

Excellent, excellent, excellent – from beginning to end! I love how Prof. Dyson takes his time to break everything down to white folk – who are the target audience of this book. I’m glad I listened to this via audiobook, because Dyson was very entertaining while performing his words. He has a wonderful, melodic (and sometimes superfluous) way with words that made this an excellent listen. This book is in the form of a sermon and almost every other sentence is quotable; so it was challenging to listen to this book while driving, because I’d always want to add a note to certain clips of chapters as reminders to transcribe the quotes when writing a review (one disadvantage of audiobooks). But I loved Dyson’s bold, fearless approach to enlightening white America of ALL the mess they’ve caused and still remain silent about.

When I started listening, I wondered if Dyson would address the ways white America relates to Black Americans and Black immigrants – i.e: folks from Africa and the Caribbean, and he indeed addresses this towards the end of the book. While Black people from Africa and the Caribbean don’t carry the same intricate baggage of slavery as Black Americans, in the United States, we are all just Black to the white man. Dyson addressing these facts in the book made me think of how divisive we (Black people) tend to be in our communities, and how it only hurts us.

Towards the end of the book, Dyson gives a plethora of recommendations for readers to educate themselves on race in America. Some of his recommendations of writers to read include – Classics: Audre Lorde, Barbara Smith, bell hooks, Michelle Wallace, Kimberly Crenshaw, Patricia Hill Collins, W.E.B. DuBois, Ralph Ellison, Alice Walker, Angela Davis, Maya Angelou, Barack Obama; Gifted Black Voices In Media: Ta’Nehisi Coates, Clint Smith, Henry Louis Gates Jr, Brittney Cooper, Eve Ewing, Wesley Lowrey; Ambassadors Of Truth: Peggy McIntosh (she came to my college to speak when I was in my junior year. It was such an honor to be in her presence!), Tim Wise and many more!

I really hope white folks are purchasing and reading this book, because it was carefully written for them.

Purchase Tear We Cannot Stop on Amazon

 


Born a Crime: Stories from a South African Childhood by Trevor Noah

Date Read: January 17th 2018

Published: 2016

Narrated by: Trevor Noah

Length: 8hrs 44mins

 

 

The Blurb

Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life.

The stories collected here are by turns hilarious, dramatic, and deeply affecting. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love.

 

Review –★★★★ (4 stars)

What more can be said about Born A Crime? Everybody and their grandmother has read this book.

I started the book in November (2017) but got side tracked. If I had listened to this book in 3 sittings, I might have given the book 5 stars because it was really enjoyable when I first started. Nevertheless, Trevor Noah is a very compelling storyteller – listening to him re-enact South African accents/languages and imitate various characters was such a treat. But what a stubborn child this boy was!

To me, this book is an ode to his phenomenal mother, who I truly admire. The ending of this book was deeply emotional and brought me to tears… Born A Crime had the right blend of South African racial history, humor and life lessons.

Purchase Born A Crime on Amazon

 


What I Know for Sure by Oprah Winfrey

Date Read: July 31st 2017 & (re-read) June 23rd 2018

Published: 2014

Narrated by: Oprah Winfrey

Length: 3hrs 53mins

 

The Blurb

As a creative force, student of the human heart and soul, and champion of living the life you want, Oprah Winfrey stands alone. Over the years, she has made history with a legendary talk show – the highest-rated program of its kind, launched her own television network, become the nation’s only African-American billionaire, and been awarded both an honorary degree by Harvard University and the Presidential Medal of Freedom. From all her experiences, she has gleaned life lessons―which, for fourteen years, she’s shared in O, The Oprah Magazine’s widely popular “What I Know For Sure” column, a monthly source of inspiration and revelation.

 

Review – ★★★★★ (5 stars)

Listening to Oprah is probably the best way you can consume this candid, uplifting book. I grew up watching & hearing Oprah’s voice on television, so obviously it didn’t take much for me to decide to experience this collection full of wisdom, via audio.

Hearing Oprah read her words gives you so much clarity and seriously puts things into perspective. I think I’ll make it a point to re-listen to this book at the beginning of every new year. It’ll help get my mind right and remind me of the things I NEED to fall back on, like – praying, taking the time to be present and feel myself breathe, making a conscious effort to see the good in everything, enjoying life, being full of gratitude and doing unto others as I would have them do unto me. What I Know For Sure reminds you that life isn’t as difficult as we make it seem, if we choose to live life full of gratitude.

Purchase What I Know For Sure on Amazon

 


Other excellent audiobooks I’ve enjoyed so far:

My thoughts of these books are on Goodreads (they do not cohere to the Black focus of this blog, so reviews won’t be posted here). Kindly click on the titles to be redirected to my thoughts on them.

The next audiobook I have lined up is – Dreams From My Father by Barack Obama. I hope to read along with the physical copy of the book (which was actually a gift to my Dad, from 9 years ago).

 

I’d love more recommendations! Which audiobooks have you enjoyed thus far?

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Willow Weep for Me: A Black Woman’s Journey Through Depression by Meri Nana-Ama Danquah

Date Read: July 28th 2017

Published: February 1999

Publisher: One World / Ballantine

Pages: 288

The Blurb 

This moving memoir of an African-American woman’s lifelong fight to identify and overcome depression offers an inspirational story of healing and emergence. Wrapped within Danquah’s engaging account of this universal affliction is rare and insightful testimony about what it means to be black, female, and battling depression in a society that often idealizes black women as strong, nurturing caregivers. A startlingly honest, elegantly rendered depiction of depression, Willow Weep for Me calls out to all women who suffer in silence with a life-affirming message of recovery. Meri Danquah rises from the pages, a true survivor, departing a world of darkness and reclaiming her life.

 

Review – ★★★★★ (5 stars)

I read Willow Weep for Me last year around this time. After reading, I just wanted the memoir to sit with me for awhile before discussing my thoughts! I learned a lot from this book, but one thing that stuck with me is: Black women are not immune to clinical depression. We need to stop contending with the stereotypic image of strength. This image encourages stoicism while several black women live in denial by denying their pain. And it’s harmful.

The illusion of strength has been and continues to be of major significance to me as a black woman. The one myth that I have had to endure my entire life is that of my supposed birthright to strength. Black women are supposed to be strong – caretakers, nurtures, healers of other people – any of the twelve dozen variations of Mammy. Emotional hardship is supposed to be built into the structure of our lives. It went along with the territory of being both black and female in a society that completely undervalues the lives of black people and regards all women as second-class citizens. It seemed that suffering, for a black woman, was part of the package.

Or so I thought. (pg. 19)

Willow Weep For Me, which was published back in 1999, is a deeply personal memoir on Ghanaian-American writer – Meri Nana-Ama Danquah’s journey through depression. What makes this book truly special is the clarity of Danquah’s writing. This memoir is beautifully laced with poetic phrases and visceral descriptions, giving readers the full experience of various anecdotes and incidences that occurred in her life. I loved how Danquah incorporated the stories of other (black) women’s journeys through depression into this memoir, allowing readers to resonate with the many variations of mental illness. Through other women’s experiences highlighted in this book, I was enlightened on the force of suicidal ideation, seasonal depression and some side-effects of anti-depressants (which varies from person to person).

 

Some of my favorite quotes from the memoir:

White women who suffer from mental illness are depicted as idle, spoiled, or just plain hysterical. Black men are demonized and pathologized. Black women with psychological problems are certainly not seen as geniuses; we are generally not labeled ‘hysterical’ or ‘eccentric’ or even ‘pathological’. When a black woman suffers from a mental disorder, the overwhelming opinion is that she is weak. And weakness in black women is intolerable. (pg. 20)


I’ve frequently been told things like: “Girl, you’ve been hanging out with too many white folk” ; “What do you have to be depressed about? If our people could make it through slavery, we can make it through anything” ; “Take your troubles to Jesus, not no damn psychiatrist.” (pg. 21)


From the beginning, our relationship was formula for disaster. Depressed people often attract unhealthy relationships and inadvertently subject themselves and their already battered self-image, to additional abuse… You feel as if you are worthless so you attach yourself to someone who you think will give your life some meaning, be a safe harbor for your souls. But only you can protect what’s inside. (pg. 41)


I despise the way blackness in the English language, symbolizes death and negativity. Because I believe that the absorption of these connotations contributes to self-hate, I avoid them at all cost (pg 182).


We sat in an awkward silence for some time. I wondered why, after all he had been through with his mother, Eugene welcomed another depressive into his life. Wasn’t he afraid of the consequences? How did he escape the contagious effects of mental illness? (pg. 217)


“Why do you give people so much power over you? That M.D. behind his name just means that he’s trained to facilitate your healing. You’re the one who’s actually got to make it happen. Therapy doesn’t work unless you know what you want out of it. You’re the one who has the power to change things.” (pg. 220)


Racism is definitely in the eye of the beholder. White people have at hand the privilege of choosing whether to see or not see the racism that takes place around them. If Dr. Fitzgerald could not ‘fathom’ my reality as a black person, how would he be able to assess or address the rage, the fear and the host of other complex emotions that go hand-in-hand with being black in a racist society? For whatever reasons, seeing a black therapist had never crossed my mind, until then. (pg. 224)


I love that this memoir ended on a hopeful note and allows readers to view life and it’s challenges from a practical angle. We often forget that going to therapy & support groups, asking questions, talking to family/friends and taking control of your healing by being a partner in your healing process instead of being a mere patient who is being treated, is paramount and empowering.

Now with the importance of mental health getting the attention it needs in the media, I hope more people will discover this timeless memoir. Willow Weep For Me was written almost 20 years ago, and all of Danquah’s experiences and commentary on depression in this memoir are being reiterated in countless articles, think-pieces and seminars on mental health today. Danquah’s daughter (who plays a key role in this memoir!) – Korama (who was a year behind me in high school – GIS) must be SUPER proud of her mother for writing this important, brave, empowering memoir. I’m still in awe and will continue to re-read some of the quotes I highlighted again and again and again. More people NEED to read this memoir.

Before, I used to wonder what my life would have been like had I not gone through my depressions; now, I don’t know if I would trade those experiences. I love who I am. And without those past depressions, I wouldn’t be the same person. (pg. 266)

★★★★★ (5 stars) – Amazing book, I loved it. Absolutely recommend!

Purchase Willow Weep for Me: A Black Woman’s Journey Through Depression on Amazon

We Real Cool: Black Men and Masculinity by bell hooks

Date Read: February 23rd 2017

Published: 2003

Publisher: Routledge

Pages: 168

The Blurb 

“When women get together and talk about men, the news is almost always bad news,” writes bell hooks. “If the topic gets specific and the focus is on black men, the news is even worse.”

In this powerful new book, bell hooks arrests our attention from the first page. Her title – We Real Cool, her subject–the way in which both white society and weak black leaders are failing black men and youth. Her subject is taboo: “this is a culture that does not love black males:” “they are not loved by white men, white women, black women, girls or boys. And especially, black men do not love themselves. How could they? How could they be expected to love, surrounded by so much envy, desire, and hate?”

 

Review – ★★★★★ (5 stars)

I’m glad I’ve finally been able to complete a full body of hooks’s work instead of the select essays I was assigned to read in my college Sociology classes. Even though We Real Cool speaks predominantly about Black men, bell hooks definitely wrote this with feminism soaked into every single chapter.

We Real Cool (the title is taken from the Gwendolyn Brooks poem!) is an important, critical take on how the imperialist white-supremacist capitalist patriarchy (yes, it’s a mouthful) affects the souls of Black boys & men – and by extension Black girls & women. Layered with many pop culture references and voices of various Black authors and social workers, bell hooks unapologetically asserts that Black masculinity is a reflection of white domination and provides some alternative ways/solutions Black men AND women can work together to overcome the damage and hurt, with love.

At times I couldn’t differentiate hooks’s (sometimes harsh) opinions from actual facts and some examples and stances she made seemed a bit outdated. But I really appreciated the personal examples of hurt and pain she provides, based off of her family life, while growing up.

I read We Real Cool last year as an e-book (as a pdf document, actually), and highlighted LOTS of quotes while reading; but they all disappeared when I rebooted my tablet *sigh*. Perhaps when I re-read this book, I’ll share the quotes I gathered, for those who still doubt the importance of hooks’s racial & gender analysis of our society today.

I came across an article by Derek Owusu, who is one-third of the literary podcast – MostlyLit: Black men are made to feel ugly, and we need to talk about it and immediately thought of hooks’s We Real Cool. Owusu’s article further echoes hooks’s stance on how imperialist white-supremacist capitalist patriarchy affects the souls of Black boys & men – only that, he doesn’t mention how Black girls and women are affected by extension. The article tackles the emotional challenges faced by Black British men when it comes to white standards of beauty and hyper-masculinity. I love a solution he brings forth, which encourages vulnerability among men (a state of being hooks also encourages, as a solution in We Real Cool)  –

But I feel if we are able to talk sincerely about the days when we feel undesirable, a whole new world of expression will open up thereafter and we’ll be on course for a healthier emotional life.  

There’s so much to say about this dense, complex book which ultimately aims at critiquing, loving and attempting to heal the hurts of Black men from a Black feminist lens. It’s a lot to absorb, but it’s important. Feed your soul and read some hooks!

★★★★★ (5 stars) – Amazing book, I loved it. Absolutely recommend!

Purchase We Real Cool: Black Men and Masculinity on Amazon

Like A Mule Bringing Ice Cream To The Sun by Sarah Ladipo Manyika

Date Read: June 7th 2018

Published: April 1st 2016

Publisher: Cassava Republic Press

Pages: 118

The Blurb

Morayo Da Silva, a cosmopolitan Nigerian woman, lives in San Francisco. Almost seventy-five, she has a zest for life and enjoys road trips in her vintage Porsche. But when Morayo has an accident, crushing her independence, she is prompted to reassess her relationships and recollect her past life and loves. A humorous, joyful read.

 

Review –★★★★ (4 stars)

Like A Mule Bringing Ice Cream To The Sun is a decent, really easy-going novella centered around 75 year old Dr. Morayo Da Silva, who’s a retired Literature professor. You’d never believe that Morayo is a senior citizen as she carries herself as if she’s in her 40’s – she dances, she enjoys music, she wants a tattoo, she has perfect memory, she has a healthy sexual appetite, she still drives her Porsche, she has lots and lots of books that occupy her time, she is childless (and not broken by it) – Morayo is basically old lady goals! There isn’t a major plot in this novella; readers simply follow Morayo through her life as she reminisces her past and enjoys her present.

I enjoyed getting to know Morayo through the other characters’ voices we encounter in the novella, like – a homeless woman, Reggie (who becomes a much needed companion for Morayo after her accident), Toussaint (a very talented Black chef), Sunshine (Morayo’s truly amazing friend who struggles with her Indian identity) and her ex-husband in Nigeria. The different voices gave the novella a good twist, as there were various perspectives on incidents that occur.

Some interactions and incidents in the novella felt unreal though, for example – when Morayo realizes her house underwent some renovations after her stay at the Home, she storms out of her house and speeds down the road (in her Porsche) as she cries and laments over the changes. That incident was super dramatic and felt unreal. Also, Morayo planning a clothing business with a homeless woman she usually saw on the street was sooo random and just not real to me. Because of this and other instances where I felt the text felt unrealistic, this novella is really a 3.5 stars rating for me.

While Like A Mule Bringing Ice Cream To The Sun portrayed how alone Morayo was, she was NOT lonely and miserable – which was refreshing! This book had me thinking about: aging, dependence versus independence (as a child and as a senior citizen), the disadvantages of not having children (to look after you and love you once you age), the advantages of not desiring children and being at peace with that decision, mental illness (Reggie’s wife – Pearl’s illness played an important role in this novella. I’d love to read a full novel on their marriage!), the sacrifices we make for the people we love.

I recommend this novella to anyone who wants to get comfy with a good book that isn’t necessarily plot-driven, but nonetheless delightful and easy-going. I’m grateful to Sarah L. Manyika for writing Dr. Morayo’s story in a fun yet insightful way, allowing us to think beyond our present; we won’t be young forever.

 

★★★★ (4 stars) – Great book. Highly recommend!

Purchase Like A Mule Bringing Ice Cream To The Sun on Amazon

AND THE 2018 CAINE PRIZE WINNER IS…

YES, it’s that time of year again! In less than a month, the 2018 Caine Prize winner will be announced!

For those who are not familiar, the Caine Prize for African Writing, which was first awarded in year 2000 is an award “open to writers from anywhere in Africa for work published in English. Its focus is on the short story, reflecting the contemporary development of the African story-telling tradition” (source).

Some notable winners of the Caine Prize include (click on links to my reviews):

  • Leila Aboulela, from Sudan (2000) – author of novels Minaret, The Translator, Lyrics Alley, among other works. 
  • Binyavanga Wainaina, from Kenya (2002) – founding editor of Kwani?, author of memoir One Day I Will Write About This Place and the essay How To Write About Africa found in various literary magazines.
  • Yvonne A. Owuor, from Kenya (2003) – author of the novel, Dust.
  • E.C Osondu, from Nigeria (2009) – author of the novel This House is not For Sale and collection Voice of America: stories.
  • NoViolet Bulawayo, from Zimbabwe (2011) – author of the novel, We Need New Names. 

Previously shortlisted writers include: (2001) Mia Couto from Mozambique, (2002) Chimamanda Adichie from Nigeria, (2006) Laila Lalami from Morocco, (2013) Chinelo Okparanta from Nigeria, (2013) Pede Hollist from Sierra Leone, (2014) Tendai Huchu from Zimbabwe, (2013 & 2015) Elnathan John from Nigeria, among others!

The Caine Prize and the shortlisted stories play huge roles in the authors I read from Africa. Many Caine Prize winners and shortlisted writers have found great success and I’ve reviewed a good number of these writers’ works here on African Book Addict!


This year, the Caine Prize shortlist comprises of five talented writers with unique short stories (left to right):

(Image via caineprize.com)

Nonyelum Ekwempu (Nigeria) – Read her story: American Dream

Stacy Hardy (South Africa) – Read her story: Involution

Olufunke Ogundimu (Nigeria) – Read her story: The Armed Letter Writers

Makena Onjerika (Kenya) – Read her story: Fanta Blackcurrant

Wole Talabi (Nigeria) – Read his story: Wednesday’s Story


So this year, we have 4 stories by women and 1 story by a man ; 3 out of 5 stories are by Nigerians, 1 story each by a Kenyan and South African. Nigerian excellence always dominates these shortlists – what’s new? For the past 4 years, I’ve been providing commentary on which of the shortlisted stories I enjoyed and disliked… but this year, I will not be reviewing any of them.

I hope you all get a chance to read some of the stories linked above. May the best story win!

Which story is your favorite? Who do you think will win the Caine Prize this year?

The winner will be announced in London at Senate House Library in partnership with SOAS, on 2 July 2018. Good luck to all the shortlisted candidates!

 

You can also check out past commentary on the Caine Prize below:

2014 | 2015  | 2016 | 2017

Speak No Evil by Uzodinma Iweala

Date Read: May 22nd 2018

Published: March 2018

Publisher: Harper Collins

Pages: 215

 

The Blurb

On the surface, Niru leads a charmed life. Raised by two attentive parents in Washington, D.C., he’s a top student and a track star at his prestigious private high school. Bound for Harvard in the fall, his prospects are bright. But Niru has a painful secret: he is queer—an abominable sin to his conservative Nigerian parents. No one knows except Meredith, his best friend, the daughter of prominent Washington insiders—and the one person who seems not to judge him.

When his father accidentally discovers Niru is gay, the fallout is brutal and swift. Coping with troubles of her own, however, Meredith finds that she has little left emotionally to offer him. As the two friends struggle to reconcile their desires against the expectations and institutions that seek to define them, they find themselves speeding toward a future more violent and senseless than they can imagine. Neither will escape unscathed.

In the tradition of Junot Diaz’s The Brief Wondrous Life of Oscar Wao and Chimamanda Ngozi Adichie’s Americanah, Speak No Evil explores what it means to be different in a fundamentally conformist society and how that difference plays out in our inner and outer struggles. It is a novel about the power of words and self-identification, about who gets to speak and who has the power to speak for other people. As heart-wrenching and timely as his breakout debut, Beasts of No Nation, Uzodinma Iweala’s second novel cuts to the core of our humanity and leaves us reeling in its wake.

 

Review –★★★ (3 stars)

Speak No Evil wasn’t really a novel I was keen to read when I published the 2018 New Releases To Anticipate at the beginning of this year. Once the book was finally released in March, my interest grew after I watched a couple of BookTubers discuss the book, so I decided to buy a copy.

Hmmm, where do I even begin to share my thoughts on this book? For the first 60 pages of the novel, I was preoccupied with Uzodinma Iweala’s audacity to write a novel based on a young gay Nigerian-American (named Niru), who was Harvard-bound. A lot of Niru’s family life seemed to mirror some of Iweala’s real life, so I kept on wondering if Speak No Evil was a fictionalized take on his personal life? Iweala’s personal life is none of our business, but I was slightly distracted while reading because I assumed Iweala was a heterosexual and hence felt it wasn’t his place to write on LGBTQ experiences. I felt the same way about his debut, Beast of No Nation – what does he know about the plight of child soldiers? But hey… writers can write on whatever they desire, as long as it fosters important conversations, right?

What a stressful book this was! Speak No Evil isn’t just about an eighteen year old’s mental and emotional journey of coming out as gay – it’s also about what it means to be a 1st generation American of African heritage (I understood a lot of Niru’s ‘struggles’ with his Nigerian parents); it’s about being a typical teenager and feeling inadequate, thanks to familial pressures and parental scrutiny via sibling comparisons; it’s about how being a Christian and being gay mess with your mind and torture your psyche daily; it’s about what it means to be a young black boy in a high school full of privileged white kids who have the luxury to be flippant about everything; it’s about how white ‘allies’ are actually the enemy – Meredith (she’s Niru’s best friend who had the hots for him, even after he confided in her that he wasn’t attracted to girls); it’s about how white lies cost black lives via police brutality. I didn’t expect these tough themes to feature in this little book, so it all took me by surprise.

I don’t think Iweala did a great job of developing the characters in this novel. Niru’s brother- OJ, was mentioned about 500 times in the story, but he only made an appearance at the end. OJ’s character felt so empty, I wondered why he had to be part of the story. Throughout the novel, I couldn’t picture Niru or any of the other characters’ faces or physiques in my mind. Iweala concentrated more on thoroughly describing Niru’s upperclass lifestyle, his church environment, the surroundings of the impromptu trip to Nigeria, his high school, Meredith’s house. Perhaps it wasn’t Iweala’s intention to focus on character development, but it would have filled some of the void I felt while reading the novel.

The novel is divided into two parts. Part 1 focuses on Niru – his family life (his father was such a domineering, toxic man… but he meant well), school life with his track team and church. I enjoyed Part 1 immensely; I especially loved Niru’s short-lived love interest with Damian. Part 2 focuses on Niru’s best friend – Meredith, who embodies America’s idea of what a white ally is. I detested Part 2 of this book, mostly because I truly disliked Meredith. I’m still trying to figure out if it was Iweala’s intention to portray Meredith as an innocent white girl who was oblivious to the plight of black folks, or if the motive of Part 2 was to highlight Meredith’s rich, dysfunctional family life as a means to validate why she was a terrible friend who perpetuated the issues we (ie: Black women and Black people in general) have with white women in America.

All you people do, wherever you are in this world, is just bring death and destruction, you bring nothing good – Niru’s Dad to Meredith and her family (pg. 201)

This is definitely a good book, but I give it 3 stars because: 1) The latter part of the novel mirrors the current horrors we witness on social media via police brutality – which is DEEPLY upsetting to read; 2) I don’t know how I feel about Iweala writing on the gay experience. I know it’s important to separate the writer from their work, but I think I’d fully appreciate Niru’s coming out experience in this novel if I had some context on the writer’s life in that realm; 3) Meredith’s section of the book – Part 2, was truly annoying.

♦ [Part 2 of this novel actually reminded me of Season 4 of the show- Orange Is The New Black, when Poussey was killed by the daft, rookie prison guard. After Poussey’s death, the episode went on to highlight the prison guard’s family/background to prove how much of a hard worker and innocent man he was. It further trivialized the prison guard’s actions and devalued black lives, especially as he wasn’t charged for the crime]. ♦

My main take-away from Speak No Evil is that we need to stop making excuses for white people and the harm they cause us black folks. WHITE LIES COST BLACK LIVES (as seen on page 196).

★★★ (3 stars) – Good book. I recommend it, I guess.

Purchase Speak No Evil on Amazon

Pepperpot: Best New Stories from the Caribbean edited by Olive Senior

Date Read: November 10th 2017

Published: 2014

Publisher: Peekash Press / Akashic Books

Pages: 224

 

 

 

The Blurb

Akashic Books and Peepal Tree Press, two of the foremost publishers of Caribbean literature, launch a joint Caribbean-focused imprint, Peekash Press, with this anthology. Consisting entirely of brand-new stories by authors living in the region (not simply authors from the region), this collection gathers the very best entries to the Commonwealth Short Story Prize, including a mix of established and up-and-coming writers from islands throughout the Caribbean.

 

Review –★★★★ (4 stars)

I always enjoy reading anthologies. It’s an opportunity for me to discover new writers and to get a taste of their writing styles through their short stories. I discovered a good number of new Caribbean writers from Pepperpot, especially as this anthology purposely featured stories by lesser-known Caribbean writers, mostly residing on the Islands. I absolutely love that these stories contain local dialect WITHOUT a glossary at the back of the book. If a reader wants to look-up a certain word or phrase, they can Google it! It’s almost as if this anthology was written for readers in the Caribbean and not necessarily Western readers/ the white gaze – which is awesome.

It was refreshing to read a Caribbean anthology free from Island tropes like the sandy beaches & blue skies, palm trees, coconuts, cliché Jamaican jargon – nope, not in this collection! The stories in Pepperpot explore a myriad of issues, such as: family secrets, violence, domestic abuse, infidelity, spirituality (Christianity), incest, death, homosexuality, fraught relationships, coming-of-age, poverty, grief, mental illness. Every story in this anthology had a different flavor – it’s as if the editor (Olive Senior) carefully selected these stories such that the flavor of this pepperpot (pun intended) wouldn’t be off balance.

Even though the 13 stories in this anthology were divided into 3 parts, I felt most of the stories had a cryptic, mysterious nature to them, and I really loved that. Among the 13 short stories – 5 stories are from Jamaica, 4 stories are from Trinidad & Tobago and 1 story each from Belize, Antigua & Barbuda, Barbados and the Bahamas.

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My favorite stories were:

The Science of Salvation by Dwight Thompson (Jamaica) – This story had me at the edge of my seat. The threat of violence from a notorious gang member, coupled with the staunch Christian lifestyle of a family in a panic-struck neighborhood made for an intense tale. The evolution of the story was so heartless and unexpected. I loved it.

This Thing We Call Love by Ivory Kelly (Belize) – What I loved most about this story was the dialogue in local dialect and the mentions of popular Belizean dishes like Salbutes, Garnaches, Panades etc. This tale was a pretty hilarious take on a woman trying to prevent her husband from committing adultery.

A Good Friday by Barbara Jenkins (Trinidad & Tobago) – This story started off strange as hell! It’s Good Friday (the day Jesus was tortured and killed) and a woman walks into a bar from church, and starts crying. A fellow at the bar who had been admiring this woman from afar approaches her and a strange conversation ensues. The way this tale evolved was just so unpredictable and… had me in awe!

All the Secret Things No One Ever Knows by Sharon Leach (Jamaica) – “Ten years ago, I found out that I wasn’t my father’s only girlfriend” is the first line of this story. YES, it’s insane! This tale turned out to be pretty sick and twisted. I NEED to indulge in more of Sharon Leach’s work! Lord!

Amelia at Devil’s Bridge by Joanne C. Hillhouse (Antigua & Barbuda) – I was happy to see Joanne C. Hillhouse’s name as one of the contributors of this anthology, as she is a favorite of mine (and a reader of this book blog, which is how I got to know her! Last summer, I had a pretty popular book chat on Caribbean literature with Hillhouse). This story felt so light and read so smoothly. Hillhouse captured nuance in such a beautiful way. The tale follows a naked 13 year old girl – Amelia, who seems to be a ghost at Devil’s Bridge. It’s a layered, mysterious tale that explores Amelia’s family life.

Waywardness by Ezekel Alan (Jamaica) – Initially, I thought this story was brilliant. Alan writes with such force and he’s extremely vivid with his descriptions. But as the story progressed, I found the storyline quite ridiculous to the point where I was started to feel queasy and confused. This tale follows Brian, who is described as a deranged bisexual… he’s homeless, he’s a rapist, he sleeps with his cousin (consensual sex) and he seems poor. In short, I found this tale brutal, yucky, violent and impossible! The storyline felt too forced and I wasn’t sure if it was meant to be a satire on homosexuality in Jamaica (?). But I commend Ezekel Alan. His imagination is WILD.

Mango Summer by Janice Lynn Mather (Bahamas) – *sigh* This tale follows 2 sisters – the younger sister is rude and nosy, while the older sister is hardworking and actively tries to protect her younger sister. The sisters quarrel from time to time, but they are quite close and it’s evident that they love one another. When the younger sister is kidnapped, the story progresses with the older sister feeling perplexed and lonely. This story was so poetic, so gentle and so innocent. Mangoes play a humorous role in the storyline as well. I LOVED it (Mather’s debut novel will be published this year! – June 2018).

I highly recommend this anthology and I will be re-reading this collection again.

★★★★ (4 stars) – Great book. Highly recommend!

Purchase Pepperpot on Amazon

Ghanaian Writers | Book Chat :: with Nana Ekua Brew-Hammond

Once again, the month of March is here! Ghana gained independence in March, so I like to dedicate this month to celebrating Ghanaian writers and their work. In the African literature scene, Ghanaian writers and their books are seriously underrated. As a reader of Ghanaian heritage, I enjoy discovering new Ghanaian writers and learning about our pioneer writers. If we don’t celebrate our own, who will?

Last year on African Book Addict! we celebrated 75 Ghanaian writers and their books in a 3-part series. This month, (more like this month), I’ll be in conversation with some of the writers highlighted in last year’s series! This week is the last installment of the conversations I have with writers of Ghanaian descent.


 

This week, I chat with Nana Ekua Brew-Hammond – author of Powder Necklace, which was published in 2010. I enjoyed Powder Necklace back in 2013, before the creation of this book blog (hence no book review on the site). Since my 2018 reading intentions are to re-read some novels and indulge in more work by Ghanaian writers, I shall be re-reading and reviewing Nana Ekua’s coming-of-age debut this year. Enjoy this fun book chat where Nana Ekua talks about what she learned about herself while writing her debut, how she feels about the future of Ghanaian literature, the Black writers who influence her work, new projects that will be published soon & more!

(note – ‘NEBH’ represents Nana Ekua Brew-Hammond’s responses)

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Check out the synopsis for Powder Necklace below:

To protect her daughter from the fast life and bad influences of London, her mother sent her to school in rural Ghana. The move was for the girl’s own good, in her mother’s mind, but for the daughter, the reality of being the new girl, the foreigner-among-your-own-people, was even worse than the idea. 

During her time at school, she would learn that Ghana was much more complicated than her fellow ex-pats had ever told her, including how much a London-raised child takes something like water for granted. In Ghana, water “became a symbol of who had and who didn’t, who believed in God and who didn’t. If you didn’t have water to bathe, you were poor because no one had sent you some.”

After six years in Ghana, her mother summons her home to London to meet the new man in her mother’s life—and his daughter. The reunion is bittersweet and short-lived as her parents decide it’s time that she get to know her father. So once again, she’s sent off, this time to live with her father, his new wife, and their young children in New York—but not before a family trip to Disney World.

 

  • I remember reading your debut novel, Powder Necklace back in 2013 and resonating with it on so many levels. At the time, I hadn’t read a book that accurately articulated the many issues I had with myself and others (mostly Ghanaians) after I moved to Ghana at the age of 10, so I thank you! Why was it important for you to write the story?

NEBH: Thank you! I’m so glad to know Powder Necklace resonated with you. It was important to me to write Powder Necklace because I had so many misconceptions about Ghana before I went to live and school there at 12.

My parents had pumped it up as this utopia where kids never misbehaved, and would threaten to send my siblings and me there whenever we didn’t act right. Meanwhile, it felt like American news programs of the early ‘80s were conflating the Ethiopian famine with all of Africa. Add that to the Save the Children commercials starring Sally Struthers that were repeatedly on air, and it seemed as if Africa was a Land of Flies and Kwashiorkor-Stricken Children. No wonder some of my classmates in the States thought anyone from Africa was a “Booty Scratcher.”

With Powder Necklace, I wanted to share the slice of Africa I experienced in Ghana. Yes, there was poverty, but there was also wealth and both stations were far more complicated than depicted in American media or even by family. Everything and everyone I encountered was far more nuanced.

I also felt like there weren’t many contemporary books for Black kids who weren’t African-American—at least I hadn’t come across many growing up. In the ‘90s, when Black literature was experiencing a wave with books by Terry McMillan, E. Lynn Harris, Bebe Moore Campbell, J. California Cooper, April Sinclair, et al, most centered on the African-American experience. I wanted Powder Necklace to speak to the experience of being Black and African in the diaspora.

 


  • Did you learn anything about yourself while writing Powder Necklace?

NEBH: I did. Powder Necklace was inspired by my experience getting sent to school in Ghana at 12. It fundamentally changed my personality and intensified my faith in God, but I had not fully dealt with the resentment and anger I felt from being tricked into staying in Ghana. As I began to write the book, I realized how much I had suppressed about the experience. I was surprised by how painful it was to revisit the isolation and fear I felt as a kid when it sunk in that I would be in Ghana without my parents for years, at a boarding school two hours’ drive from my home in Accra.

I had also been hazed by many of my schoolmates during my time at school. In my mind they were all villains, but as I wrote, and had the distance to see myself as a character in a bigger story, I could see the cultural chauvinism I brought to my interactions with my fellow students and still held in some ways.

 


  • Three years ago, I read a compelling essay of yours in Mosaic Literary Magazine – ‘The African Renaissance’, where you discussed the trajectory of African literature over the years and the interrogation of ‘authentic’ African identity tagged to stories and writers. Some writers dislike being ‘pigeon-holed’ and labeled as ‘African writer’ or ‘Black writer.’ How do you prefer to be identified as a writer?

NEBH: I appreciate being identified as an “African writer” or “Black writer” because I am proud of my Africanness and my Blackness. It took me a long time to get here. I had to get over years of cultural indoctrination designed to make me feel ashamed of my dark skin, and my Ghanaian name and origin—and now that I have, I refuse to have my identity erased or downgraded by anyone, including myself.

The only reason being labeled an “African” or a “Black” writer can pigeonhole is because mainstream culture is infected with racist notions about what it means to be African and Black, and the powers that be have a track record of allowing only certain types of narratives by Black people to see the light of day. By standing proudly in my identity and working to tell authentic stories, I am defying the idea that we should be ashamed of who we are and forcing people to see that no race or ethnicity can be narrowed down to one story or experience.

 


  • Do you remember the first book you read by a Ghanaian writer? If so, what book was it and how was the experience? After working on the #GHat60 project last year, I was amazed at the great number of Ghanaian writers doing amazing work. How do you feel about the future of Ghanaian literature?

NEBH: The first book I read by a Ghanaian writer was a play—Ama Ata Aidoo’s The Dilemma of a Ghost. I immediately connected with her story of a Ghanaian man bringing his African-American wife home to Ghana and the clash they were dealing with because I was going through a similar experience as I read it at school in Ghana.

I think the future of Ghanaian literature is limitless. Writers like Kofi Akpabli, Nana-Ama Danquah, Nana Awere Damoah, Esi Edugyan, Martin Egblewogbe, Boakyewaa Glover, Yaa Gyasi, Ayesha Harruna Attah, Lesley Lokko, Cheryl Ntumy, Nii Ayikwei Parkes, Kwei Quartey, Taiye Selasi, and yourself are not only writing a diversity of stories, but many are creating opportunities and support systems for other writers.

Nana Awere Damoah has started the Ghana-based online bookstore BookNook, which should make it easier for readers in Ghana to get their hands on books by Ghanaian authors. Together with Kofi Akpabli, Nana Awere Damoah also goes around Ghana producing open mic nights. Martin Egblewogbe co-founded Writers Project Ghana and co-hosts a radio show on Ghana’s Citi FM that features Ghanaian writers as well as writers from all over the continent.

(all these Ghanaian writers were featured in the #GHat60 3-part series, last year)

You have your blog, which promotes African authors, and there are other sites focused on African literature too like Nana-Ama Kyerematen’s AfriDiaspora and Ainehi Edoro’s Brittle Paper. Plus, there are writing contests geared toward young Ghanaians like the #360WritersChallenge, which is aimed at university students and the Blooming Minds Young Writers Award for children, not to mention the proliferation of prizes that have cropped up in the last five years geared toward African writers including the Miles Morland Writing Scholarship.

Right now, Ghanaian writers of any age and stage can find encouragement, support, and inspiration among peers and promoters. If this continues—and I believe it will if we as writers and lovers of literature remain vigilant about creating and supporting individuals, initiatives, and institutions that support us—there’s no reason Ghana can’t be home to a proliferation of powerful literary voices generation after generation.

 


  • What have you been reading and loving lately? And who are some of your favorite Black writers and influencers of your work?

NEBH: I recently devoured Baruch Sterman’s The Rarest Blue. I know I’m so so late on The Life of Pi, but I finally read it and absolutely loved it. Currently, I’m in the middle of Chigozie Obioma’s The Fishermen.

 

My favorite Black writer is Buchi Emecheta. Reading her work, it’s clear how much empathy she had for her characters, and she had a gift for pacing. In addition to Ms. Emecheta, there are so many Black writers I aspire to be as honest and fearless as in my writing, including Zadie Smith and Chimamanda Ngozi Adichie. Both women are such astute and commanding storytellers.

I love the care Ayesha Harruna Attah gives to the tiniest details. NoViolet Buluwayo has a fierce way with words that I deeply admire. I so appreciate the poetry of Taiye Selasi’s style. And Ama Ata Aidoo is a legend. Her commitment to telling nuanced stories of Ghanaian lives, particularly Ghanaian women’s lives, has set the benchmark for contemporary Ghanaian writers.


  • I enjoyed your short story – Mama Africa, which was published in the Africa39 Anthology (2014) and I’m excited to see that you’ll be featured in Everyday People: The Color of Life – a Short Story Anthology this summer (August 2018). Do you have a new novel or collection of stories currently in the works to be published soon?

NEBH: Thank you for reading and following my work! I have finished a second novel that I’m really eager to get out into the world. I don’t have a publication date yet, or a publisher, but I’m confident I will soon. In the meantime, I’m working on another novel, a children’s book series, and a literary project for Ghanaian writers. I also have a short story in the forthcoming anthology Accra Noir.

 


  • Thanks so much for taking the time to participate in this book chat!

NEBH: Thank YOU for all of your support.

 

Purchase Powder Necklace on Amazon

 

 

SPECIAL THANKS TO: Ayesha Harruna Attah, Michael Donkor and Nana Ekua Brew-Hammond for participating in this fun miniseries of book chats! Also, thank you to all the readers of the book blog who have enjoyed these book chats with writers of Ghanaian descent. #ReadGhanaian!


Check out the 75 Ghanaian writers that were highlighted in last year’s 3-part series below: