Winners of the #NonFictionNovember GIVEAWAY!

Hey everyone!

The #NonFictionNovember giveaway has officially ended and it is time to announce the winners. There was a total of 135 entries! Thank you to everyone who participated and told their friends/loved ones about the giveaway. I appreciated the encouraging feedback and the impressive number of people who avidly participated!

As the Terms & Conditions of this giveaway state, the winners will be selected by Random.org, through Rafflecopter.

… and the lucky winner of Hopes and Impediments: Selected Essays + African City Tote Bag by AFiP is: Temilade Adebiyi

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#NonFictionNovember isn’t over! You can purchase Hopes and Impediments: Selected Essays by Chinua Achebe on Amazon


Winner of the second prize – Sweet Medicine by Panashe Chigumadzi is: Valentina García

Purchase Sweet Medicine by Panashe Chigumadzi on Amazon

 

Thank you once again to everyone who participated in the giveaway. I’m glad I could share some of the awesome books I’ve been reading this year, through giveaways. To all the American readers of African Book Addict! – have a Happy Thanksgiving (tomorrow)🙂

#NonFictionNovember currently reading + GIVEAWAY!

Hey everyone!

What are you all currently reading? At the moment, I’m reading Hopes and Impediments: Selected Essays by the great Chinua Achebe and Bettah Days by Veronica Wells.

I haven’t really seen many African #NonFictionNovember suggestions on social media, so I’d like to share my enjoyment of Achebe’s work with you all! I reviewed The Trouble with Nigeria by Chinua Achebe last year and I was blown away by the boldness of Achebe’s words and his brave stances on various Nigerian and African social, cultural and political issues. In Hopes and Impedicimets: Selected Essays, I’m already enjoying Achebe’s candid writing style and his sharp wit, with regards to short essays/chapters like: ‘An Image of Africa: Racism in Conrad’s Heart of Darkness‘ ; ‘The Truth of Fiction’ ; ‘Thoughts on the African Novel’ ; ‘The Writer and His Community’; ‘Names for Victoria, Queen of England’; ‘James Baldwin (1924 – 1987)’ and so much more.

Check out the blurb:

“One of the most provocative and original voices in contemporary literature, Chinua Achebe – author of the iconic novel Things Fall Apart – here considers the place of literature and art in our society. This collection of essays spans his writing and lectures over the course of his career, from his ground-breaking and provocative essay on Joseph Conrad and Heart of Darkness to his assessments of the novel’s role as a teacher and of the truths of fiction. Achebe reveals the impediments that still stand in the way of open, equal dialogue between Africans and Europeans, between blacks and whites, but also instills us with hope that they will soon be overcome.”

I will be coupling this book prize with the amazing African City tote bag by APiF (African Prints in Fashion). “It’s a 100 % cotton tote bag in black with white handles – 22 African city names printed on both sides. This tote bag is huge and you can fit anything from your laptop, your trainers, books to groceries in it. And actually also all of these items together!” Check out more products from the APiF website – here. (No, this is not a sponsored giveaway).

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And as promised from the Sweet Medicine by Panashe Chigumadzi review, I will be giving away a brand new copy of her debut (by itself) as well – as a second prize!

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Tell a friend to tell a friend! I encourage everyone to enter the giveaway raffle multiple times to increase the chances of enjoying either Achebe’s gems from the essay collection + the awesome African City tote bag or Panashe’s great debut, Sweet Medicine. You have about 9 days to try your luck!

Expect a review of Hopes and Impediments: Selected Essays by Chinua Achebe early next year.

Click to enter > the Rafflecopter giveaway

 

Giveaway TERMS & CONDITIONS:

  • The giveaway starts November 13th 2016 at 12am GMT and ends November 23rd 2016 at 12am GMT (Greenwich Mean Time).
  • This is an international giveaway – it is open to everyone, worldwide.
  • You must be 18 years and older to participate in this giveaway.
  • The winners will be selected by Random.org, through Rafflecopter and will be notified by email.
  • The winners will have 48 hours to respond to the email before new winners are selected.
  • If you are lucky winners of the prizes, Darkowaa will be shipping your prizes via DHL directly to you.
  • Once the winners are notified via email, providing shipping details will go to Darkowaa only and will only be used for the purpose of shipping the prizes to the winners.
  • This is NOT a sponsored giveaway. Items offered in this giveaway are free of charge, no purchase is necessary.
  • If there are any questions and concerns about this giveaway, please contact at: africanbookaddict@gmail.com

Good luck, everyone!

Check out the previous giveaway from February – here.

As the Crow Flies by Véronique Tadjo

veroniqueDate Read: October 27th 2016

Published: 2001

Publisher: Heinemann (African Writers Series)

Pages: 106

 

 

 

 

 

The Blurb

An illicit love affair that turns sour is the starting point in this lyrical and moving exploration of the human heart.

Véronique Tadjo weaves together a rich  tapestry of voices to tell stories of parting and return, suffering, healing and desire.

Like a bird in flight, the reader travels across a borderless landscape composed of tales of everyday existence, news reports, allegories and ancestral myths, becoming aware in the course of the journey of the interconnection of individual lives. A new consciousness of the links between self and other, today’s society and that of future generations is revealed as the key to creating a more just world and more understanding and fulfilling relationships, for ‘love is a story that we never stop telling’. 

Translated from French by Wangūi wa Goro.

 

Review– ★★★★ (4 stars)

As the Crow Flies was originally written in French by Véronique Tadjo who was born in Paris and raised in Côte d’Ivoire – a Francophone, West African country. Kenyan academic, writer and translator – Wangūi wa Goro, who contributed to African Love Stories: an anthology and also translated Ngūgi wa Thiong’o’s novel – Matigari, (which I loved!) translated this work of art as well. I’m grateful to Wangūi wa Goro, because without her superb skills of interpreting and transforming this work into English, some of us would really be missing out on some awesome texts!

But I have to admit – this novella is not for everyone. On the first page, as if to caution the reader, Tadjo writes: “Indeed, I too would have loved to write one of those serene stories with a beginning and an end. But as you know only too well, it is never like that.” With that, I knew As the Crow Flies would be different.

Some readers may have issues with the format of this book, which is full of fragmentation and changing points of view between several voices. It’s made up of several (interconnected) poems, prose and observations. I read this novella as if I was on the back of a bird in the air (a crow, if you may), watching various people and situations in their various settings – in Abidjan (the economic capital of Côte d’Ivoire) and anonymous Western countries. I believe writers would absolutely love the unique, heartfelt, lyrical anecdotes Tadjo spills onto the pages. It’s actually difficult to review this book since it sporadically touches on many different issues, like: desire, homesickness, (unrequited) love, immigration, poverty, privilege, and so much more. But almost anything and everything that can be humanly felt and observed, are portrayed in this book.

Some of my favorite anecdotes / poems/ observations:

XLVI

I need to feel the heat and sweat running down my back, feel warm nights humming with insects, the dust and the mud. At home, life sprouts everywhere. You have nowhere to hide. You can never forget that there is still much to be done.

(pg. 62)

 

I especially loved this one below:

LIV

I think of my country, far away, and my eyes open beyond space.

In this vast city, words travel fast. I am bombarded with ideas. I see myself in that large conference room listening keenly to writers from Africa – Angola, Ghana, Uganda, Kenya, Nigeria… One of the speakers proclaims:

‘It is our duty to understand our place in the history of humanity. An African literature cannot exist until the day we liberate ourselves from the arrogant criticism of the West.’

(pg. 72) 

 

LXIX

I remember. A day like no other. The air was mild. I had not eaten breakfast; just had a cup of coffee and my belly was empty.

I remember. His scent filled my nostrils. His sweat made my mouth salty. I lapped up his force and energy, and discovered how famished my desire was…

(pg. 87)

As the Crow Flies is a super short novella – it’s about 106 pages. I would advise readers to devour it in one sitting in order to experience, observe and feel everything this book has to offer at once. Thanks to school work, it took me over a month to complete it. But I’m glad I pushed through and finished it despite the discombobulated format which was initially confusing but truly wonderful by the time I finished reading.

With the increasing popularity of contemporary African novels, I feel like lovers of African literature are forgetting about the books of the African Writers Series, which were published since 1962 by Heinemann. Books in this series have been translated into English from French, Zulu, Swahili, Gikuyu, Portuguese, Afrikaans, Luganda, Arabic, Sesotho. Yes, some of the books in this series may be printed in (silly) small fonts; yes, some books in this series may have unappealing book covers. But books of the African Writers Series are timeless and will always be true African classics, just like As the Crow Flies.

★★★★ (4 stars) – Great book. Highly recommend!

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Purchase As the Crow Flies by Véronique Tadjo on Amazon

So The Path Does Not Die by Pede Hollist

pede hollistDate Read: June 30th 2016

Published: 2014 (originally published by Langaa Press, 2012)

Publisher: Jacaranda Books

Pages: 352

 

 

 

 

 

The Blurb

Long after Fina has left Sierra Leone for America, memories of a broken initiation still haunt her. She longs to return, to find her grandmother and right the path that has been set for young girls centuries past. Her journey from the streets of Freetown to Washington echo with the tensions, ambiguities, and fragmentation of the diaspora. Fina’s inner turmoil and feelings of ‘otherness’, persist as she travels further from home. Ultimately, the broken path of her childhood brings Fina back to Sierra Leone, to a life she had never imagined for herself. So the Path Does Not Die is a tender and gently observed novel exploring attitudes towards female circumcision, and a beautifully rendered novel, from an exciting new voice in African literature.

 

Review – ★★★★★ (5 stars)

Is it me, or were there not enough people talking about this fascinating book back in 2014 when it was published? I was introduced to Pede Hollist’s writing when his short story – Foreign Aid was shortlisted for the 2013 Caine Prize. Back then, it was great to see a Sierra Leonean on the shortlist for a change. And I really hope more writers from Sierra Leone are brought to the spotlight soon!

So The Path Does Not Die is fundamentally a story of love and the belongingness of people and place. Finaba’s (or later known as ‘Fina’ by her adopted family) life revolves around her interrupted FGM (female genital mutilation)/ initiation process in her village. In the novel, the deadly practice of FGM is a coming-of-age event where a girl finally becomes a woman and ‘belongs’ to the people of the village. Fina’s parents loathed this practise but her grandma strongly supported it. After Fina’s family is shunned from their village due to an abominable act by her father to save Fina from this deadly practise, they move to Freetown (Sierra Leone’s capital) with heaps of curses on their heads.

In the Freetown, Fina endures hardships in all aspects of her life – family problems, university struggles, ethnic group discrimination (as she’s Fulani which is known to be in the minority), just to name a few. When Fina finally escapes Sierra Leone to the United States, though she matures beautifully and becomes relatively successful thanks to her determination to be happy and independent, she faces a new set of struggles: immigration woes, Africans vs. African-Americans vs. Caribbean concerns, the myth of the American dream and cultural alienation. For some reason, all the painful lessons Fina experiences seem to be tied back to the night of her interrupted initiation process. She somehow feels she does not ‘belong’, even when she finally finds true love. To Fina, Sierra Leone seems to be the only place where she thinks she would feel valued; a place where she feels she’d be ‘on the right path’ in life.

Initially, Pede Hollist’s storytelling gave me a Chinua Achebe vibe as the story starts off with a folktale. Hollist’s writing style is rhythmic, simple, and accurate in all the nuances he captures and I was satisfied with how this story came full circle by the end! I was a bit skeptical on how Pede Hollist would accurately write and speak for Fina in this book, as he is a man and would probably portray a man better. But I was impressed by his careful attention to consciously writing Fina’s character in a way that spoke on many feminist issues.

So The Path Does Not Die had me thoroughly entertained and I shamelessly giggled at all the intense dramatic happenings that occurred in this story! Some of the depictions of certain cultural groups portrayed in this novel may seem stereotypical, but I believe Hollist executes these depictions with finesse and in a jovial manner. This novel actually reminded me of Chimamanda Adichie’s Americanah, as there are several side stories of the people Fina encounters in this story. Some characters include: Sidebe – a diamonds trader; Aman – Fina’s African-American best friend; Cammy – Fina’s Trinidadian fiancé; Mawaf – a child soldier’s wife, just to name a few. The socio-political backgrounds and commentary on these characters are all so layered and beautifully tied into Fina’s personal story of trying to find happiness, while being true to herself. I absolutely adore how this book is a cultural melting-pot of Black peoples’ (African, African-American and Caribbean) similarities, differences and the connection they all have to the African continent.

I learned a great deal about Sierra Leone from this novel! You would think us West Africans would know more about our fellow brethren on this coast, but I really had no clue. I jotted down a lot of the cultural references, ethnic groups, native foods, languages, national costumes, native names and natural resources from Sierra Leone. I particularly liked that this novel wasn’t grim with the horrors of FGM, but rather acted as a conduit for speaking against the horrible act, while commenting on other tough Sierra Leonean economic, cultural and social issues as well. Reading dialogue in Trinidadian patois and Sierra Leonean Krio as well as recognizing various West African mannerisms and sayings, made this novel all the more enjoyable, as various happenings and conversations really came to life! Don’t you just love when you learn about our world through a good, entertaining story?

I encourage anyone who is looking for a captivating book on Sierra Leone and the Diaspora to pick this up! I eagerly look forward to Pede Hollist’s future projects and I definitely plan on reading more books published by Jacaranda Books!

★★★★★ (5 stars) – Amazing book, I loved it. Absolutely recommend!

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Purchase So The Path Does Not Die by Pede Hollist on Amazon

Two book blog features + LIT links mélange II

Hey everyone!

Earlier this week, African Book Addict! was honored via 2 book blog features. It’s funny how the features were posted a day after the other, as I did not anticipate such close timing at all🙂.

Thanks again to Mary and Whitney for the features!

Head on oscreen-shot-2016-10-13-at-12-18-50-pmver to Mary Okeke’s blog over at – Mary Okeke Reviews and check out the Blogger Spotlight project that featured African Book Addict! This project aims at introducing other fascinating blogs that also discuss African literature to the world.

 

 

 

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Also check out Whitney’s book blog – Brown Books and Green Tea for the African Book Addict! #DiverseBookBloggers feature, that promotes diversity in the book blogging community.

 

 


Other interesting LIT links to indulge in:

  • Osondu of Incessant Scribble wrote a heartfelt book review of Homegoing by Yaa Gyasi. If you still need a nudge to read the book, check out his review! I posted my thoughts/review of Homegoing back in September🙂.
  • Safe House by Zoë Gadegbeku via AFREADA is one of my absolute favorite short stories on the website. Zoë just completed her first year in the Creative Writing MFA Program at Emerson College. She’s originally from Ghana (she actually went to one of my high schools here in Accra) and I already see her maturing into an even more fabulous writer in the future. Please read it!

 

Check out the first LIT links mélange from back in May – here

Sweet Medicine by Panashe Chigumadzi

sweet medicineDate Read: June 3rd 2016

Published: 2015

Publisher: Blackbird Books

Pages: 203

 

 

 

 

 

The Blurb

Sweet Medicine is the story of Tsitsi, a young woman who seeks romantic and economic security through ‘otherworldly’ means. The story takes place in Harare at the height of Zimbabwe’s economic woes in 2008.

 

Review – ★★★ (3 stars)

Sweet Medicine is a good debut! Don’t you love the book cover? It’s one of the reasons I just had to have this book. In between reading, I watched interviews and talks on YouTube that featured Panashe, where she spoke on racism in South Africa (where she was raised. She’s originally from Zimbabwe), feminism and the makings of an online magazine she founded – Vanguard Magazine, which is a womanist platform for young black women in South Africa speaking to the intersectionality of queer politics, Black Consciousness and pan-Africanism. Panashe is simply an amazing inspiration, and she’s only 25!

Set in present day Zimbabwe, Tsitsi – the main character, seems to be a victim of the economic crisis in Zimbabwe. Throughout this novel, she does all she can to achieve economic and romantic stability through ways that seriously contradict her staunch Christian upbringing. I must say – it was hard not to judge Tsitsi while reading this novel. Her forbidden relationship with Mr. Zvobgo (a rich man who’s recently divorced from his wife) was uncalled for, yet understandable, I guess? Unfortunately, just like Tsitsi in Sweet Medicine, many young women find themselves at the mercy of rich men as they try to survive in the midst of economic crises. This novel tackles several dichotomies of dilemmas Tsitsi and other ordinary women (even with university degrees) suffer thanks to the terrible economic states of their nations, like – desperation versus true love; spirituality versus worldliness; feminism versus patriarchy; tradition verses modernity; poverty versus abundance, and much more.

Sweet Medicine might be one of the few African novels I’ve read, where I can confidently say is written for Africans – Zimbabweans to be exact. Panashe unapologetically throws readers into Zimbabwean slang & Shona and into the happenings of Zimbabwe’s economic crisis – as if we are natives! Initially, Sweet Medicine was a little challenging for me to read as it took me a while to adjust to the writing style and the myriad of Shona expressions and phrases blended into the dialogue. But once I got the hang of it, I enjoyed the measured suspense of Tsitsi and Mr. Zvobgo’s undulating relationship issues, as well as the glimpses of Zimbabwean life Sweet Medicine fed me.

If you get the chance to read Sweet Medicine, just immerse yourself into the atmosphere of 2008 Zimbabwe for about 200 pages. Cringe at the silly interactions and exchanges between Tsitsi and her super bold sister-friend, Chiedza. Appreciate Tsitsi’s relationship and her tortuous quandary of wanting to live a comfortable life (and provide for her family) with the man of her dreams versus wanting to honor God and her mother. And when you’re done, go back and admire the ultra-chic book cover which I believe, embodies Tsitsi’s persona. Sweet Medicine made for a decent summer read! I recommend this – especially to readers who’ve been longing to read a contemporary African novel, written for us – Africans.

P.S: I have an extra, brand new copy of Sweet Medicine which I will be giving away- amongst other goodies during my hosting the second and last give-away of the year. Stay tuned!🙂

★★★ (3 stars) – Good book. I recommend it, I guess.

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Purchase Sweet Medicine on Amazon

Book Chat :: Do you practice book polygamy?

Hey everyone!

From time to time, I’d like to pick your brains on different topics I think interest and affect all book lovers. The last book chat – Do you lend your books? was pretty enlightening and I appreciated the various perspectives and book lending strategies you all gave!

Today, I’m really curious to know from you all: Do you practice book polygamy?

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Image via EpicReads

Let’s chat, shall we?

For those who don’t know, book polygamy is the art of reading many books at a time. ‘Many’ is relative, but I believe reading more than 1 book at a time could be considered as practicing book polygamy. During the beginning of the year (January), I found myself reading 3 books at a time in order to generate some content for this book blog before I resumed school for the second semester. The 3 books I was reading were of different genres: the first book was a short stories collection (Fairytales for Lost Children by Diriye Osman), the second book was a memoir (Year of Yes by Shonda Rhimes) and the third book was an anthology (African Love Stories: an anthology ed. by Ama Ata Aidoo). I was only able to juggle these 3 books because they were of completely different genres, so it was almost impossible for me to mix up the plots.

Other than that, reading more than 1 book at a time is a bit bothersome for me – unless they are completely different types of books. For example, I’m currently reading Rupi Kaur’s poetry collection – Milk & Honey and Véronique Tadjo’s novella – As The Crow Flies. I’m able to read these books with ease because they are two different types of books + I’m reading Kaur’s poetry collection as an ebook, which gives me a different reading experience as well. If the books I’m reading aren’t of different genres, I find that my brain gets hyperactive and I become preoccupied with trying to recollect all the different plots. And for me, reading is usually relaxing and enjoyable – not a frantic relay race.

How do some of you manage to read more than 1 book (of similar genres) at the same time? How do you know when to start a new book while you’re already in the process of reading one – or two books?

I recently visited book blogger veteran, Nina Chachu’s blog – Accra Books and Things, and on her July 1st blog post, she analyzed her reading habits over the last three years. In the post, she states:

So I thought I would look at my reading so far – or rather the books which I have finished reading, because I do have to admit that I usually have several books on the go at any one time. For instance at the moment, I have one which I read in the bathroom, another in bed (alternating with some library magazines/journals), one for the bus going to and from work, plus a novel to read while eating, and another via Kindle apps. And as I wrote the last sentence I realized that actually I had forgotten to mention two others which I dip into occasionally. So I think that adds up to about seven – at least as of the time of writing!

(read more from Nina Chachu’s blog post – here)

As I read that portion of her post, I was dumbfounded with admiration. I tip my hat off to all of you who can juggle 4 to 7 books at a time. That takes skills I have not yet learned!

How about you all: 

Do you practice book polygamy? If you do, how do you avoid mixing up the various plots you enjoy? If you do not practice book polygamy – why not?

I’d love to hear your opinions, experiences and some book polygamy strategies!

Homegoing by Yaa Gyasi

Yaa GyasiDate Read: July 16th 2016

Published: 2016

Publisher: A.A Knopf

Pages: 305

 

 

 

 

The Blurb

A novel of breathtaking sweep and emotional power that traces three hundred years in Ghana and along the way also becomes a truly great American novel. Extraordinary for its exquisite language, its implacable sorrow, its soaring beauty, and for its monumental portrait of the forces that shape families and nations, Homegoing heralds the arrival of a major new voice in contemporary fiction.

 

Review – ★★★★★ (5 stars)

Yaa Gyasi’s debut – Homegoing, is historical fiction at its best. I honestly thought Chimamanda Adichie’s Americanah hit home for me back in 2013 when I read it. But Homegoing IS home. Homegoing is about my home. I never thought I’d read book that perfectly articulates the dynamics of being Ghanaian-American. The only book I’ve read that somewhat touches on the identity complexities of being Ghanaian by blood and American (or British) by birth, was Powder Necklace by Nana Ekua Brew-Hammond (another awesome Ghanaian-American writer). I might have to re-read Powder Necklace and review it on this platform soon!

Homegoing was an emotional read – throughout! I started reading during the wake of the horrific Alton Sterling and Philando Castile police shootings of early July, so you can imagine how haunting these real life events paralleled with this particular historical fiction, which focuses on the legacy of slavery in America and Ghana. Homegoing follows two half sisters – Effia and Esi who live in 18th century Ghana and the generations after them, making Effia and Esi the matriarchs of dual lineages. Effia becomes the wench (not wife) of the British governor of Cape Coast Castle (a slave castle here in Ghana) and is the matriarch of the Ghanaian line of the family; while Esi, who is kept as a slave in the dungeons of this same Cape Coast Castle where Effia resides with the governor, is the matriarch of the American line of the family. Homegoing alternates between the descendants of the two sisters, chronologically from 18th century Ghana to present day (after the millennium), in both Ghana and the US. As with most books of the historical fiction genre, a family tree is provided on the first page of the novel which makes following the two lineages and the different family members pretty easy.

To be honest, I don’t think it’s possible to read Homegoing without harboring some resentment for the insanity white folks forced people of African descent to endure. From the events of the Trans-Atlantic slave trade, to the injustice and discrimination black folks faced in the American south as slaves, to the Anglo-Ashanti wars in Ghana, to present day racial tensions and disregard for black bodies, are all legacies of slavery. I truly admire how Gyasi manages to personalize slavery and its effects through the use of character development in each chapter. In every chapter, readers witness how each generation got some inheritance of slavery – be it through mass incarceration, the need to pass as white, lynching, colorism, the fragmenting of families and so much more.

As much as the terrors white folks caused black people are highlighted in Homegoing, I appreciate Gyasi for not letting Africans off the hook for being complicit in the slave trade. Unfortunately, the role African nations played in enabling slavery are  rarely addressed. All the ethnic wars, kidnapping of innocent people and trading of human beings in exchange for goods from the British, Dutch and Portuguese were all selfish, contributing factors to the slave trade and the inhumane effects they still manifest. While reading Homegoing, I kept thinking about Maya Angelou’s autobiography – All God’s Children Need Traveling Shoes and her valid feelings of anger and disappointment she expressed after visiting the Elmina Castle (a Portuguese slave castle here in Ghana) in Cape Coast, Ghana back in the 1970’s. I understood her anger, as she was a descendent of our people who were captured and sold to the Europeans. As upsetting as the slave trade was, I applaud Gyasi for using Homegoing as a way for opening up conversations on the obscure relationship between Africans and African-Americans today, thanks to our disturbed past.

Gyasi’s ability to seamlessly weave Ghanaian and African-American histories into this story was very ambitious and exciting to read! I was impressed with the plethora of themes, actual historical events and icons that made realistic cameos in this novel. Don’t get me wrong – Homegoing is not rigid with historical facts. It’s very much a holistic novel with issues like interracial relationships, sharecropping, homosexuality, racial passing, lynching, homosexuality, mental illness, abelism, colorism and so much more, embedded into the storyline with respect to the times in which the characters live. Real historic icons and happenings like Yaa Asantewaa of Ejisu, The Asantehene, the civil rights movement & non-violent resistance headed by Dr. Martin Luther King Jr., the Fugitive Slave Act of 1850, the Harlem heroin epidemic of the late 1960’s and others are all impressively packed into this novel of 305 pages!

I enjoyed most of the chapters and characters in Homegoing. But my favorite character was Marjorie. I like to believe Marjorie’s chapter is Yaa Gyasi – fictionalized. Marjorie was born in Ghana and raised in the US, just like Yaa Gyasi. In Marjorie’s chapter, I loved how the character articulates how she doesn’t identify fully as Ghanaian or ‘Black American’ which is sometimes used synonymously with the ambiguous term – ‘akata’ by some Africans. I especially loved that Marjorie found joy in reading books by writers of African descent,

Her work was in African and African American literature, and when Marcus asked her why she choose those subjects, she said that those were the books that she could feel inside her. (pg. 295)

Is Marjorie me? That quote is basically the essence of why I created African Book Addict! It was refreshing to read Majorie’s chapter, as I completely understood her identity struggles. While my life story is a little different from Majorie’s/Yaa Gyasi’s, reading a character with a similar background as yours is deeply gratifying. You begin to realize that there are others like you in the world; that you’re not alone in your confusion as to where you call home; that your convictions on your ever evolving identities are valid.

While discussing Homegoing with other book lovers here in Accra, I realized there were some minor inaccuracies in the novel. But I didn’t mind the minor inaccuracies others felt the need to point out. I did however find the ending of this phenomenal book a bit corny. Marcus’s chapter should have ended with a bang – as all the other chapters did! Regardless, Homegoing was emotional and heartbreaking, yet exhilarating to read. I hope Yaa Gyasi makes a trip to Ghana soon or adds Accra to her book tour. I’d love a good ole’ chat with a fellow Ghanaian-American and of course, for my copy of the book to be graced with her signature!

I’d like to extend a special thank you to my new friend – Trish Tchume and publishers A. A Knopf  for my copy of the book.  Homegoing is definitely one of my top 5 favorite books of this year. Don’t be surprised when it is required reading in schools soon.

★★★★★ (5 stars) – Amazing book, I loved it. Absolutely recommend!

My copy of Homegoing before and after reading.

P.S: I’ve typed all of the quotes I highlighted while reading and I’m open to sending anyone who’s interested, the PDF file of the compiled quotes via email. Some of the quotes, notes and suggested readings I highlighted would make for amazing book club discussions🙂

Purchase Homegoing on Amazon

Mini Reviews | Some Love, Some Pain, Sometime & Letter to My Daughter

Hey everyone!

Last year, thanks to finals week, I wasn’t able to review the books I read by legendary mothers – J. California Cooper and Maya Angelou. Below are mini reviews of two books written by two brilliant, African-American literature pioneer writers.

Some Love, Some Pain, Sometime: stories by J. California Cooper

J. California CooperDate Read: December 26th 2015

Published: 1996

Publisher: Anchor Books / Doubleday

Pages: 273

 

 

 

 

 

The Blurb

Whether through her stories or her legendary readings, J. California Cooper has an uncanny ability to reach out to readers like an old and dear friend. Her characters are plain-spoken and direct: simple people for whom life, despite its ever-present struggles, is always worth the journey.

In Some Love, Some Pain, Sometime, Cooper’s characteristic themes of romance, heartbreak, struggle and faith resonate. We meet Darlin, a self-proclaimed femme fatale who uses her wiles to try to find a husband; MLee, whose life seems to be coming to an end at the age of forty until she decides to set out and see if she can make a new life for herself; Kissy and Buddy, both trying and failing to find them until they finally meet each other; and Aberdeen, whose daughter Uniqua shows her how to educate herself and move up in the world.

These characters and others offer inspiration, laughter, instruction and pure enjoyment in what is one of J. California Cooper’s finest story collections.

Review – ★★★ (3 stars)

I discovered J. California Cooper back in 2013. But the announcement of her passing in 2014 had me wishing I’d read her work earlier. After reading Some Love, Some Pain, Sometime, I realized I had really been missing out on Ms. Cooper’s yummy ways of storytelling! As I was reading the stories in this collection, I felt as if I was chatting with a good friend in my living room. Cooper’s stories have a juicy, gossipy-feel that make for an exciting, yet comforting read!

My favorite stories were:

‘Femme Fatale’ – In this story, readers are invited into Darlin’s life as she tries to find herself. After losing both parents and her beloved grandmother, Darlin does all she can to be happy and to be loved by a good man, while in the process grooming herself to be a ‘femme fatale’. This story was an emotional rollercoaster and I loved how it ended. J. California Cooper puts a lot of sass into this story!

‘Sure Is a Shame’ 

You know, it’s a fact and I seen it, sometimes when you think you taking a bite out of life, chewing hard on it, life be done taken a bite out of you and done already swallowed. Sho is a shame, sho is (pg. 159)

This is a cautionary tale on the consequences of taking the little things and good people for granted. It was a long-winded story, but also a wake up call and good reminder to appreciate each day in life, as well as the people placed in it.

Most of the characters in Some Love, Some Pain, Sometime are either 50 years and older or they grow well into old age as they recollect different events of their lives. All the stories have an element of self-help to them, as J. California Cooper drops lots of wisdom on how to live a fulfilling life, through the characters in the stories. But I wished some of the protagonists were younger and that there was more variety to the stories in this collection. Honestly, I can only remember about 3 stories out of this collection. I found the rest of the stories redundant, predictable and quite simple – without much depth. With that said, I still look forward to reading some of J. California Cooper’s full novels – like Family and The Wake of The Wind in the near future. Definitely read this if you’re in the mood for a chatty, comforting collection of stories!

★★★ (3 stars) – Good book. I recommend it, I guess.

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Letter to My Daughter (ebook) by Maya Angelou

Letter_to_My_DaughterDate Read: November 27th 2015

Published: September 2008

Publisher: Random House

Pages: 166

 

 

The Blurb

Dedicated to the daughter she never had but sees all around her, Letter to My Daughter reveals Maya Angelou’s path to living well and living a life with meaning. Told in her own inimitable style, this book transcends genres and categories: guidebook, memoir, poetry, and pure delight.

Here in short spellbinding essays are glimpses of the tumultuous life that led Angelou to an exalted place in American letters and taught her lessons in compassion and fortitude: how she was brought up by her indomitable grandmother in segregated Arkansas, taken in at thirteen by her more worldly and less religious mother, and grew to be an awkward, six-foot-tall teenager whose first experience of loveless sex paradoxically left her with her greatest gift, a son.

Whether she is recalling such lost friends as Coretta Scott King and Ossie Davis, extolling honesty, decrying vulgarity, explaining why becoming a Christian is a “lifelong endeavor,” or simply singing the praises of a meal of red rice–Maya Angelou writes from the heart to millions of women she considers her extended family.

Like the rest of her remarkable work, Letter to My Daughter entertains and teaches; it is a book to cherish, savor, re-read, and share.

Review –★★★★ (4 stars)

Maya Angelou is one of the writers who got me truly interested in African-American literature and reading in general, back when I was 13 years old. When I was younger, I wasn’t particularly excited about the ‘classics’ I was forced to read, like – Black Beauty, David Copperfield, Oliver Twist, To Kill A Mockingbird, Little Women, The Catcher in the RyeAnn of Green Gables, just to name a few. I appreciated those books, but I didn’t deeply connect with the characters of the novels. When my mother suggested for me to start reading Maya Angelou’s autobiography series which she owned in her bookshelf (my mother is an original bookworm. Me and my siblings will inherit a whooole library of books!), I started with – I Know Why The Caged Bird Sings. Angelou’s storytelling grasps all of your attention with her vivid descriptions, poetic writing style and punches of wisdom in each chapter of her work. *sigh* I’m still bitter that she passed away on my birthday in 2014. I really wanted to meet her or just be in her presence at a literary event.

Letter to My Daughter is my sixth read from Maya Angelou’s work and I believe it’s a timeless gem of essays!

My favorite essays were:

‘Accident, Coincident, or Answered Prayer’ – This story was very familiar, as I’ve read a similar version of the account in Angelou’s final book in her autobiography series – Mom & Me & Mom (2013). In ‘Accident, Coincident, or Answered Prayer,’ Maya Angelou takes readers back to when she dated a physically abusive man and the (emotional, physical) pain it caused her life as a young woman. To think Angelou could have died in the serious brawl she describes in this essay is horrifying. However her fierce mother – Vivian Baxter, is the real MVP of this account as her love and fearless nature save Angelou. In this account, readers ultimately learn that Maya Angelou believed in the power of prayer.

‘Violence’

Too many sociologist and social scientists have declared that the act of rape is not a sexual act at all, but rather a need to feel powerful… The sounds of the premeditated rape, the grunts and gurgles, the sputtering and spitting, which commences when the predator spots and then targets the victim, is sexual. The stalking becomes, in the rapist’s mind, a private courtship, where the courted is unaware of her suitor, but the suitor is obsessed with the object of desire. He follows, observes, and is the excited protagonist in his sexual drama… I am concerned that the pundits, who wish to shape our thinking and, subsequently, our laws, too often make rape an acceptable and even explainable social occurrence… We must call the ravening act of rape, the bloody, heart-stopping, breath-snatching, bone-crushing act of violence, which it is. The threat makes some female and male victims unable to open their front doors, unable to venture into streets in which they grew up, unable to trust other human beings and even themselves. Let us call it a violent unredeemable sexual act… (pages 39-41).

This is an excerpt from ‘Violence,’ one of the powerful (and self-explanatory) essays from this collection which is ever so relevant to us today in 2016. I wonder what Maya Angelou would make of the several, deeply upsetting rape cases that seem to be pushed under the rug today – especially the terrible Stanford rape case. Angelou picks readers’ brains and questions society’s complacency in combatting violent acts against women. This was a compelling, necessary essay.

Mother Maya Angelou can do no wrong in my eyes! This collection of essays is uplifting and familiar if you’ve read any of her autobiographies. Even if you aren’t familiar with her work, this is nevertheless a riveting collection to start with, as readers can get a feel of her storytelling, essays and poetry. Maya Angelou was a well of wisdom who touched many lives through her wonderful words – she will always be one of my favorites!

P.S: Has anyone seen the Maya Angelou Documentary yet – Maya Angelou: And Still I Rise ? It was released June 7th of this year!

★★★★ (4 stars) – Great book. Highly recommend!

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I hope to purchase the physical copy of Letter to My Daughter soon! Above is my Mom’s super old Maya Angelou collection from our personal library. I have two books left to read from this pile🙂

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The Star Side of Bird Hill by Naomi Jackson

The Star Side of Bird HillDate Read: June 14th 2016

Published: 2015

Publisher: Penguin Press

Pages: 304

 

 

 

 

The Blurb

After their mother can no longer care for them, young Phaedra and her older sister, Dionne, are exiled from Brooklyn to Bird Hill in Barbados to live with their grandmother Hyacinth, a midwife and practitioner of the local spiritual practice of obeah.

Dionne spends the summer in search of love, testing her grandmother’s limits, and wanting to go home. Phaedra explores Bird Hill, where her family has lived for generations, accompanies her grandmother in her role as a midwife, and investigates their mother’s mysterious life.

When the father they barely know comes to Bird Hill to reclaim his daughters, both Phaedra and Dionne must choose between the Brooklyn they once knew and loved or the Barbados of their family.

 

Review – ★★★ (3 stars)

I bought The Star Side of Bird Hill late last year for 2 reasons: I absolutely adored the super chic, sassy cover art (designed by an amazing contemporary Caribbean artist from Barbados – Sheena Rose) and I just had to support Naomi Jackson, as she’s an alum of Williams College – Middlebury’s (my alma mater) sister liberal arts school!

The Star Side of Bird Hill is a decent coming-of-age story that focuses on Barbadian-American sisters – Dionne (16 years old) and Phaedra (10 years old) as they learn new things about their family, culture and even themselves during their summer vacation in Bird Hill, Barbados. I really appreciated Jackson’s easy-going and descriptive writing style in this novel. Her vivid descriptions of Barbados definitely made this a great summer read! I felt as if I was with the characters during the lively carnival and on the sandy, pristine beaches against the backdrop of the serene sunsets. I could even hear the voices of both Dionne and Phaedra during their dialogues – that’s how thorough Jackson’s descriptions were!

But I kept wondering if The Star Side of Bird Hill was considered a YA (Young Adult) novel because it was surprisingly a heavy read. Tough issues like depression, mental illness, death, divorce, suicide, homosexuality, bi-cultural upbringing, Christianity, voodoo etc are all tackled in this book. I must say, Dionne and Phaedra’s grandma – Hyacinth, is the real MVP of this novel. I was in awe of her strength, courage and emotional stability given the series of unexpected, unfortunate incidents that occur at Bird Hill. It seemed as if Naomi Jackson was paying homage to the women of Bird Hill by showcasing the amazing strength the Barbadian women possess.

While reading, I sensed some similarities in this storyline to Haitian writer,  Edwidge Danticat’s novel Breath, Eyes, Memory – even though Danticat takes the themes of mother-daughter relationships, depression, sexual assault and suicide up a notch! I wanted to gift one of my friends who is of Grenadian heritage with this book, as I initially thought she’d easily relate to Caribbean/Caribbean-American storyline, but I’ve been having second thoughts since the story becomes super depressing for a good 100 pages. I wasn’t really blown away by The Star Side of Bird Hill when I finished the book. I enjoyed how most incidents and issues were sort of resolved by the end, but The Star Side of Bird Hill is not more than 3.5 stars for me. I do look forward to whatever Naomi Jackson writes next though!

★★★ (3 stars) – Good book. I recommend it, I guess.

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