AND THE 2022 AKO CAINE PRIZE WINNER IS…

In exactly 1 week, the 2022 AKO Caine Prize winner will be announced!

For those who are not familiar, the AKO Caine Prize (formerly as the Caine Prize for African Writing), which was first awarded in year 2000, is an award open to writers from anywhere in Africa for work published in English. It’s focus is on the short story, reflecting the contemporary development of the African story-telling tradition.

The AKO Caine Prize for African Writing is a registered charity whose aim is to bring African writing to a wider audience using the annual literary award (source).

Some notable winners of the Caine Prize include (click on links to my reviews):

  • Leila Aboulela, from Sudan (2000) – author of novels Minaret, The Translator, Lyrics Alley, among others. 
  • Binyavanga Wainaina, from Kenya (2002) – founding editor of Kwani?, author of memoir One Day I Will Write About This Place and the essay How To Write About Africa found in various literary magazines. *sigh* Rest In Power, Binya!
  • Yvonne A. Owuor, from Kenya (2003) – author of the novel, Dust.
  • E.C Osondu, from Nigeria (2009) – author of the novel This House is not For Sale and collection Voice of America: stories.
  • NoViolet Bulawayo, from Zimbabwe (2011) – author of the novel, We Need New Names
  • Tope Folarin, from Nigeria (2013) – author of novel, A Particular Kind of Black Man
  • Lesley Nneka Arimah, from Nigeria (2019) – author of short story collection, What It Means When A Man Falls From The Sky

Previously shortlisted writers include: (2001) Mia Couto from Mozambique, (2002) Chimamanda Adichie from Nigeria, (2006) Laila Lalami from Morocco, (2013) Chinelo Okparanta from Nigeria, (2013) Pede Hollist from Sierra Leone, (2014) Tendai Huchu from Zimbabwe, (2013 & 2015) Elnathan John from Nigeria, (2021) Doreen Baingana from Uganda, among others!

The AKO Caine Prize and the shortlisted stories play huge roles in the authors I read from Africa and the Diaspora. Many AKO Caine Prize winners and shortlisted writers have found great success and I’ve reviewed a good number of these writers’ work here on African Book Addict!


This year, the AKO Caine Prize shortlist comprises of five talented writers with stories showcasing the “vibrancy, variety and splendor of creative talent among writers of African descent” – Okey Ndibe; (left to right):

(Image via caineprize.com)

Joshua Chizoma (Nigeria) – Read the story: Collector of Memories

Hannah Giorgis (Ethiopia) – Read the story: A Double-Edged Inheritance

Nana-Ama Danquah (Ghana) – Read the story: When a Man Loves a Woman

Idza Luhumyo (Kenya) – Read the story: Five Years Next Sunday

Billie McTernan (Ghana) – Read the story: The Labadi Sunshine Bar


Another year where women dominate the shortlist – I love to see it. And FINALLY, Ghana is well represented on the shortlist! I never thought I would see the day where Nigerians, Kenyans and South African stories did not dominate haha.

When A Man Loves A Women by Nana-Ama Danquah is a well-paced story that turns pretty dark by the end. I think this is expected, as the short story was originally published in the Accra Noir anthology (via Akashic). The story centers a loving Ghanaian couple from the US who later relocate to Cantonments, Accra. Kwame and Adwoa were high school sweethearts and are now well into their 50’s, dealing with various ailments that normally afflict the body in middle-age. Kwame is diagnosed with cancer and it seems the couple’s normal routine of coping with their marriage is disrupted. The story is quite simple… almost predictable, but not in a bad way. I’ve always found Danquah’s writing to be very accessible and digestible. If you remember my 2018 book review of her memoir – Willow Weep For Me, you’ll understand my love of her ability to aptly capture the realities of life.

A Double-Edged Inheritance by Hannah Giorgis was an enjoyable read for me! I’m pretty fond of Giorgis’s writing in The Atlantic, where she covers (pop)culture. I had no idea she wrote fiction as well, so it was a nice surprise to see her on this shortlist. A Double-Edged Inheritance was originally published in the Addis Ababa Noir anthology (via Akashic) so I expected some level of darkness in the story. The only issue I had with the story was that it had waaay too many characters and it was hard to track who was who sometimes. The story moves from Addis Ababa to the US and back to Addis, where readers are acquainted with a few heroines – Tigist, Almaz and Meskerem. Meskerem – who is the daughter of Tigist (now dead, thanks to the man she fell in love with) is an Ethiopian-American who is on a quest to find her roots in Addis. Her grandaunt – Almaz (who I think is the MVP of this story) is the glue that holds all the characters together, thanks to her wealth, social currency and resilience. The story turns dark when Meskerem is on holiday in Addis Ababa and she eventually meets her father, unintentionally. It’s hard to summarize this story, as it has so many characters and sub-plots. But I would love to see this story turn into a full-fleshed novel!

But ooooooooooh, my! Five Years Next Sunday by Idza Luhumyo will definitely win the AKO Caine Prize this year. What a beautifully magical story! I’m now a fan of the main character of Five Years Next Sunday and Idza, the writer! This mythical story follows a young girl, Pili, whose hair-which is in the form of luscious locs, is a god of the land. Her hair grows beautifully and attracts lots of attention to her poor family. Her family later becomes wealthy, thanks to her hair, as it attracts the likes of white people who fetishize it. But as her hair is growing and becoming a main attraction, the land is parched, as it hasn’t rained in five years. Cutting her hair would signal the clouds to finally let out rain; but cutting it would also banish her to “the quarter of witches, where all women who have the rain are sent”. Honey, white woman who is jealous of Pili’s attention, feigns connection with Pili, only for Pili to mistaken this connection for desire and later make the choice of cutting her locs.

My summary of this story does NOT do it justice. The beauty of the story is in the sublime, engaging, light writing! The story holds deeper meaning, depending on how intently it is read. On the surface, I loved how the nature of a Black woman’s hair was being revered. Hair was the source of life for a group of people – which is akin to water. On a deeper level, the story touches on themes such as – the environment, nature, womanhood, colonization, fetishization, desire, destiny and ancestral connections. Five Years Next Sunday was the winner of the Short Story Day Africa Prize in 2021. This story also deserves to win the 2022 AKO Caine Prize!

Which story is your favorite? Who do you think will win the AKO Caine Prize this year?

The winner will be announced on Monday 18th July 2022. Good luck to all the shortlisted candidates!

You can also check out my past commentary on the AKO Caine Prize below:

2014 | 2015  | 2016 2017 | 2018 | 2019 | 2020

AND THE 2020 AKO CAINE PRIZE WINNER IS…

In less than a month, the 2020 AKO Caine Prize winner will be announced!

For those who are not familiar, the Caine Prize for African Writing (now known as the AKO Caine Prize), which was first awarded in year 2000, is an award “open to writers from anywhere in Africa for work published in English. Its focus is on the short story, reflecting the contemporary development of the African story-telling tradition” (source).

Some notable winners of the Caine Prize include (click on links to my reviews):

  • Leila Aboulela, from Sudan (2000) – author of novels MinaretThe Translator, Lyrics Alley, among other works. 
  • Binyavanga Wainaina, from Kenya (2002) – founding editor of Kwani?, author of memoir One Day I Will Write About This Place and the essay How To Write About Africa found in various literary magazines. *sigh* Rest In Power, Binya!
  • Yvonne A. Owuor, from Kenya (2003) – author of the novel, Dust.
  • E.C Osondu, from Nigeria (2009) – author of the novel This House is not For Sale and collection Voice of America: stories.
  • NoViolet Bulawayo, from Zimbabwe (2011) – author of the novel, We Need New Names
  • Lesley Nneka Arimah, from Nigeria (2019) – author of short story collection, What It Means When A Man Falls From The Sky

Previously shortlisted writers include: (2001) Mia Couto from Mozambique, (2002) Chimamanda Adichie from Nigeria, (2006) Laila Lalami from Morocco, (2013) Chinelo Okparanta from Nigeria, (2013) Pede Hollist from Sierra Leone, (2014) Tendai Huchu from Zimbabwe, (2013 & 2015) Elnathan John from Nigeria, among others!

The AKO Caine Prize and the shortlisted stories play huge roles in the authors I read from Africa and the Diaspora. Many AKO Caine Prize winners and shortlisted writers have found great success and I’ve reviewed a good number of these writers’ work here on African Book Addict!


This year, the AKO Caine Prize shortlist comprises of five talented writers with stories that ‘speak eloquently to the human condition’ (left to right):

(Image via caineprize.com)

Erica Sugo Anyadike (Tanzania) – Read her story: How to Marry An African President

Rémy Ngamije (Rwanda & Namibia) – Read his story: The Neighbourhood Watch

Chikodili Emelumadu (Nigeria & UK) – Read her story: What To Do When Your Child Brings Home a Mami Wata

Jowhor Ile (Nigeria) – Read his story: Fisherman’s Stew

Irenosen Okojie (Nigeria & UK) – Read her story: Grace Jones


Women dominate the shortlist again – I LOVE to see it! I’m still making my way through all the stories. So far I’ve read Erica Sugo Anyadike and Jowhor Ile’s stories; and skimmed through Chikodili Emelumadu and Irenosen Okojie’s stories.

Fisherman’s Stew by Ile is a calm story about Nimi, an elderly woman, who believes her dead husband comes home to her one night. It seems she frequently has encounters with this man who has long passed away, but when she mentions this to her daughter or her neighbor, they worry about her mental health. As the story progresses, readers get to decipher whether Nimi’s encounters are true or imagined. The story is quite simple, not mind-blowing. The writing is simple, yet beautiful. The descriptions of the market and it’s foodstuff, Nimi’s late night cooking of fish stew and even the opening scene (which caught me off-guard) where Nimi and her husband lay together, definitely showcased Ile’s lovely way with words. I’m not sure if the story is a prize-winning story, though.

How to Marry An African President is another good story that’s easy to read, but it wasn’t a story I hadn’t read before. I skimmed through What To Do When Your Child Brings Home a Mami Wata and I was reminded of Emelumadu’s humor! Her story Bush Baby was shortlisted for the Caine Prize in 2017, so I expected nothing less than her wonderful, sharp satire. I also skimmed through Grace Jones by Okojie (I really want to read her three books that have been published. But getting access to physical books is almost impossible now, thanks to the borders being close). It was a little hard for me to understand what was going on initially, but so far I’m captivated by the writing!

Sigh… To be honest, I’ve slowly lost interest in the Caine Prize over the years. I’m no longer excited about the shortlist or the stories, or who wins. I’m not sure if I’m fatigued at how repetitive everything is, or if I’m just fatigued in general.

Anyway, may the best story win. I won’t be shocked if Grace Jones is the winner. Okojie’s writing is known to be out of this world!

••

Which story is your favorite? Who do you think will win the AKO Caine Prize this year?

The winner will be announced on 27th July 2020. Good luck to all the shortlisted candidates!

You can also check out my past commentary on the AKO Caine Prize below:

2014 | 2015  | 2016 | 2017 | 2018 | 2019

KidLit Book Chat | with founder of Booksie, Edem Torkornoo

Children’s literature is a genre I rarely blog about. I don’t have any children yet, so kid literature is almost never on my radar. But there are sooo many African/Black authors writing phenomenal books for children nowadays. Last year, Edem Torkornoo founded BOOKSIE, which is a pan-African child-focused company on a mission to inspire young African readers by intentionally giving them access to books that tell African realities.

This week in celebrating Ghanaian excellence, I chat with Edem Torkornoo as we discuss Booksie, the Booksie Box (which ships worldwide!), African children’s literature + some recommendations for children aged 3-12!

(note – ‘ET’ represents Edem Torkornoo’s responses)

[image via mybooksiebox.com]

•••

  • Booksie as a pan-African company primarily focuses on making children’s literature more accessible. Why did you decide to focus on kidlit?

ET: It’s something that came to me naturally. I’m a huge bookworm and I’ve always loved working and playing with children. I enjoy their company so kidlit allows me to bring my two loves together.

Looking back though, I think my interest in kidlit piqued when I heard about Deborah Ahenkorah and the Golden Baobab Prize in my first year of college, so that would be 2009. I found it fascinating that Deborah had started a prize to promote African literature for children and it stuck with me.

As I went through college and started working, I explored my interests and realised that I want to create entertainment (books and TV shows) for African children and I want that entertainment to have characters that look like the children they are for. I want my nephews Ian (5) and Joel (3) and cousins Nana Araba (5) and Afua (2) to see themselves in books and on TV. You can call them my muses. There’s something very powerful about representation and it may not always be obvious but seeing images of people who look like you in the media you consume does something to your confidence.

 


  • What’s My Booksie Box all about? How does it work?

ET: My Booksie Box is Booksie’s flagship product. It’s a subscription service that curates children’s books written by African authors and/or with primarily African characters and delivers it individuals and schools on a regular basis. The books are categorized by age (3-5; 6-8; 9-12 years-old) and subscribers can choose how often they want to receive books (monthly, bi-monthly or quarterly).

My Booksie Box has three main goals:

  • make children’s books written by African authors easily accessible
  • nurture a love of reading
  • give authors and publishers on the continent a channel to sell their work.

We’ve also created the Afterschool Book Club, a community for young book lovers that runs from 3-7pm weekly. We work with children who are just learning to read and help them to improve their proficiency. On one hand, children get to read a good book, do their homework and explore their passions through engaging in creative activities. On the other hand, parents are able to bridge the gap between school and home time by leaving their children in a safe environment. We call it a win-win situation.

Finally, we host book club events on the weekend so that children who can’t make it to the weekday one are still able to join the community.

[images kind courtesy from Booksie]

 


  • Are books selected for the subscription box primarily by African authors or other Black authors? Will Booksie include children’s books by other Black authors?

ET: Yes, the books are primarily by African authors but we’ve discovered some amazing books with African characters or based on African cities that are written by non-Africans so we will include them. There are also African writers who have written fantastic books with non-African characters so we’ve started to relook at our selection criteria.

We’re open to books by Black authors but the primary focus is those written by Africans.

 


  • How do you select the books & genres featured in the Booksie Box? Is there a plethora of writers and books to choose from?

ET: There are 3 main criteria:

  1. Is the book written by an African author and does it have primarily African characters?
  2. Is the book telling a fun, engaging and memorable story that children can relate to?
  3. Does the book have beautiful, eye-catching illustrations? This is particularly important for books in the 3-5 year-old and 6-8 year-old category.

The last ‘secret’ criteria is, will my nephews Ian and Joel be drawn to the book or will they snob it?

There are a plethora of books to choose from in the 6-8 year-old age category. I’m discovering that when it comes to children’s books many writers cater to that age group. However, there aren’t many to choose from in the 3-5 and 9-12 year-old age groups so we’re always on the lookout for them.

The African kidlit space is also missing board books for babies and toddlers. I haven’t come across any yet so please let us know if you know any.

 


  • Do you remember the first children’s book you read as a child? If so, was it by an African author? How was the experience?

ET: I remember some lines from the first book I learned to read by myself. I memorized it. But I don’t remember the title. Haha. It says something like “the sky is grey and it is pouring, sitting here is very boring, I’d like to go out to play …”

It wasn’t by an African author. In terms of experience, I think I felt accomplished reading that book because I could read it by myself. I read it over and over again. That’s why I can remember some lines.

My vivid reading memories though are from the time I discovered the Baby Sitters Club, Nancy Drew, Enid Blyton and Sweet Valley. Those were magical times and all I’d do on the ride to and from school was read. I think this was in class two or three.

 


  • For beginners of African kidlit, where should one start? Could you give three of your favorite books for children aged 3-12?

ET: I love Dela Avemega’s Lulu Series and Niki Daly’s books about Jamela. I’ve also heard amazing things about Atinuke’s Anna Hibiscus series but I’m yet to read any of them.

I’ll give one favourite from each of the age categories that My Booksie Box caters to:

ages 3-5: A is for Accra by Ekow and Nana Afua Pierre

 

ages 6-8: Where is Jamela? by Niki Daly

 

ages 9-12: The Necklace of Relur: Kagim Chronicles by Linda Masi

 


  • When should we be expecting a children’s book written by you, Edem?

ET: Fingers crossed, soon!

 


P.S – If you haven’t checked out Booksie’s #ReadGhanaian🇬🇭: KidLit Edition where nine Ghanaian children’s writers & their books are highlighted, what are you waiting for?

For more information on how to discover amazing African children’s books, kindly check out Booksie’s website for more information; where all FAQ’s are answered!

Also, be sure to contact Edem / the Booksie team via WhatsApp – +233 24 131 6433 | Instagram | Twitter

 

 

 

 

Edem Torkornoo is the Founder and chief bookworm at Booksie, a pan-African book subscription service and book club for 3-12 year-olds. Prior to Booksie, she served as a Teaching Fellow at MEST-Africa and was on the Founding Team at the African Leadership University (ALU) where she managed all things digital. Edem is a child at heart and likes to make people happy through food.

Mini Reviews | Houseboy & Tropical Fish

Hey everyone!

In an effort to reduce the growing backlog of book reviews I owe this platform, below are mini reviews of two excellent books I read a couple of years ago.

Houseboy by Ferdinand Oyono

Date Read: September 22nd 2017

Published: 1991

Publisher: Heinemann

Pages: 122

The Blurb

This book is written in the form of a diary kept by Toundi, an innocent Cameroonian houseboy who is fascinated and awed by the white world, the world of his masters.

 

Review – ★★★★★ (5 stars)

*sigh* Oyono’s Houseboy is such a painful, humorous, tragic tale.


Toundi – the main character (the houseboy), is naïve of the realities of his world in the French colony of Cameroon. While he’s is a good natured boy with a pure heart, the French exploitation of native Cameroonians cause the demise of Toundi (this isn’t a spoiler, trust me!).

This book really highlighted how fearful French colonialists were of native Cameroonians and Black Africans, in general. They were so fearful, insecure, ignorant and mentally fragile that they constantly exerted their supposed superiority over natives with hateful, brutal abuse. Toundi’s innocence gave this novel so much humor. The ways he misunderstood the lifestyle of white people was hilarious and sad at the same time. The ways the natives spoke about the French gave me some good laughs as well.

No, it can’t be true, I told myself, I couldn’t have seen properly. A great chief like the Commandant uncircumcised… I was relieved by this discovery. It killed something inside me… I knew I should never be frightened of this Commandant again. (pg. 28)

This was actually the 1st African novel I’ve ever read (I was initially in love with African-American fiction before I ever started reading books by African writers… well, besides Anansi stories). My Mom encouraged (or forced?) me to read Houseboy back when I was about thirteen years old. Back then, I didn’t enjoy this book at all and found it difficult to understand the myriad of proverbial phrases this story is blessed with. Today, I finally appreciate this novel as a superb, underrated classic within the African Writer’s Series.

★★★★★ (5 stars) – Amazing book, I loved it. Absolutely recommend!

Purchase Houseboy on Amazon

 


Tropical Fish: Tales from Entebbe by Doreen Baingana

Date Read: September 16th 2016

Published: 2008

Publisher: Cassava Republic Press

Pages: 158

 

The Blurb

In her fiction debut, Doreen Baingana follows a Ugandan girl as she navigates the uncertain terrain of adolescence. Set mostly in pastoral Entebbe with stops in the cities Kampala and Los Angeles, Tropical Fish depicts the reality of life for Christine Mugisha and her family after Idi Amin’s dictatorship.

Three of the eight chapters are told from the point of view of Christine’s two older sisters, Patti, a born-again Christian who finds herself starving at her boarding school, and Rosa, a free spirit who tries to “magically” seduce one of her teachers. But the star of Tropical Fish is Christine, whom we accompany from her first wobbly steps in high heels, to her encounters with the first-world conveniences and alienation of America, to her return home to Uganda.

As the Mugishas cope with Uganda’s collapsing infrastructure, they also contend with the universal themes of family cohesion, sex and relationships, disease, betrayal, and spirituality. Anyone dipping into Baingana’s incandescent, widely acclaimed novel will enjoy their immersion in the world of this talented newcomer.

 

Review –★★★★ (4 stars)

After reading Doreen Baingana’s short story entitled ‘Tropical Fish’ in African Love Stories: An Anthology at the beginning of 2016, I knew I had to find her book.

I loved how nuanced this collection of interlocking stories were. Readers get a good feel of life in Entebbe, Uganda during Idi Amin’s ruling. I enjoyed the three sisters: Patti, Rosa and Christine Mugisha. I had wanted more insight into Patti’s life; she had a gentle, holier-than-thou demeanor that I wished was explored more. Rosa’s chapters were quite hilarious and poetic. I admired Baingana’s uncommon perspective on HIV/AIDS and sex through Rosa’s promiscuous lifestyle. Christine’s life (the youngest sister) is more closely followed in this book – from her days as a little girl playing in her parents’ bedroom to when she is twenty-nine years old and a recent ‘returnee’ from the States.

Baingana’s attention to the littlest things/feelings/observations we overlook in our daily lives made me love this collection. The writing was not overly descriptive; the commentary was witty, clever and overall, the exploration of life in Entebbe and the US was just heartfelt. I’m very fond of Baingana’s writing and it’s no wonder she was the winner of the Commonwealth Writers’ Prize for Best First Book in the Africa region and has garnered other literary awards for her writing. I hope she writes a new novel very soon.

★★★★ (4 stars) – Great book. Highly recommend!

Purchase Tropical Fish: Tales from Entebbe on Amazon

And the 2017 Caine Prize winner is…

YES, it’s that time of year again! In less than two weeks, the 2017 Caine Prize winner will be announced!

For those who are not familiar, the Caine Prize for African Writing, which was first awarded in year 2000 is an award “open to writers from anywhere in Africa for work published in English. Its focus is on the short story, reflecting the contemporary development of the African story-telling tradition” (source).

Some notable winners of the Caine Prize include (click on links to my reviews):

  • Leila Aboulela, from Sudan (2000) – author of novels Minaret, The Translator, Lyrics Alley among other works. 
  • Binyavanga Wainaina, from Kenya (2002) – founding editor of Kwani?, author of memoir One Day I Will Write About This Place and the essay How To Write About Africa found in various literary magazines.
  • Yvonne A. Owuor, from Kenya (2003) – author of the novel, Dust.
  • E.C Osondu, from Nigeria (2009) – author of the novel This House is not For Sale and collection Voice of America: stories.
  • NoViolet Bulawayo, from Zimbabwe (2011) – author of the novel, We Need New Names

Previously shortlisted writers include: Mia Couto from Mozambique (2001), Chimamanda Adichie from Nigeria (2002), Laila Lalami from Morocco (2006), Chinelo Okparanta from Nigeria (2013), Pede Hollist from Sierra Leone (2013), Tendai Huchu from Zimbabwe (2014), Elnathan John from Nigeria (2013 & 2015), among others!

The Caine Prize and the shortlisted stories play huge roles in the authors I read from Africa. Many Caine Prize winners and shortlisted writers have found great success and I’ve reviewed a good number of these writers’ works here on African Book Addict!


This year, the Caine Prize shortlist comprises of five talented writers with unique short stories (left to right):(Image via caineprize.com)

Lesley Nneka Arimah (Nigeria) – Read her short story: Who Will Greet You At Home

Chikodili Emelumadu (Nigeria) – Read her short story: Bush Baby

Bushra al-Fadil (Sudan) – Read his short story: The Story of the Girl Whose Birds Flew Away 

Arinze Ifeakandu (Nigeria) – Read his short story: God’s Children Are Little Broken Things

Magogodi oaMphela Makhene (South Africa) – Read her short story: The Virus


The Caine Prize shortlist wouldn’t be a shortlist if a previous shortlistee isn’t back on the list, right? I’m no longer shocked or disappointed when I see previous shortlistees and winners back on the shortlist – the Caine Prize is good for that.

I was happy to see Bushra al-Fadil, a writer of Sudanese heritage on the list! I think the last time a Sudanese writer was on the Caine Prize shortlist was back in year 2000, when Leila Aboulela won the first Caine Prize. But I wasn’t able to finish al-Fadil’s short story- The Story of the Girl Whose Birds Flew Away. Maybe it’s just me, but I didn’t get it. The Virus by Makhene is 26 pages and I haven’t found the time to enjoy it yet. Maybe I’ll listen to the podcast/ audio of the story if I have 1 hour 11 minutes to spare. I found Lesley Nneka Arimah’s story – Who Will Greet You At Home, softly magical. I recently purchased her short story collection – What It Means When A Man Falls From the Sky (which was the title of her last year’s shortlisted story) at it’s full price, so I hope it’s worth it. Hmm, I wonder if Arimah will compete to win next year’s prize as well, even with all the positive buzz around her new book.

Chikodili Emelumadu’s story – Bush Baby, is one hell of a rollercoaster! I was initially hesitant to read the story, as it’s a long read of 17 pages. But once I started reading, I just had to stay on the intense ride and endure every bit of it. I love Emelumadu’s succinct writing style. She manages to accurately capture the tiniest nuances which I found impressive. Bush Baby is a haunting story that follows adult siblings Ihuoma and Okwuchukwu (or Okwy) as they battle being tortured by an evil spirit that is out for Okwy. Ihuoma is back home in Nigeria from studying/living abroad and Okwy has resorted to satisfying the desires of his flesh – drugs, gambling, prostitutes and juju. YES- juju! Without giving too much away, just beware – there is black magic/ juju/ voodoo/ magical realism (however you choose to call ‘evil spirits’) in this story. Emelumadu’s palpable descriptions had be cringing and feeling deep sorrow for Okwy and his demise. I discovered Emelumadu’s blog, Igbophilia late last year and find her commentary/stories hilarious and very entertaining. I’m proud of her for making it on this year’s Caine Prize shortlist.

Arinze Ifeakandu’s story – God’s Children Are Little Broken Things MUST win the 2017 Caine Prize. Arinze is one heck of a writer! God’s Children Are Little Broken Things follows 2 university students, Lotanna and Kamsi. They are both young men and they become lovers. However, their relationship is very complicated. Lotanna is a soccer player and lover boy who is dating Rachael but he’s attracted to Kamsi – a piano player who’s small in stature. I don’t want to give too much away but I urge everyone to read the story – it’s the perfect short story for this month, which is considered LGBTQ Pride Month in the US. The story is deeply compelling and layered with many themes, such as – love, homosexuality, domestic violence, family, grief, illness, masculinity etc.

Reading God’s Children Are Little Broken Things got slightly confusing as it’s a second-person narrative, but I believe Arinze writing in this point of view made the story very personal and hence, powerful. I’m curious to know more about Arinze Ifeakandu and what compelled him to write this important story. I’d love to know how other readers feel about this story and the types of arguments/ conversations it will open up, especially among Africans who believe sexual fluidity and homosexuality are abominations. Arinze Ifeakandu must win this year’s Caine Prize and expand this riveting short story into a book! *fingers crossed.*

Which story is your favorite? Who do you think will win the Caine Prize this year?

The winner will be announced in London at Senate House Library in partnership with SOAS, on the 3rd of July. Good luck to all the shortlisted candidates!

You can also check out past commentary on the Caine Prize below:

2014 | 2015  | 2016

Classics: Things Fall Apart by Chinua Achebe & Matigari by Ngūgī wa Thiong’o

Hey everyone! Below are mini reviews of two classics written by two, brilliant, African literature pioneer writers. I enjoyed these books over the summer 🙂

Things Fall Apart by Chinua Achebe

Date re-Read: July 12th 2015 (previously read in 2007)

Published: January 2010 (originally published in 1958)

Publisher: Penguin Books

Pages: 152

Things Fall Apart

The Blurb

Things Fall Apart tells two intertwining stories, both centering on Okonkwo, a “strong man” of an Ibo village in Nigeria. The first, a powerful fable of the immemorial conflict between the individual and society, traces Okonkwo’s fall from grace with the tribal world. The second, as modern as the first is ancient, concerns the clash of cultures and the destruction of Okonkwo’s world with the arrival of aggressive European missionaries. These perfectly harmonized twin dramas are informed by an awareness capable of encompassing at once the life of nature, human history, and the mysterious compulsions of the soul.

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Review –★★★★ (4 stars)

What more can I say about this book? Everyone and their grandparents have read this classic. Most readers hated Okonkwo – the main character, for valid reasons. Who would have thought this true-blooded chauvinist would ultimately take his own life? Killing yourself is a cowardly, weak move, no? Despite Okonkwo’s brashness and overt disdain for females and all things ‘womanly’, I understood him, so I appreciated him.

It’s hard not to resent the British colonizers for the damage they caused Africa in the past. The British came with full force, masked in Christianity and denied natives of the African continent control over their own land. Change is never easy, but I guess sometimes it’s necessary? Many harmful indigenous practices which were revered prior colonization have been abolished for example – the killing of twins and thankfully, many other practices that were tagged with superstitious beliefs. Things Fall Apart gives readers a lot to think about: gender inequality, superstition, tradition versus modernity, masculinity versus femininity etc. I’m glad I re-read this during the summer. It was refreshing to reconnect with this masterpiece that Achebe wrote back in 1958. Things Fall Apart will always be a solid 4.5 stars for me.

★★★★ (4 stars) – Great book. Highly recommend!

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Matigari by Ngūgī wa Thiong’o

Date Read: August 11th 2015

Published: June 1989 (originally published in 1986)

Publisher: Heinemann (African Writers Series)

Pages: 175

Matigari

The Blurb

Who is Matigari? Is he young or old; a man or fate; dead or living… or even a resurrection of Jesus Christ? These are the questions asked by the people of this unnamed country, when a man who has survived the war for independence emerges from the mountains and starts making strange claims and demands.

Matigari is in search of his family, to rebuild his home and start a new and peaceful future, but his search becomes a quest for truth and justice as he finds the people still dispossessed and the land he loves ruled by corruption, fear and misery. Rumors spring up that a man with superhuman qualities has risen to renew the freedom struggle. The novel races towards its climax as Matigari realizes that words alone cannot defeat the enemy. He vows to use the force of arms to achieve his true liberation.

Lyrical and hilarious in turn, Matigari is a memorable satire on the betrayal of human ideals and on the bitter experience of post-independence African society.

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Review – ★★★★ (4 stars)

Matigari is the ultimate African post-colonial, social justice novel. And of course, Ngūgī wa Thiong’o executes the storyline brilliantly with the strength and courage of character,  Matigari ma Njiruungi – a patriot who goes to great lengths to ensure there is justice for the oppressed in a (fictitious) nation. Matigari ensures there is justice for the oppressed with the help of an orphan and a former prostitute and readers follow this team on their brave, almost rebellious journey to peace and justice. Matigari is a satirical novel. Ngūgī wa Thiong’o uses some elements of magical realism and lots of Christian allegory which are very symbolic in this novel.

But I don’t think this book is for everyone. It can be quite dry and may be too ‘political’ for some readers. Matigari was not a fast/easy read for me: I started reading it in May and finished it in August. But if you appreciate African oral literature and post-colonial literary works – read this! It is indeed powerful.

Favorite quotes:

“The true seeker of truth never loses hope. The true seeker of real justice never tires. A farmer does not stop planting seeds just because of the failure of one crop. Success is born of trying and trying again. Truth must seek justice. Justice must seek the truth. When justice triumphs, truth will reign on earth” pg. 84 [one of Matigari’s many meditations].

“Pregnancies are the result of the evil and wild desires. I shall ask the government to ban dreams and desires of that kind for a period of about two years. Fucking among the poor should be stopped by a presidential decree!” (HILARIOUS!) pg. 120 [said a member of parliament – a typical man in power, guilty of squandering government money].

★★★★ (4 stars) – Great book. Highly recommend!

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The Fishermen by Chigozie Obioma

Date Read: June 4th 2015

Published: April 2015

Publisher: Little, Brown and Company

Pages: 304

The Fishermen

 The Blurb

In a Nigerian town in the mid-1990’s, four brothers encounter a madman whose mystic prophecy of violence threatens the core of their close-knit family.

Told from the point of view of nine-year-old Benjamin, the youngest of four brothers, The Fishermen is the Cain and Abel-esque story of the unforgettable childhood in 1990s Nigeria, in the small town of Akure. When their strict father has to travel to a distant city for work, the brothers take advantage of his extended absence to skip school and go fishing. At the omnious, forbidden nearby river, they meet a dangerous local madman who persuades the oldest of the boys that he is destined to be killed by one of his siblings.

What happens next is an almost mythic even whose impact – both tragic and redemptive – will transcend the lives and imaginations of the book’s characters and its readers.

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Review– ★★★★★ (5 stars)

The Fishermen is a dark, haunting, mythical story about brotherhood, love and madness. Ikenna, Boja, Obembe and Ben are four of six children of the Agwu family in Akure, Nigeria. Ikenna, who is 15 years old is the leader of the pack. Boja is the adventurous 14-year-old, Obembe is the book smart 11-year-old and Ben – who is the innocent narrator of this lyrical tale, is 9 years old. Once their father is assigned to work at a new location of the Central Bank of Nigeria, quite far away from his home, disorder slowly overtakes this family. I believe the absence of the boys’ father is the root of all the evil things that occur in this story. How crazy is it that the prophecy of the neighborhood madman Abulu, who the boys encounter on one of their forbidden fishing adventures to the Omi-Ala river, could be the catalyst for all the twists and turns that the Agwu family endures?

When you think things are getting better and the craziness of this story plateaus, something pops up! I feel like I know/knew Ikenna, Boja, Obembe and Ben – their love and brotherhood are so dear to me, I don’t know why! I felt helpless during many parts of this story. At certain parts I just had to close the book, sit still… and pray. I desperately wanted to help Ikenna. I wanted to whisper into his ear and reassure him that his brothers loved him so much and that nobody was out to kill him. I wanted to goad Boja to have more patience with Ikenna since he (Ikenna) was going through a dark, miserable phase in his life where his faith and confidence were shaken.

Chigozie Obioma wrote about these boys in such a tender way that evoked lots of emotions in me. Obioma actually wrote this novel as a tribute to his own brothers and he discusses this more in interviews with Michigan Quarterly Review and Bookanista. I believe Obioma does a great job at painting the picture of a typical Nigerian household in The Fishermen. He captures classic Nigerian idiosyncrasies through the characters, for example: the way the boys’ mother would shout ‘Chineke!’ (which is an Igbo word that means ‘God!’) whenever she was startled; or how she would vigorously tie her wrapper whenever she was frustrated with the boys; or how their chauvinistic father would shout ‘my friend!’ whenever he was irritated and demanded quick responses from the boys and their mother. If you’ve ever watched a Nollywood film, you would definitely appreciate these entertaining gestures!

The power of Obioma’s lyrical writing style is augmented by his metaphors, which are mostly rooted in animism. This may seem corny, but trust me – it certainly works in making the characters and different incidents in the story feel too real… and every word counts! References to Chinua Achebe’s novel Things Fall Apart, M.K.O Abiola – a popular Nigerian political figure, alongside other contemporary happenings (during 1997) made this all the more a satisfying and realistic read. I’m super proud of this author and I wish him nothing but more success! This has been the best book I’ve read all summer and maybe even this year.

Side note: After reading this book, I’ve had second thoughts about my desire to give birth to only boys – as if I even have a choice, am I God? haha. But I’ve come to the realization that raising boys (and children in general) is truly a challenge. Parental guidance is needed at all times!

The Fishermen needs more attention in the blogosphere! I’m still trying to digest some stuff from the book and I would love to discuss The Fishermen in detail with anyone who has already read it. I’m waiting for my Mom to finish reading the book so we can discuss the ending which slightly threw me off. I hope bookworms around the world catch on and rave about this book as much as they did Adichie’s Americanah. I expect The Fishermen to win some literary awards soon.

Chigozie Obioma definitely took fiction to another level with this book. Please, please pick this up if you get a chance!

★★★★★ (5 stars) – Amazing book, I loved it. Absolutely recommend!

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And the 2015 Caine Prize winner is… Namwali Serpell!

A big congratulations to Zambia’s Namwali Serpell for winning the 2015 Caine Prize for African Writing!!

Namwali Serpell is the 16th winner of the Caine Prize, which is recognized as Africa’s leading literary award for short stories. The winner was announced last night at a dinner held at the Weston Library, Oxford, England for all the shortlisted candidates.

Namwali Serpell won the £10,000 prize for her short story, ‘The Sack’. Initially I was miffed at how this year’s shortlist was more or less a dichotomy between South Africa and Nigeria, with one story from Zambia. Even though I was more in love with Elnathan’s story ‘Flying‘, I’m happy Zambia won this for once! I look forward to more of Serpell’s work in the future. Her short story, ‘The Sack’ can also be found in the Africa39 anthology which was published in October of last year (2014). Check out Africa39 to read more new short stories by young African writers, under the age of 39!

Namwali Serpell winner

 Read ‘The Sack’ by Namwali Serpell – here