AND THE 2022 AKO CAINE PRIZE WINNER IS…

In exactly 1 week, the 2022 AKO Caine Prize winner will be announced!

For those who are not familiar, the AKO Caine Prize (formerly as the Caine Prize for African Writing), which was first awarded in year 2000, is an award open to writers from anywhere in Africa for work published in English. It’s focus is on the short story, reflecting the contemporary development of the African story-telling tradition.

The AKO Caine Prize for African Writing is a registered charity whose aim is to bring African writing to a wider audience using the annual literary award (source).

Some notable winners of the Caine Prize include (click on links to my reviews):

  • Leila Aboulela, from Sudan (2000) – author of novels Minaret, The Translator, Lyrics Alley, among others. 
  • Binyavanga Wainaina, from Kenya (2002) – founding editor of Kwani?, author of memoir One Day I Will Write About This Place and the essay How To Write About Africa found in various literary magazines. *sigh* Rest In Power, Binya!
  • Yvonne A. Owuor, from Kenya (2003) – author of the novel, Dust.
  • E.C Osondu, from Nigeria (2009) – author of the novel This House is not For Sale and collection Voice of America: stories.
  • NoViolet Bulawayo, from Zimbabwe (2011) – author of the novel, We Need New Names
  • Tope Folarin, from Nigeria (2013) – author of novel, A Particular Kind of Black Man
  • Lesley Nneka Arimah, from Nigeria (2019) – author of short story collection, What It Means When A Man Falls From The Sky

Previously shortlisted writers include: (2001) Mia Couto from Mozambique, (2002) Chimamanda Adichie from Nigeria, (2006) Laila Lalami from Morocco, (2013) Chinelo Okparanta from Nigeria, (2013) Pede Hollist from Sierra Leone, (2014) Tendai Huchu from Zimbabwe, (2013 & 2015) Elnathan John from Nigeria, (2021) Doreen Baingana from Uganda, among others!

The AKO Caine Prize and the shortlisted stories play huge roles in the authors I read from Africa and the Diaspora. Many AKO Caine Prize winners and shortlisted writers have found great success and I’ve reviewed a good number of these writers’ work here on African Book Addict!


This year, the AKO Caine Prize shortlist comprises of five talented writers with stories showcasing the “vibrancy, variety and splendor of creative talent among writers of African descent” – Okey Ndibe; (left to right):

(Image via caineprize.com)

Joshua Chizoma (Nigeria) – Read the story: Collector of Memories

Hannah Giorgis (Ethiopia) – Read the story: A Double-Edged Inheritance

Nana-Ama Danquah (Ghana) – Read the story: When a Man Loves a Woman

Idza Luhumyo (Kenya) – Read the story: Five Years Next Sunday

Billie McTernan (Ghana) – Read the story: The Labadi Sunshine Bar


Another year where women dominate the shortlist – I love to see it. And FINALLY, Ghana is well represented on the shortlist! I never thought I would see the day where Nigerians, Kenyans and South African stories did not dominate haha.

When A Man Loves A Women by Nana-Ama Danquah is a well-paced story that turns pretty dark by the end. I think this is expected, as the short story was originally published in the Accra Noir anthology (via Akashic). The story centers a loving Ghanaian couple from the US who later relocate to Cantonments, Accra. Kwame and Adwoa were high school sweethearts and are now well into their 50’s, dealing with various ailments that normally afflict the body in middle-age. Kwame is diagnosed with cancer and it seems the couple’s normal routine of coping with their marriage is disrupted. The story is quite simple… almost predictable, but not in a bad way. I’ve always found Danquah’s writing to be very accessible and digestible. If you remember my 2018 book review of her memoir – Willow Weep For Me, you’ll understand my love of her ability to aptly capture the realities of life.

A Double-Edged Inheritance by Hannah Giorgis was an enjoyable read for me! I’m pretty fond of Giorgis’s writing in The Atlantic, where she covers (pop)culture. I had no idea she wrote fiction as well, so it was a nice surprise to see her on this shortlist. A Double-Edged Inheritance was originally published in the Addis Ababa Noir anthology (via Akashic) so I expected some level of darkness in the story. The only issue I had with the story was that it had waaay too many characters and it was hard to track who was who sometimes. The story moves from Addis Ababa to the US and back to Addis, where readers are acquainted with a few heroines – Tigist, Almaz and Meskerem. Meskerem – who is the daughter of Tigist (now dead, thanks to the man she fell in love with) is an Ethiopian-American who is on a quest to find her roots in Addis. Her grandaunt – Almaz (who I think is the MVP of this story) is the glue that holds all the characters together, thanks to her wealth, social currency and resilience. The story turns dark when Meskerem is on holiday in Addis Ababa and she eventually meets her father, unintentionally. It’s hard to summarize this story, as it has so many characters and sub-plots. But I would love to see this story turn into a full-fleshed novel!

But ooooooooooh, my! Five Years Next Sunday by Idza Luhumyo will definitely win the AKO Caine Prize this year. What a beautifully magical story! I’m now a fan of the main character of Five Years Next Sunday and Idza, the writer! This mythical story follows a young girl, Pili, whose hair-which is in the form of luscious locs, is a god of the land. Her hair grows beautifully and attracts lots of attention to her poor family. Her family later becomes wealthy, thanks to her hair, as it attracts the likes of white people who fetishize it. But as her hair is growing and becoming a main attraction, the land is parched, as it hasn’t rained in five years. Cutting her hair would signal the clouds to finally let out rain; but cutting it would also banish her to “the quarter of witches, where all women who have the rain are sent”. Honey, white woman who is jealous of Pili’s attention, feigns connection with Pili, only for Pili to mistaken this connection for desire and later make the choice of cutting her locs.

My summary of this story does NOT do it justice. The beauty of the story is in the sublime, engaging, light writing! The story holds deeper meaning, depending on how intently it is read. On the surface, I loved how the nature of a Black woman’s hair was being revered. Hair was the source of life for a group of people – which is akin to water. On a deeper level, the story touches on themes such as – the environment, nature, womanhood, colonization, fetishization, desire, destiny and ancestral connections. Five Years Next Sunday was the winner of the Short Story Day Africa Prize in 2021. This story also deserves to win the 2022 AKO Caine Prize!

Which story is your favorite? Who do you think will win the AKO Caine Prize this year?

The winner will be announced on Monday 18th July 2022. Good luck to all the shortlisted candidates!

You can also check out my past commentary on the AKO Caine Prize below:

2014 | 2015  | 2016 2017 | 2018 | 2019 | 2020

Harry Sylvester Bird by Chinelo Okparanta

Date Read: May 15th 2022

To be Published: July 12th 2022

Publisher: Mariner Books

Pages: 312

The Blurb

From the award-winning author of Under the Udala Trees and Happiness, Like Water comes a brilliant, provocative, up-to-the-minute novel about a young white man’s education and miseducation in contemporary America.

Harry Sylvester Bird grows up in Edward, Pennsylvania, with his parents, Wayne and Chevy, whom he greatly dislikes. They’re racist, xenophobic, financially incompetent, and they have quite a few secrets of their own. To Harry, they represent everything wrong with this country. And his small town isn’t any better. He witnesses racial profiling, graffitied swastikas, and White Power signs on his walk home from school. He can’t wait until he’s old enough to leave. When he finally is, he moves straight to New York City, where he feels he can finally live out his true inner self.

In the city, he meets and falls in love with Maryam, a young Nigerian woman. But when Maryam begins to pull away, Harry is forced to confront his identity as he never has before—if he can.

Brilliant, funny, original, and unflinching, Harry Sylvester Bird is a satire that speaks to all the most pressing tensions and anxieties of our time—and of the history that has shaped us and might continue to do so.

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Review – ★★★★ (4 stars)

Sigh. Where do I even begin with this book???? There are so many layers to this satire, and I have so many complaints and questions! Chinelo Okparanta really had the gall to portray the life of a white boy / man, as a Black African woman writer and I deeply admire her for that. Reading Harry Sylvester Bird was mind-boggling and mortifying as hell, but I’m always down for an original, chaotic read by an author I admire (my book review of Okparanta’s 2013 collection – Happiness, Like Water thoroughly celebrates my love for her storytelling).

Harry Sylvester Bird is a coming-of-age novel that takes readers from Edward Pennsylvania, Centralia Pennsylvania, New York City, Ghana (Cape Coast, Aburi, Afajato) and back to New York City, spanning the years of 2016 to 2026. Harry’s stalk is extremely racist, but he does everything in his power to distance himself from the burdens of his personal and racist family history.

Once I finished reading this book, I concluded that my dear Harry, is a sick man. I don’t know whether he has a white savior complex, body dysmorphia, obsessive-compulsive disorder or all three – but the man is… strange. I found Harry to be adorable yet repulsive, timid, lonely, calm, selfish, confused, weird and inherently racist as fuck – through no fault of his own.

While reading, I kept wondering whom Okparanta wrote this novel for. I can’t wait to attend her virtual book tour to hear her talk about this book! Surely, I can see sensitive white readers hating this novel. Harry loathing his whiteness will definitely make white readers uncomfortable. Black readers may be baffled and annoyed as hell at this novel, because Harry seems to be reminiscent of Rachel Dolezal – just Google her, if you’ve been living under a rock. Harry believes he is a Black man in a white body, but in my opinion, his belief holds no grounds! I wouldn’t even call him an ally… he’s just a lonely white person who is a product of his abandoned, white supremacist upbringing. Harry never engaged actively with Black culture or Black folks, besides Maryam – a Nigerian young woman at his college who he was deeply fond of. The only engagement Harry had with Black ‘culture’ was his family trip to Tanzania in 2016, which was the epitome of of micro-aggressions, fetishization and a weird admiration for the locals.

This book has a lot of great characters besides Harry. Maryam added a nice twist to Harry’s coming-of age-story. I was worried that the introduction of a Black African woman character would turn the book into a love story. But Maryam’s existence in the novel only unravels Harry’s true-blue being (pun intended). At certain points in the novel, I felt Maryam’s embarrassment, annoyance and shame for engaging with Harry, as she slowly realized the man he truly was. Okparanta did a good job portraying Chevy and Wayne as well. They are an insane pair with lots of depth with respect to their eroding relationship – you’d have to read the book to find out who these two are. And brace yourself!

Memory plays a huge role in Harry Sylvester Bird. Harry is the sole narrator of this coming-of-age novel, which is a first-person narrative. As readers go through his life in 10 years, we only rely on his flawed recollection of events. Many happenings in the book are hence exaggerations of reality/the truth, as we see life through Harry’s insecure, troubled lens. While I found it fascinating reading Harry’s voice and inner thoughts, again, I really wonder how other readers would take to this novel. Some happenings are far-fetched, some happenings are hilarious and others are simply perturbing. As we move passed 2022 and into the future, I loved Okparanta’s take on how the future – sans the pandemic would be. I especially liked her depiction of Ghana – it felt accurate and even hopeful (with respect to Ghana’s use of energy and transportation).

This satire aims at questioning the evolution and limitations of identity and race. Obviously, our identities are ever-evolving, as long as we are alive. But can our race evolve? Is it possible to be phenotypically white but feel as if you’re Black within? Black folks who pass as white may battle with this, but in Harry’s case, he’s genotypically and phenotypically a white boy/man who adamantly believes that he’s a Black man. Once you finish the novel, you begin to question whether dear Harry is actually well mentally, especially as his love for the Black race seems to originate from micro-aggresssions and terrible stereotypes.

While this book is hilarious, it explores various political stances that may be uncomfortable to imbibe. I just want to know why Okparanta chose to write this story. Authors are free to write what they like – duh. But was she trying to humanize racist white men? Was she trying to expose racist white people? Was she indirectly celebrating the gloriousness of our Black race? Was she trying to open up the dreadful trans-racial conversation? Was she trying to flip the white gaze? I have soooo many questions! Nevertheless, Okparanta did a damn good job with this original novel. Dear reader, please remember that this novel is a SATIRE – lighten up! Harry and this glorious mess of a novel will be on my mind for a long time.

★★★★ (4 stars) – Great book. Highly recommend!

Purchase Harry Sylvester Bird on Amazon

Thank you to the team over at Mariner Books / Harper Collins for the ARC!

2022 NEW RELEASES TO ANTICIPATE!

Happy New Year, everyone!

New year, new books to anticipate.

Below is my annual collage of new books to anticipate this year. This year I’m not doing the most by highlighting 99 books like I did last year. I’ve compiled just 69 new African, African-American, Black-Brit and Caribbean books that look very promising.

Please note – this list/collage is just a snippet of books by Black authors 2022 has to offer!

What new releases are you excited about? Please do share!

Check out the new books I highlighted in: 2021 | 2020 | 2019 | 2018 | 2017 | 2016 | 2015


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Thoughts on (lack of) reading, blogging (fatigue) & discourse with writers versus readers

Long time, no blog! It’s been a while since I posted a book review or book chat… or content, in general. It’s crazy how I started this book blog when I commenced dental school in 2014 and I’m now a Dentist working at a major teaching hospital – praise God! Life is very different now – it’s mostly filled with me looking in peoples’ mouths, making diagnoses, admitting patients with head/neck injuries or infections to the hospital, in the operating room (theater) assisting in head & neck surgeries, extracting, restoring and cleaning teeth.

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When I was a dental student, I succeeded in reading for about 40 minutes a day prior to studying. Nowadays after work, I’m usually very tired and resort to watching a TV series or YouTube, instead of reading and finishing books I start.

Reading while I was in dental school was a huge coping mechanism for me. Now, indulging (heavily) in TV shows, making and receiving music playlists, reading short pieces online + magazines and napping bring me joy as well. But in general, it’s been really challenging to read during this pandemic (especially during the lockdown period), and I know I’m not alone. So many other readers have been finding it difficult to focus on their hobbies and some readers are now finally getting their reading groove back. In an effort to get my reading juices flowing again, I joined two book clubs this year: Ghana Must Read Book Club (where we read Breasts and Eggs by Mieko Kawakami) and Harare Book Club (where we [re-]read So Long A Letter by Mariama Bâ).

Do book blogs/websites still exist?? With Instagram (or Bookstagram – the section of Instagram dedicated to ALL things books) taking everyone’s attention nowadays, does the average reader even take the time to peruse their favorite bookish websites and engage with the content that book bloggers painstakingly create? Some of the thoughtful book blogs by Black readers/writers I’ve loved since 2014/2015 haven’t been updated in a looong time. Some of these book blogs are/were: Incessant Scribble, Kinna Reads, Mary Okeke Reviews, Reading Pleasure, Bookshy, Brown Girl Reading, The Storyscape, Rowena (on Goodreads), Lynecia (on Goodreads), Reading Has Purpose by Shannon, Folklore and Literacy by Leslie Reece etc. These Black readers/writers have either moved on (to Bookstagram, TikTok or BookTube) or just haven’t found the time or interest to frequently post content on their sites. But I know about 80% of them are still reading and engaging with books in their own private spaces, just not as publicly as before. Very few of my favorite literary sites/ book blogs are still going strong, like Zezee With Books, Paperback Social, K E Garland, JHOHADLI.

It’s really interesting to see how the book review/book blogging sphere has ‘evolved’. Now with influencer culture being so prevalent, the number of followers on your social media (especially Bookstagram) determines your relevance or importance. Receiving physical advance review copies (ARCs) of books to be published is now a super-duper badge of honor. This new influencer culture around books creates a hierarchy of importance amongst readers and book bloggers, and alienates a lot of people who lack access to popular books of the moment. It’s wild how this influencer culture can easily cause burnout too, with Bookstagrammers working so hard against the algorithm to be seen! You want your photos on Bookstagram to get the most likes and you want your follower count to rise so that publishers can start noticing you and you’re eligible to receive ARCs – which will enable you to flaunt on the ‘gram to let your peers know you’re ‘important’. It’s so easy to get sucked into this rat race when your hobby of reading was primarily soothing and free of this anxiety around reading socially.

The new influencer culture looks fun for those who love the challenge of constantly creating content to stay relevant, but it has created a foul competitive nature to blogging, which is tiresome – in MY opinion. Obviously, not everyone on Bookstagram strives to be an ‘influencer’ (by the way, I hate that word), but it’s disheartening for some readers who post compelling captions/reviews and don’t receive meaningful engagement because their follower count is low (I know ‘low’ is relative, please ooo). Don’t get me wrong- the community of readers who avidly read socially is pretty amazing; real friendships have been born out of our shared love (or hate) of certain books… but sometimes I almost miss the days where reading was a bit more intimate without the noise of social media, the hype reviews and the constant need to keep up with new releases.

Another layer to my fatigue is how readers on the continent of Africa aren’t really part of the global reading ecosystem. Readers in Africa don’t push sales for (Western) publishing houses, so we aren’t a priority. I only have access to popular books from publishers because they are delivered to my homes in the US and the UK. But what about other readers who live in countries in Africa that don’t have addresses outside of the continent? Publishers rarely mail books to my address here in Accra; the only times I received books here in Accra were because the authors pushed for them to be sent directly to me- thank you Zinzi Clemmons, Ayesha Harruna Attah and Maame Blue.

It’s mind-boggling how publishing houses want select African book bloggers on the continent to market their books, yet they can’t make any accommodations in their budgets to mail at least 20 physical ARCs of interest to book bloggers on the African continent (apparently this excludes South African book bloggers[?]). I know the lack of vibrant publishing houses here in Ghana has a role to play in this issue. But besides access to ARCs, it’s rare that book bloggers here on the continent are included in certain book campaigns and paid promotions of popular books by our Black writers. Buying new books is also expensive here in Accra – you need at least GH₵ 100 to purchase a book, and it won’t even be a hardback. So for me, all of these things culminated together have dimmed my fire a bit. Obviously, I’ll always be a reader. I’ll continue to post my book reviews and discuss literary happenings on my platform. But these blatant inequalities in the global reading ecosystem have been quite disappointing.


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Flyer for the three-way event with Ghanaian women writers.

In August, I had the privilege of moderating a wonderful reading event with three brilliant Ghanaian women writers – Nana Darkoa Sekyiamah, Nana Oforiatta Ayim and Ayesha Harruna Attah. It was a dream come true to be in the midst of Ghanaian women writers that I admire and have loudly celebrated on this platform (via #ReadGhanaian) since 2017. The event was held at Studio 189 in Osu, with an audience of about 50 people in total. The venue was cute and the event was pretty rich and vibrant.

After the event, I realized how starkly different it is to discuss books with writers versus readers. When I’m discussing literature with writers, it’s usually in the presence of an audience, in a Q & A format. There is some level of performance on my part, as I try and ask questions that would give the audience context to the books being discussed, while avoiding spoilers as much as possible. Unless I’m out to dinner with a writer, I don’t feel like I’m able to truly be myself because of the audiences’ presence and my nerves acting up as I try to sound intelligent in keeping the conversation flowing spontaneously.

Flyer of the virtual readers’ discussion on Sekyiamah’s collection.

On the other hand, discussing literature with fellow readers feels more laid-back. I’m able to divulge my truest feelings when discussing books/characters/storylines; and just fellowshipping with other readers without an audience feels comfortable and less performative. Two weekends ago, I had a virtual discussion with some readers on Nana Darkoa Sekyiamah’s debut collection, and it felt wholesome! About fifteen womxn RSVP’d, but only five showed up – which was still great. While some readers were not able to finish the book, it was still an eye-opening, nuanced conversation. When I was in dental school, I didn’t have the luxury of time to join book clubs, as I had to focus on school material. And when I was in college (Middlebury College, VT), discussing Black books felt anthropological, so my African American literature class discussions tended to feel flat and very academic. Joining the Ghana Must Read bookclub allowed me to really enjoy discussing books with a group of people who came into the discussion with different perspectives. Maybe I should start a bookclub?


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Currently Reading:

I’ve read some timeless gems this year. The best book I’ve read thus far is The Sex Lives of African Women by Nana Darkoa Sekyiamah. I might have a review up soon – even though I really don’t have the words to do that collection justice. I’m currently reading fellow Ghanaian-American Zeba Blay’s debut – Carefree Black Girls: A Celebration of Black Women in Popular Culture – which is radically vulnerable and honest, in all the good ways. I’ve attended a couple of her virtual conversations on her book tour and I truly appreciate her deep thought and her love for Black womxn. I’m also finishing up Mikki Kendall’s Hood Feminism: Notes From the Women White Feminists Forgot on Audible – which is sooo smart, thorough and relevant. I have a true understanding of Black feminism, thanks to Mikki Kendall.

Immediate TBR:

Has anyone read The Secret Lives of Church Ladies by Deesha Philyaw? Jouelzy’s #SmartBrownGirl book club raved about it in September, so I just had to get a copy! I’m excited to get to it soon.

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Last but not least, here’s a music playlist that I’m most proud of. It’s a long-form mélange of: Indie Soul, Neo-Soul, Indie R&B, Jazz, Funk & J Dilla inspired Hip hop. 118 songs for a duration of 8 hours : 30 minutes. Enjoy this playlist with some Palm Wine!

A Spotify Playlist: PalmWine Seltzer, by me. Enjoy

So Long A Letter by Mariama Bâ (re-read)

Date re-Read: 2011 & (re-read) April 22nd 2021

Published: 1979

Publisher: Heinemann Educational Books

Pages: 90

The Blurb

Written by award-winning African novelist Mariama Ba and translated from the original French, So Long a Letter has been recognized as one of Africa’s 100 Best Books of the 20th Century. The brief narrative, written as an extended letter, is a sequence of reminiscences—some wistful, some bitter—recounted by recently widowed Senegalese schoolteacher Ramatoulaye Fall. Addressed to a lifelong friend, Aissatou, it is a record of Ramatoulaye’s emotional struggle for survival after her husband betrayed their marriage by taking a second wife. This semi-autobiographical account is a perceptive testimony to the plight of educated and articulate Muslim women. Angered by the traditions that allow polygyny, they inhabit a social milieu dominated by attitudes and values that deny them status equal to men. Ramatoulaye hopes for a world where the best of old customs and new freedom can be combined.

Considered a classic of contemporary African women’s literature, So Long a Letter is a must-read for anyone interested in African literature and the passage from colonialism to modernism in a Muslim country.

 ◊◊

Review – ★★★★★ (5 stars)

Everybody and their grandma has read So Long A Letter. The first time I read this classic, it was assigned reading for an Anthropology class I took when I was a junior in college, back in 2011. I recently re-read this classic 10 years later and I still give the book the same rating this time around, because of the poignant writing.

Senegalese patriarchy, Islam, the male ego, mid-life crisis, greed, loneliness, mother-daughter relationships, feminism, sisterhood, courage vs cowardice, poverty, modernity vs tradition, colonialism, death, misogyny and family customs, all take center stage in So Long a Letter.

I looooved how Ramatoulaye’s mother judged her daughter’s suitors by their teeth! According to Ramatoulaye’s mother, the wide gap between Modou’s [who she ended up marrying] upper incisors was a sign of ‘the primacy of sensuality in the individual’; Closely set teeth (of Daouda, one of Ramatoulaye’s suitors) won her mother’s confidence. As a Dentist, these peculiarities in teeth alignment being equivalent to promiscuity and character of potential suitors was hilarious and fascinating to me!


After re-reading this classic, I’ve been over-thinking the friendship Ramatoulaye and Aissatou shared. They were best friends/basically sisters. They shared the same plight, but each dealt with the fragmenting of their family units differently – Ramatoulaye stayed and endured, while Aissatou moved towards complete independence and advanced in her career. I really wish Bâ gave Aissatou more of a voice in the novel – besides her brilliant, fierce break-up letter to Mawdo, her ex-husband. I wanted to know if Aissatou was okay with Ramatoulaye recounting her (Aissatou’s) difficult situation with her ex-husband, Mawdo – I personally hate when friends rehash my plight when they complain about their own; I wanted to know if Aissatou was actually not bothered with Ramatoulaye still having a relationship with Mawdo – Aissatou’s ex-husband, as he was still Ramatoulaye’s family doctor and he was still a part of her family’s life; I wanted to know if Aissatou felt frustrated and/or disappointed at Ramatoulaye’s decision to stay with Modou, who turned out to be scum of the Earth once he stepped out of his marriage. I can’t help but wonder all these things because I often feel frustrated and disappointed when a friend complains to me about a man who treats her badly and she chooses to endure nonsense. While I know Ramatoulaye wrote the long letter to Aissatou while in isolation when she was mourning her late husband, I just wish Aissatou’s voice was heard with regards to everything Ramatoulaye divulged in the letter.

The only issue I had with this classic was Ramatoulaye’s slight misogynistic views on women’s sexuality and pleasure. I wasn’t super surprised with her conservative views, especially given this character’s overall way of life and the setting/timing of the story, but I couldn’t help but feel that those sentiments were Bâ’s as well. Some of the conservative views on women’s sexuality had me wondering why So Long A Letter has been hailed a beacon in African feminist text… However, I now understand that the conservative stances Ramatoulaye wrestled with really portrayed how women during that time were grappling with the challenges modernity brought – and this is especially evident in contrasting Ramatoulaye and Daba’s (her eldest daughter) realities, with respect to marriage and gender roles.

There’s so much more that can be said about So Long A Letter! This classic is best enjoyed if you’re reading it for a class or book club, as there is so much that can be dissected and discussed. I had the privilege of re-reading it for a virtual book club discussion with The Harare Book Club, last month.

★★★★★ (5 stars) – Amazing book, I loved it. Absolutely recommend!

Purchase So Long A Letter on Amazon

2021 NEW RELEASES TO ANTICIPATE!

Happy New Year, everyone!

New year, new books to anticipate.

Below is my annual collage of new books to anticipate this year. I’ve compiled 99 new African, African-American, Black-Brit and Caribbean books that look very promising. Please note – this list/collage is just a snippet of books by Black authors 2021 has to offer!

Hover over the images to read the blurbs and/or to pre-order the books.

(this post contains Amazon affiliate links)

MORE books to look out for in 2021:

[image via Goodreads]

Only on the Weekends by Dean Atta

The Blurb

Fifteen-year-old Mack is a hopeless romantic – he blames the films he’s grown up watching. He has liked Karim for as long as he can remember, and is ecstatic when Karim becomes his boyfriend – it feels like love.

But when Mack’s dad gets a job on a film in Scotland, Mack has to move, and soon he discovers how painful love can be. It’s horrible being so far away from Karim, but the worst part is that Karim doesn’t make the effort to visit. Love shouldn’t be only on the weekends.

Then, when Mack meets actor Finlay on a film set, he experiences something powerful, a feeling like love at first sight. How long until he tells Karim – and when will his old life and new life collide?

To be published September 2021


[image via KT Literary]

No One Dies Yet by Kobby Ben Ben

The Blurb

An unsettling tale of murder in a country whose dead slaves are shackled with stories that must be heard.

The Year of Return, linked to the 400th anniversary of slaves landing in the US, memorialised the many who died during the slave trade in Ghana, particularly at Elmina Castle, while encouraging members of the African diaspora to visit.

As Black diasporans around the world make the pilgrimage to West Africa, three African-American friends join in the festivities to explore Ghana’s colonial past and its underground queer scene. They are thrust into the hands of two guides, Kobby and Nana, whose intentions aren’t clear, yet they are the narrators we have to trust. Kobby, a modern deviant according to Nana’s traditional and religious principles, offers a more upscale and privileged tour of Ghana and also becomes the friends’ link to Accra’s secret gay culture. Nana’s adherence to his pastor’s teachings against sin makes him hate Kobby enough to want to kill.

To be published Fall/Spring 2021


[image via Zeba Blay]

Carefree Black Girls by Zeba Blay

The Blurb

Carefree Black Girls is an exploration and celebration of black women’s identity and impact on pop culture, as well as the enduring stereotypes they face, from a film and culture critic for HuffPost.

In 2013, Zeba Blay was one of the first people to coin the viral term “carefreeblackgirls” on Twitter. It was, as she says, “a way to carve out a space of celebration and freedom for black women online.”

In this collection of essays, Blay expands on that initial idea by looking at the significance of influential black women throughout history, including Josephine Baker, Michelle Obama, Rihanna, and Cardi B. Incorporating her own personal experiences as well as astute analysis of these famous women, Blay presents an empowering and celebratory portrait of black women and their effect on American culture. She also examines the many stereotypes that have clung to black women throughout history, whether it is the Mammy, the Angry Black Woman, or more recently, the Thot.

To be published October 2021


[image via Goodreads]

The Selfless Act of Breathing by JJ Bola

The Blurb

Michael decides to flee to America and end his life once all his savings run out. JJ Bola’s second novel is a story of millennial existential angst told through the eyes of a young Londoner who seems to have it all – a promising future, a solid career, strong friendships, a blossoming love story – but it’s the unbearable weight of life that leads him to decide to take his own.

As he grapples with issues bigger than him – political conflict, environmental desecration, police brutality – Michael seeks to find his place within a world that is complicated and unwelcoming.

Although he finds solace in the people that surround him, he alone must decide if his life is worth living.

To be published October 2021


[image via Anchor]

Woman, Eat Me Whole by Ama Asantewa Diaka

Synopsis

Woman, Eat Me Whole is a collection of poetry focusing on subjects including womanhood, the body, consent and the author’s Ghanaian heritage.

To be published 2021


[image via Miles Morland Foundation]

VAGABONDS! by Eloghosa Osunde

Synopsis

Nigerian writer and visual artist Eloghosa Osunde’s VAGABONDS!, is a novel of oppression and defiance among the people and spirits of Lagos.

To be published 2021

 

What new releases are you excited about? Please do share!

Check out the new books I highlighted in: 2020 | 20192018 | 2017 | 2016 | 2015


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Bad Love by Maame Blue

Date Read: November 23rd 2020

Published: June 2020

Publisher: Jacaranda Books

Pages: 340

The Blurb

#TwentyIn2020 Bad Love is the story of London-born Ghanaian Ekuah Danquah and her tumultuous experience with first love. Marked by this experience, she finds herself at a crossroads – can she fall in love again, or does the siren song of her first love still call?

Against a backdrop of enigmatic nights scattered with spoken-word poetry in London, Venice, Accra and Paris, Ekuah tries to reconcile her personal journey with the love she struggles with for Dee Emeka, a gifted musician who is both passionate and aloof in his treatment of Ekuah. After 18 months together, he disappears from her life, confirming her worst fears about the unstable foundation of their relationship. She attempts to graduate university whilst retreating into herself, searching for new validations and preoccupations from heartbreak. 

Life marches on and Ekuah finds personal fulfillment in her poetry and community work. But when she must choose between her first love and the promise of a new, unexpected love, in the form of Jay Stanley, can she handle the vulnerability and forgiveness required? Grappling with her examples of love, Ekuah must forge her own path. With an increasingly successful career, she finds herself travelling around the world. When her rise intersects with Dee’s own fame, the two are pushed to reach a final resolution.

◊◊

Review – ★★★ (3 stars)

In case you’ve been living under a rock, Twenty in 2020 is a collaboration between Jacaranda Books and Words of Color, where they dedicate this year to publishing 20 works by Black British writers. The works include adult fiction, non-fiction and poetry. The aim of this trailblazing program is to normalize the presence of diverse literature, characters and authors across all genres and curricula, with the hope that it will be a source of inspiration for a new generation of publishing professionals and authors. Maame Blue’s debut was among the 20 works published by Jacaranda Books, back in June of this year.

Bad Love is more of a 3.5 stars rating (out of 5), for sure! I double-fisted this debut by listening to the book via Audible alongside reading the paperback, which I recently purchased. I really enjoyed the audio narration of this book! The narrator – Vivienne Acheampong, did a superb job. Maame Blue is a stellar writer and I must say – I enjoyed how smooth and lucid the writing was in this novel.

Black Brits – especially Ghanaian-British readers would appreciate this story, as there are nuances only they can fully grasp within the novel. Since I was a child born and partially raised in the Diaspora, I appreciated these nuances – for example, being raised by Ghanaian parents outside of Ghana; going to Ghanaian restaurants in the West and realizing that bad (rude) customer service is one of our trademarks; constantly grappling with double identities; viewing the world through double lenses, etc. At this novel’s core, Bad Love is a coming-of-age cum love story. At the periphery, the story delves into family, marriage, same-sex love and travel. The latter themes intrigued me most.

I’m not really a fan of the romance genre, especially involving young characters. A part of me felt annoyed by Ekuah’s ‘situationships’, her misplaced priorities and her need to feel wanted. Ekuah’s entanglements with Dee and Jay definitely felt real, but were cliché (and slightly triggering!) and I was not moved by their shenanigans. In fact, I actually really disliked those two male characters – especially Dee. Maame Blue’s mastery in her development of these characters allowed me to have strong emotions towards them, which is telling. Perhaps readers aged 17-26 would be more into Ekuah’s love entanglements. However, while reading, a part of me felt compassion for Ekuah, as I journeyed with her into adulthood. She’s just your typical university student finding her way through life while trying to not lose herself in ‘bad love’.

Bad Love takes readers from London to Venice, Paris to Accra, and back to London. I enjoyed being in different settings with Ekuah – descriptions of places and happenings in Italy and Accra were palpable and made me miss spoken word/literary events and musical concerts during this pandemic.

There are quite a number of characters to keep track of in the novel, and I was very much entertained by Ekuah’s parents and their marriage. Ekuah’s Dad in particular was such a different character. What a man! I wonder what a character like Okonkwo from Chinua Achebe’s Things Fall Apart would think of him! Ekuah’s Dad was the complete opposite of the African hyper-masculine stereotype that I’m so used to reading about in literature. Without giving too much away, the evolution of Ekuah’s parents’ marriage was fascinating and I loved the trajectory of that relationship, as it was sooo unexpected.

Overall, the title ‘Bad Love’ may have readers expecting a story laden with sour happenings, but this isn’t the case at all. Bad Love is an entertaining coming-of-age story that follows Ekuah into slowly realizing that she is her own best thing.

★★★ (3 stars) – Good book. I recommend it!

Purchase Bad Love on Amazon


P.S: I’ll be hosting a GIVEAWAY for Bad Love + other goodies, kind courtesy of Maame Blue over on Bookstagram – Monday November 30th to December 4th. Be sure to enter the giveaway at @africanbookaddict on Monday! It’s open to all readers on the African continent. All the details will be posted on African Book Addict!‘s Bookstagram.

Lastly, if you’re still wondering whether you should indulge in Maame Blue’s writing, definitely read her 2018 award-winning short story, entitled – Black Sky. This is probably the 5th time I’m referencing this short story on this book blog. Read it oh!

Zikora by Chimamanda Adichie, transphobia and more

Long time, no blog! I was extremely busy back in September and October. I was taking my final Dental exams during those months, but I’m finally free now.

I started this book blog a couple of months before I started Dental school, back in 2014. By God’s grace, I’m finally done and I’m proud to announce that I’m finally a Dentist and no longer a dental student. My childhood dream has been fulfilled and I’m grateful that this book blog, the camaraderie it garnered and my reading habits over the years have helped to sustain me throughout the 6 years of Dental school.

I’m using this time to take it easy for now, while still trying to complete my 2020 reading goal of reading 10 books. Hopefully I can finish up before this hectic year ends.


Below is my mini book review of Zikora: A Short Story by Chimamanda Adichie and some awesome articles I’ve loved since my absence. Enjoy!

Date Read: November 3rd 2020

Published: October 27th 2020

Publisher: Amazon Original Stories

Pages: 35

The Blurb

The emotional storms weathered by a mother and daughter yield a profound new understanding in a moving short story by the bestselling, award-winning author of Americanah and We Should All Be Feminists.

When Zikora, a DC lawyer from Nigeria, tells her equally high-powered lover that she’s pregnant, he abandons her. But it’s Zikora’s demanding, self-possessed mother, in town for the birth, who makes Zikora feel like a lonely little girl all over again. Stunned by the speed with which her ideal life fell apart, she turns to reflecting on her mother’s painful past and struggle for dignity. Preparing for motherhood, Zikora begins to see more clearly what her own mother wants for her, for her new baby, and for herself.

◊◊

Review –★★★★ (4 stars)

I’m glad Chimamanda is back to writing fiction because I was getting tired of her non-fiction pamphlets – Dear Ijeawele and We Should All Be Feminists. Zikora is a short story that’s essentially about womanhood – our loves, our bodies, our minds, our longings, our hurts, our strengths and our weaknesses. Themes such as fraught mother-daughter relationships, ageism, love, motherhood and more are explored in this short story.

I must say – Zikora and Kwame relationship’s demise (this is not a spoiler) had me feeling soooo depressed while reading. How can Kwame disgrace we Ghanaians like this? In true Chimamanda fashion, she adeptly develops the characters through the incorporation of past and present anecdotes, which simultaneously propel this emotional story forward.

In my opinion, Chimamanda isn’t the best short story writer. I wasn’t crazy about her short story collection- The Thing Around Her Neck because the conclusions of the short stories ended way too rudely and abruptly. But she definitely excels as a full-fledged novelist and I hope this Zikora is part of a forthcoming NOVEL! *fingers crossed*

I want more.

★★★★ (4 stars) – Great book. Highly recommend!

Purchase Zikora: A Short Story on Amazon



Below are pieces I found important to read:

4 Nigerian Authors to Read Who Haven’t Been Proudly Transphobic

image via Bitch Media

“We can recognize both Adichie’s talent as a writer and the cultural impact of her work, but her continued unwillingness to unlearn transphobia sullies her legacy and credentials when discussing gender politics. It’s disappointing—but it’s also an opportunity to continue investing in other Nigerian authors asking important questions of the culture and seeking to challenge some of Nigeria’s cultural norms while uplifting stories often relegated to the shadows”

This list is packed with a lot of references to J.K. Rowling and Chimamanda’s dismissal of Trans lives in the recent past. Take the time to read them all, if you can. It’s quite disappointing and I find myself wondering if I should still indulge in Chimamanda’s work… Trans women are WOMEN. Period.

Chinelo Okparanta, Chibundo Onuzo and Akwaeke Emezi and Chike Franke Edozien are the writers listed as actively rejecting transphobia. I’ve read and reviewed 3/4 of these writers!


Toni Morrison Taught Black Women, ‘You Are Your Best Thing’

image via Zora

“Ms. Morrison’s work had the courage to confront the U.S.’s historical amnesia of systemic violence and marginalization of Black folks in a nuanced and inevitably intersectional way by finding the balance between portraying intergenerational trauma and radical healing among Black American women in historically White American literary traditions”


Black Lives Matter, grandma and me: how our world changed during lockdown

image via The Guardian

“After months apart, Jade Bentil was reunited with her grandmother, in time to see the BLM protests unfold. She reflects on a history of repression”

This is a long read, but I really like Jade’s writing (and her tweets!) and look forward to her debut Rebel Citizen, out in 2022.


Beyoncé and the Heart of Darkness

“Few black thinkers and creatives in the United States seem able to grapple with the implications of their Americocentrism in relation to Africa”


Sharmaine Lovegrove: ‘You must spend a year in a bookshop before you get a job in publishing’

image via The Guardian

“Seeing the transformative experience of reading on customers’ faces is magic”

This piece by Lovegrove is short and sweet. But I couldn’t help but wonder if African readers on the continent of Africa were also part of the demographic she was writing about…


A Litany for Survival by Naomi Jackson

illustration by Diana Ejaita via Harper’s Magazine

“Giving birth as a black woman in America”

Whew! I left the best piece for last. I’m not new to Jackson’s work as I read, enjoyed and reviewed Naomi Jackson’s debut – The Star Side of Bird Hill, about 4 years ago. This piece is deeply heart-wrenching and it was beautifully written! Jackson held nothing back in this piece and I respect her a lot for this, even though it heightened my anxiety with regards to childbirth, significantly.


Happy reading!