2020 Black British Books on my TBR

Hello everyone!

Over the years, I’ve been slowly working my way through some compelling Black Brit reads. So far I’ve loved work by a few writers of African descent who reside in the UK (or who’ve lived there for an extended period of time), like – Diriye Osman, Yrsa Daley-Ward, Warsan Shire, Chibundu Onuzo.

I still have a ways to go with regards to reading more books from this special sector of Black literature, but below are 20 books by Black British authors that are on my radar this year! Some of these books were already highlighted in my annual New Releases To Anticipate! post in January, and majority are yet to be published this year. Obviously, this list/collage is just a snippet of books by Black Brit authors 2020 has to offer. The books highlighted in this post are just the ones on my TBR list!


Please click on the images to read the blurbs and/or to purchase the books.

Bad Love by Maame Blue can be pre-ordered on Jacaranda’s website

Get a sneak peek into Maame Blue’s writing by reading her award-winning short story on AFREADA

Poor by Caleb Femi can be pre-ordered at Penguin


What other books (not necessarily published this year) by Black British authors are on your TBR?

Cover Reveal + Q&A | The Deep Blue Between by Ayesha Harruna Attah

Hello everyone!

It’s been a very trying time, worldwide. I hope everyone is staying (home) safe and not allowing COVID-19 to get us down. Hopefully, all this chaos will subside sooner than later – let’s stay positive!


Anyone who frequents this book blog knows I admire the work of Ghanaian writer, Ayesha Harruna Attah. I’ve read (and reviewed) all of her books and I just really resonate with her writing – the subject matter, the writing style, the character-driven plots etc. In my annual post on New Books To Anticipate this year, I mentioned that she would be releasing a YA novel. Today, we are revealing the book cover of this new novel – The Deep Blue Between, which will be published by Pushkin Press in October 2020!

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Check out the synopsis for The Deep Blue Between below:

A sudden, brutal slave raid tears twins Hassana and Vitória apart, taking them far away from each other. Hassana goes to Accra, where she builds a new family and finds a place for herself in the political world; Vitória goes to Salvador, Bahia where she lives and works with a Priestess, worshipping the gods of the motherland.

But no matter the different obstacles and adventures they encounter, the sisters never forget one another. They remain bound together by their dreams, and slowly their fates begin to draw them back together.

Rich in historical detail, this epic, moving novel evokes a time of great change in West Africa, when slavery has been abolished but colonialism is taking hold, through the lives of two bold young women who are shaping their changing society.

[Cover design by Helen Crawford-White]

A TEEN FEMINIST EPIC OF LOVE, COURAGE AND DETERMINATION

I connected with Ayesha for some insight into The Deep Blue Between. Enjoy our short book chat below, where she talks about the inspiration for her forthcoming novel and gives us a sneak-peek into the main characters!

(note – ‘AHA’ represents Ayesha Harruna Attah’s responses)

  • The Deep Blue Between is your 4th forthcoming novel, congratulations on this achievement! The book cover is so vibrant and glorious. It feels like yesterday that your 3rd novel, The Hundred Wells of Salaga was published. What was your inspiration for this new novel and how long did it take you to write?

AHA: Thank you! The Hundred Wells of Salaga was the direct inspiration for The Deep Blue Between. This new novel follows twins Hassana and Vitória after they are separated in a human caravan – the same one which sent Aminah to Kintampo and then on to Salaga. Hassana and Vitória are Aminah’s little sisters! After writing The Hundred Wells of Salaga, I couldn’t let go of the girls and had to find out what happened next. Since I knew the sisters well – or at least what they were like at age nine – the story poured out of me and I was able to complete a first draft of the book in five months.


  • From my knowledge of your previous novels, this is your first book in the (Young Adult) YA genre. Did this genre affect your approach in writing The Deep Blue Between? Does writing a YA novel target a specific audience?

AHA: Yes, it is my first YA book, but in my second novel Saturday’s Shadows, Kojo, one of the four protagonists, is a teenager. I had such a good time writing his character that I was excited for the chance to do so again, even if this time I was working with teenagers living in the 19th century. I let the girls guide me and just wrote the story. It was in rewriting that I started worrying about which parts might have been a stretch for a young adult reader.

Even though I wanted to write a book that teenage Ayesha would have loved to get lost in, I also know that when done well, even adults love YA!


  • What was the best part about writing Hassana and Vitória’s dynamic?

AHA: I think it was the magic of their journeys. It almost felt as if I were a medium. All I had to do was allow my senses to be open to let their stories in. I also especially loved researching the worlds of Accra, Lagos, and Bahia in the 1890s.


  • While reading Harmattan Rain, I saw bits of my life reflected in Sugri’s character and in The Hundred Wells of Salaga, Wurche’s character traits mirrored some of mine. How much of your personal life is seeped into The Deep Blue Between?

AHA: My family is filled with twins, so I tried to tap into that energy to write The Deep Blue Between; even my last name – Attah – means twin. Although Hassana and Vitória are so different, it’s inevitable that they both have parts of me. While I probably identify more with Vitória’s introversion, some of Hassana’s compulsions are totally mine!


  • Why would you like readers to indulge in your forthcoming, The Deep Blue Between? What would you like us to take away from the story?

AHA: I really enjoyed working on The Deep Blue Between and I hope the reader feels that sense of joy and wonder that kept me going as I wrote. It’s a fantastic story about the connection between people, and the unseen things that are at work in this strange world of ours – the strength of community and the power of dreams.

Special thanks to Elise Jackson, Poppy Stimpson (of Pushkin Press) + the rest of the team at Pushkin Press and Ayesha Harruna Attah for this wonderful Cover Reveal collaboration!

Pre-order The Deep Blue Between on Amazon


P.S: GHANAIAN readers – stay tuned for a giveaway of The Deep Blue Between, soon!

Check out my thoughts on Ayesha Harruna Attah’s novels:

Harmattan Rain | Saturday’s Shadows | The Hundred Wells of Salaga 

#ReadGhanaian🇬🇭 Book chat with Ayesha Harruna Attah

2020 NEW RELEASES TO ANTICIPATE!

Happy New Year, everyone!

We are in the year 2020 – how crazy is that? 2020 sounds like a year in a Sci-Fi novel, doesn’t it?!

Below is my annual collage of new books to anticipate this year. I’ve compiled about 80 new African, African-American and Caribbean books that look very promising. Please note – this list/collage is just a snippet of books by Black authors 2020 has to offer!

Please click on the images to read the blurbs and/or to purchase the books.

(this post contains Amazon affiliate links)

MORE books to look out for in 2020:

image via Essence

Bamboozled by Jesus: How God Tricked Me into the Life of My Dreams by Yvonne Orji 

The Blurb

In Bamboozled by Jesus, a frank and fresh advice book, Orji takes readers on a journey through twenty life lessons, gleaned from her own experiences and her favorite source of inspiration: the Bible. She infuses wit and heart along with practical pointers―such as why being talented is not as sexy as being available, and how fear is similar to food poisoning―with the goal of helping others live the most fulfilling, audacious life possible.

With bold authenticity and practical relatability, Orji will inspire everyone to catapult themselves out of the mundane and into the magnificent. Bamboozled by Jesus paints a powerful picture of what it means to say “yes” to your most rewarding life―no matter your beliefs.

To be published May 2020

 


image via Twitter

An Ordinary Wonder by Buki Papillon

 

The Blurb

An Ordinary Wonder is the powerful coming of age story of an intersex twin, Oto, who is forced to live as a boy despite his heartfelt belief that he is a girl. His wealthy and powerful family are ashamed of him and treat him cruelly to secure his silence. His twin sister’s love wavers in a world of secrets and lies that seems determined to tear them apart, and Oto must make drastic choices that will alter their lives forever.

Richly imagined with African mythology, art and folk tales, this moving and modern book follows Oto through his life at home and at boarding school in Nigeria, and his ultimate dream of emigrating to a new life in the United States. It is a novel that explores complex desires as well as challenges of family, identity, gender and culture. An Ordinary Wonder takes us on a beautiful journey of what it means to feel whole.

To be published April 2020

 


image via Big Friendship

Big Friendship: How We Keep Each Other Close by Aminatou Sow and Ann Friedman

The Blurb

Two of the nation’s leading feminists and hosts of the hit podcast Call Your Girlfriend make the bold and compelling argument that a close friendship is the most influential and important relationship a human life can contain—helping you improve as a person and in your relationships with others.

To be published July 2020

 


Also look out for work from: Ayesha Harruna Attah’s YA novel – The Deep Blue Between, Maame Blue, Thando Mgqolozana, Bryan Washington.

 

What new releases are you excited about? Please do share!

#ReadGhanaian🇬🇭 updates / check-in

Hello everyone! How is the #ReadGhanaian🇬🇭 book challenge going? The year isn’t over yet!

So far I’ve only read 3 out of the 5 books for the challenge. I’m currently a final year dental student and it’s been a struggle to find time to read recently, but I am determined to complete the book challenge. I’m currently reading Tampered Press Vol. 2 – Braided Quilt. This edition of the magazine features many more stories by young Ghanaian writers, which are excellent so far.

On my #ReadGhanaian🇬🇭 TBR, I want to read Black Gold of The Sun by Ekow Eshun, From Pasta to Pigfoot by Frances Mensah-Williams and complete The Prophet of Zongo Street by Mohammed Naseehu Ali. This is an ambitious TBR if I’m being honest, but I will complete this challenge oh!

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My artist brother – AduKofs, created a cool template for the #ReadGhanaian🇬🇭 book challenge! To those who are unfamiliar, templates are pretty popular on Instagram/ Bookstagram. This template is to help those participating in the book challenge to track the books they’ve read thus far.

Share the books you’ve read by posting the filled-in template on your Instagram stories or Facebook and Twitter for others to see which books they are missing out on! Including the hashtag also helps others see what books by writers of Ghanaian descent are out there! If you are not active on social media, you can print out this template and simply record the books you have read or plan to read for the book challenge.

Template created by AduKofs

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Last month, the Malala Fund featured African Book Addict! and the #ReadGhanaian🇬🇭 book challenge on their digital publication and newsletter – Assembly. It was such an honor to shed light on this book challenge with Malala’s audience! Do check out the feature if you have time. Thanks again to the Malala Fund Assembly team!

via the Malala Assembly feature

•••

For more recommendations of books by writers of Ghanaian descent, check out:

GH at 60 | Our Writers & Their Books part 1

GH at 60 | Our Writers & Their Books part 2

GH at 60 | Our Writers & Their Books part 3

+ Kid Lit recommendations by Booksie:

#ReadGhanaian🇬🇭: KidLit Edition

Please note: These recommendations are not exhaustive by any means! The book challenge includes even reading short stories/non-fiction by writers of Ghanaian descent in anthologies, magazines, cookbooks, poems etc. 

 

What books have you read thus far for the #ReadGhanaian🇬🇭 book challenge? Please share some of your reads!

You Too Will Know Me by Ama Asantewa Diaka (Poetra Asantewa)

Date Read: July 16th 2019

Published: June 11th 2019

Publisher: Akashic Books

Pages: 30

 The Blurb

“Here is a poet whose practiced weaving of talk and song is a testament to her devotion to language and her clarity of vision. Those of us who have encountered Diaka with excitement invite you to listen with us as she offers us a new song, one which will surely not be her last” – Tjawandwa Dema

◊◊

Review – ★★★★ (4 stars)

You Too Will Know Me is a chapbook that reads like a series of confessions, in an effort to better love and accept oneself. Through the sincere truths and feelings revealed, Diaka shows that ‘any day is a good day for redemption’, that there is joy in the morning and we can all start over again. Most of the poems speak to the challenges of adulthood, abandonment of lovers, unrequited love, (un)forgiveness, feminine strength + beauty and more.

Diaka’s writing style is bold – bold enough to have the words ‘God’ and ‘blowjob’ in the same stanza! Bold enough to capture the essence of what it’s like to be deeply disappointed in your home country for not loving its citizens enough (from my favorite poem – And I’ve Mastered The Art of Receiving Hand-Outs Because I Come From This Place).

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Favorite quotes from various poems in the chapbook:

‘how do I distract myself from myself in order to free myself?’ – Before The Gag, page 12

‘What’s the English word for someone who still has hope in lovers who cause too much anxiety?
Tell me so I can spit it out.’ – Spit, page 13

‘Damn everybody!
Do they not know
that the sun borrows light from your fingertips?
Do they not know
that you give color to the rose?
Do they not know
that your breath is studied by the highest of connoisseurs
to make the best perfumes?
There’s something about you
that makes looking away impossible’ – Suicide Sarah, page 15

‘I am hungry for a love my country cannot afford…
I want a love
that doesn’t require me to be ridiculously multifaceted
in order to have a fraction of an equation at being equipped for survival;
a love that doesn’t wait for another suitor to sing the praises of my genius
before recognizing my worth,
or worse, only after I’m dead.
I am hungry for a love my country cannot afford,
the way white lusts for a backdrop to outshine.

And I’ve Mastered The Art of Receiving Hand-Outs Because I Come From This Place, page 18

‘I have been fretting over things that God shakes his head at
toying with faith as if it were a disappearing act.
One minute I’m full of it,
the next, I don’t exactly know the shape of it.
I fret over now and tomorrow,
giving myself and God a headache.
Spoon feed myself faith,
and come up hungry again…’ – Let It Be, page 22

••

Bloom is an unapologetically Ghanaian poem, that reads like a vivid short film. In the poem, the narrator takes readers to Accra, Ghana- Labadi, to be precise. The narrator describes the ordinary Ghanaians she sees on the road, simply living. The laugh and smiles of a porridge seller – Ms. Atta, keeps her customers coming for more, despite the deep pain and hurt she feels within.

‘These people teach me,
that if you are from Accra and you are placed anywhere in
the world,
there’s no way you won’t know how to bloom’ – Bloom, page 24

This collection is meant to be read more than once. Multiple readings will reveal different truths – about the poet and even you, the reader! Diaka’s work allows readers to meditate and examine their feelings towards their present lives. You Too Will Know Me is honest, visceral and necessary. Also, it’s Ghanaian AF!

★★★★ (4 stars) – Great book. Highly recommend!

You Too Will Know Me is part of a series published by Akashic Books in collaboration
with the African Poetry Book Fund:
New-Generation African Poets: A Chapbook Box Set (Sita) (African Poetry)

Purchase it on Amazon

KidLit Book Chat | with founder of Booksie, Edem Torkornoo

Children’s literature is a genre I rarely blog about. I don’t have any children yet, so kid literature is almost never on my radar. But there are sooo many African/Black authors writing phenomenal books for children nowadays. Last year, Edem Torkornoo founded BOOKSIE, which is a pan-African child-focused company on a mission to inspire young African readers by intentionally giving them access to books that tell African realities.

This week in celebrating Ghanaian excellence, I chat with Edem Torkornoo as we discuss Booksie, the Booksie Box (which ships worldwide!), African children’s literature + some recommendations for children aged 3-12!

(note – ‘ET’ represents Edem Torkornoo’s responses)

[image via mybooksiebox.com]

•••

  • Booksie as a pan-African company primarily focuses on making children’s literature more accessible. Why did you decide to focus on kidlit?

ET: It’s something that came to me naturally. I’m a huge bookworm and I’ve always loved working and playing with children. I enjoy their company so kidlit allows me to bring my two loves together.

Looking back though, I think my interest in kidlit piqued when I heard about Deborah Ahenkorah and the Golden Baobab Prize in my first year of college, so that would be 2009. I found it fascinating that Deborah had started a prize to promote African literature for children and it stuck with me.

As I went through college and started working, I explored my interests and realised that I want to create entertainment (books and TV shows) for African children and I want that entertainment to have characters that look like the children they are for. I want my nephews Ian (5) and Joel (3) and cousins Nana Araba (5) and Afua (2) to see themselves in books and on TV. You can call them my muses. There’s something very powerful about representation and it may not always be obvious but seeing images of people who look like you in the media you consume does something to your confidence.

 


  • What’s My Booksie Box all about? How does it work?

ET: My Booksie Box is Booksie’s flagship product. It’s a subscription service that curates children’s books written by African authors and/or with primarily African characters and delivers it individuals and schools on a regular basis. The books are categorized by age (3-5; 6-8; 9-12 years-old) and subscribers can choose how often they want to receive books (monthly, bi-monthly or quarterly).

My Booksie Box has three main goals:

  • make children’s books written by African authors easily accessible
  • nurture a love of reading
  • give authors and publishers on the continent a channel to sell their work.

We’ve also created the Afterschool Book Club, a community for young book lovers that runs from 3-7pm weekly. We work with children who are just learning to read and help them to improve their proficiency. On one hand, children get to read a good book, do their homework and explore their passions through engaging in creative activities. On the other hand, parents are able to bridge the gap between school and home time by leaving their children in a safe environment. We call it a win-win situation.

Finally, we host book club events on the weekend so that children who can’t make it to the weekday one are still able to join the community.

[images kind courtesy from Booksie]

 


  • Are books selected for the subscription box primarily by African authors or other Black authors? Will Booksie include children’s books by other Black authors?

ET: Yes, the books are primarily by African authors but we’ve discovered some amazing books with African characters or based on African cities that are written by non-Africans so we will include them. There are also African writers who have written fantastic books with non-African characters so we’ve started to relook at our selection criteria.

We’re open to books by Black authors but the primary focus is those written by Africans.

 


  • How do you select the books & genres featured in the Booksie Box? Is there a plethora of writers and books to choose from?

ET: There are 3 main criteria:

  1. Is the book written by an African author and does it have primarily African characters?
  2. Is the book telling a fun, engaging and memorable story that children can relate to?
  3. Does the book have beautiful, eye-catching illustrations? This is particularly important for books in the 3-5 year-old and 6-8 year-old category.

The last ‘secret’ criteria is, will my nephews Ian and Joel be drawn to the book or will they snob it?

There are a plethora of books to choose from in the 6-8 year-old age category. I’m discovering that when it comes to children’s books many writers cater to that age group. However, there aren’t many to choose from in the 3-5 and 9-12 year-old age groups so we’re always on the lookout for them.

The African kidlit space is also missing board books for babies and toddlers. I haven’t come across any yet so please let us know if you know any.

 


  • Do you remember the first children’s book you read as a child? If so, was it by an African author? How was the experience?

ET: I remember some lines from the first book I learned to read by myself. I memorized it. But I don’t remember the title. Haha. It says something like “the sky is grey and it is pouring, sitting here is very boring, I’d like to go out to play …”

It wasn’t by an African author. In terms of experience, I think I felt accomplished reading that book because I could read it by myself. I read it over and over again. That’s why I can remember some lines.

My vivid reading memories though are from the time I discovered the Baby Sitters Club, Nancy Drew, Enid Blyton and Sweet Valley. Those were magical times and all I’d do on the ride to and from school was read. I think this was in class two or three.

 


  • For beginners of African kidlit, where should one start? Could you give three of your favorite books for children aged 3-12?

ET: I love Dela Avemega’s Lulu Series and Niki Daly’s books about Jamela. I’ve also heard amazing things about Atinuke’s Anna Hibiscus series but I’m yet to read any of them.

I’ll give one favourite from each of the age categories that My Booksie Box caters to:

ages 3-5: A is for Accra by Ekow and Nana Afua Pierre

 

ages 6-8: Where is Jamela? by Niki Daly

 

ages 9-12: The Necklace of Relur: Kagim Chronicles by Linda Masi

 


  • When should we be expecting a children’s book written by you, Edem?

ET: Fingers crossed, soon!

 


P.S – If you haven’t checked out Booksie’s #ReadGhanaian🇬🇭: KidLit Edition where nine Ghanaian children’s writers & their books are highlighted, what are you waiting for?

For more information on how to discover amazing African children’s books, kindly check out Booksie’s website for more information; where all FAQ’s are answered!

Also, be sure to contact Edem / the Booksie team via WhatsApp – +233 24 131 6433 | Instagram | Twitter

 

 

 

 

Edem Torkornoo is the Founder and chief bookworm at Booksie, a pan-African book subscription service and book club for 3-12 year-olds. Prior to Booksie, she served as a Teaching Fellow at MEST-Africa and was on the Founding Team at the African Leadership University (ALU) where she managed all things digital. Edem is a child at heart and likes to make people happy through food.

#ReadGhanaian🇬🇭 mini book/author collage + LIT links

Once again, the month of March is here! Ghana gained independence in March (TODAY, March 6th 1957), so I like to dedicate this month to celebrating Ghanaian excellence! As a reader of Ghanaian heritage, I enjoy discovering new Ghanaian writers and learning about our pioneer writers. If we don’t celebrate our own, who will?

The #ReadGhanaian🇬🇭 book challenge is well underway and it’s great to see lots of folks participating in the challenge of reading at least 5 books by writers of Ghanaian descent! Below is a mini collage showing a snippet of some of the Ghanaian books and writers highlighted two years ago in the GH at 60 | Our Writers & Their Books series ~

GH at 60 | Our Writers & Their Books part 1

GH at 60 | Our Writers & Their Books part 2

GH at 60 | Our Writers & Their Books part 3

While the 3-part series is not exhaustive by any means, it highlights over 80 Ghanaian writers & their books! With the plethora of Ghanaian writers and books highlighted in the series, there is no excuse if anyone claims they don’t know (m)any writers from Ghana!

 

Check out: #ReadGhanaian🇬🇭: KidLit Edition

by Edem Torkornoo, founder of Booksie.

•••

Below are lit(erature) links I’ve been enjoying lately. These are links to some great short stories, poems and articles on the interwebs, showcasing Ghanaian EXCELLENCE:

I was stuck in a position where I had to learn.



How I came to possess the name of the boxer who was once the most famous and baddest man on the planet happened by accident.



  • I add the leaf of the cocoyam plant to dried mudfish, mushrooms and snails, and think of my indomitable ancestors.


[This story was published as the winner of the 2018  AFREADA x Africa Writes Competition. + Maame Blue is one of the 20 Black British writers who will have work published by Jacaranda Books in 2020!]



Raised by a single, independent mother, one young woman struggles with her familial inheritance and the relationship between self-sufficiency and social isolation.


The links between knowing history, media and political agency in northern Ghana.


2018 Christmas Wish List

Hey everyone!

Christmas is right around the corner and I have some new wishes for Santa! Incase you were wondering, I acquired two of the books from my 2017 wish listBlack Cool: One Thousand Streams of Blackness edited by Rebecca Walker and Always Another Country by Sisonke Msimang (which I’m currently reading). Below are books on my 2018 Christmas wish list:

(not in order of preference; click titles to read the blurbs on Goodreads)

Well-Read Black Girl: Finding Our Stories, Discovering Ourselves edited by Glory Edim

I’ve already ordered by copy of Glory Edim’s Well-Read Black Girl: Finding Our Stories, Discovering Ourselves, so this is definitely a Christmas treat to myself. We all love and relate to stories that specifically speak to us – us, black women; and this anthology prides itself on discussing the importance of recognizing ourselves in literature. I’m ready to be inspired by the contributors of this anthology and especially look forward to the pieces by Zinzi Clemmons, Gabourey Sidibe and Glory Edim! If you’ve already indulged in this anthology, how did you like it?


Filigree: Contemporary Black British Poetry edited by Nii Ayikwei Parkes + preface by Professor Dorothy Wang

Filigree typically refers to the finer elements of craftwork, the parts that are subtle; our Filigree anthology contains work that plays with the possibilities that the word suggests, work that is delicate, that responds to the idea of edging, to a comment on the marginalization of the darker voice. Filigree includes work from established Black British poets residing inside and outside the UK; new and younger emerging voices of Black Britain and Black poets who have made it their home as well as a selection of poets the Inscribe project has nurtured and continue to support

This anthology is fairly new – it was published November of this year. I hope to indulge in it soon and I especially look forward to the poems by the poets of Ghanaian descent: Victoria Adukwei Bulley, Nana-Essi Casely-Hayford, Louisa Adjoa Parker, as well as the other contributors! The collection is edited by Ghanaian-Brit writer/poet Nii Ayikwei Parkes (with a preface by Professor Dorothy Wang), so I know this anthology will be worth the read.


Talk Stories by Jamaica Kincaid

I’m a huge Jamaica Kincaid fan. I’ve read a good number of her work and still have a couple of books to finish before I can confidently declare that I’m an OG fan. Talk Stories (how chic is the book cover?!) is a book I’d love to add to my collection. It’s a collection of her original writing for the New Yorker’s ‘Talk of the Town’ column, where the young Kincaid (fresh from Antigua) wrote on her experiences in New York back in the late 1970’s – early 1980’s. I expect these stories to be humorous, thoughtful, slightly miserable and sensitive – in good ol’ Kincaid style!

Check out Jamaica Kincaid’s pieces from the 1970’s to the early 2000’s – The New Yorker


Friday Black by Nana Kwame Adjei-Brenyah

Everyone has been raving about this short story collection! I’m seriously out of the loop. Some of my online bookish-friends describe this collection as intense, raw, too much – the list goes on. According to the blurb:

Adjei-Brenyah reveals the violence, injustice, and painful absurdities that black men and women contend with every day. These stories tackle urgent instances of racism and cultural unrest and explore the many ways we fight for humanity in an unforgiving world.’

Another thing that attracts me to this collection is that fact that Nana Kwame Adjei-Brenyah is of Ghanaian descent. If you follow me on social media (Bookstagram & Twitter), you’d know I’m all for supporting Ghanaian literature/Ghanaian writers, hence I created the #ReadGhanaian hashtag where readers can explore the plethora of books by Ghanaian writers out there. Friday Black is at the top of my TBR!


The Moor’s Account by Laila Lalami

I’ve read very few books by writers from Northern Africa. A couple of my friends claim The Moor’s Account is one of the best books they’ve ever read! I recently read an article where Gary Younge also praised Laila Lalami’s work, after reading a bunch of books by African women writers this year. It’s time for me to experience this brilliant novel as well! Lalami has a new novel coming out next year and I’d love to read The Moor’s Account first, as a great introduction to her work.


The Collected Poems of Lucille Clifton 1965-2010 by Lucille Clifton

This collection is 720 pages! I’ve only read a few of Clifton’s poems online, or quotes from friends who are fans of her work. Her poem – won’t you celebrate with me is pure brilliance:

won’t you celebrate with me by Lucille Clifton

won’t you celebrate with me

what i have shaped into

a kind of life? i had no model.

born in babylon

both nonwhite and woman

what did i see to be except myself?

i made it up

here on this bridge between

starshine and clay,

my one hand holding tight

my other hand; come celebrate

with me that everyday

something has tried to kill me

and has failed.

[Source: Poetry Foundation]

These are the types of poems that speak to me directly. Poems like this are comforting and unforgettable. It’s written so eloquently, but echoes loudly. I’d be privileged to own any of Lucille Clifton’s work and the generations after me would benefit from The Collected Poems of Lucille Clifton 1965-2010 as part of my collection of books as well.


 

What books are on your Christmas wish list? Please share some titles!

Happy Holidays & Merry Christmas, everyone!