Once again, the month of March is here! Ghana gained independence in March, so I like to dedicate this month to celebrating Ghanaian writers and their work. In the African literature scene, Ghanaian writers and their books are seriously underrated. As a reader of Ghanaian heritage, I enjoy discovering new Ghanaian writers and learning about our pioneer writers. If we don’t celebrate our own, who will?

Last year on African Book Addict! we celebrated 75 Ghanaian writers and their books in a 3-part series. This year (more like this month), I’ll be in conversation with some of the writers highlighted in last year’s series!

This week, I chat with Michael Donkor – author of forthcoming novel Hold, which will be out this July in the UK and in the US, under the title Housegirl, in August. Donkor grew up in a Ghanaian household in West London and currently works as an English teacher. It’s taken about 10 years for his debut novel to find a publisher, so I’m very excited for Donkor and I hope Hold is nothing but a success when it’s finally out! Enjoy this fun book chat where Donkor talks about how fervent reading turned him into a writer, the inspirations for this female-centered novel, how he identifies as a writer and more!

(note – ‘MD’ represents Michael Donkor’s responses)


Check out the synopsis for Hold below:

A moving and unexpectedly funny exploration of friendship and family, shame and forgiveness, Michael Donkor’s debut novel follows three adolescent girls grappling with a shared experience: the joys and sorrows of growing up.

Belinda knows how to follow the rules. As a housegirl, she has learned the right way to polish water glasses, to wash and fold a hundred handkerchiefs, and to keep a tight lid on memories of the village she left behind when she came to Kumasi. Mary is still learning the rules. Eleven-years-old and irrepressible, the young housegirl-in-training is the little sister Belinda never had. Amma has had enough of the rules. A straight-A student at her exclusive London school, she has always been the pride of her Ghanaian parents―until now. Watching their once-confident teenager grow sullen and wayward, they decide that sensible Belinda is the shining example Amma needs.

So Belinda must leave Mary behind as she is summoned from Ghana to London, where she tries to impose order on her unsettling new world. As summer turns to autumn, Belinda and Amma are surprised to discover common ground. But when the cracks in their defenses open up, the secrets they have both been holding tightly threaten to seep out.

[Images via The Guardian]


  • How did you become an author? Has writing stories always been your dream?

MD: Reading was – and continues to be – my route into writing. I have always loved reading, always been fascinated by the way that the most skillful writers force me to reevaluate my sense of self, my beliefs and the possibilities of language. I wanted to write stories that had that kind of impact on readers … but this is, of course, no mean feat! So I read. And read. And read. I did a degree in English and a Masters in Creative Writing so I spent years considering how writers communicate big, difficult ideas with clarity and subtlety, with empathy and levity. And then I sat at my desk for the best part of a decade madly writing and rewriting Hold. While drafting the novel, I constantly sought guidance from people in the publishing industry and tried to figure out which of the wisdoms I was offered would help me to tell the story of Belinda, Mary and Amma most authentically.


  • Your debut – Hold, follows three young adolescent women between Ghana and London; as a male writer, what inspired you to write about women? Were there any challenges embodying the female characters?

MD: I suppose my primary inspiration for this ‘female-centred’ story came from my curiosity about the housegirls who cooked, cleaned and waited on me and my sisters when we visited Ghana as children. The housegirls were an intriguing and ubiquitous feature of these trips, but they were mostly silent, very deferential and I had very few opportunities to discover more about them. So, in some ways, writing Hold allowed me to think more deeply about how these girls – isolated from their families and working very hard – might have felt about the alienating place that they found themselves in.

Equally, I grew up in a very female-dominated household, surrounded by intelligent, complicated, kind, fascinating women: I wanted to write a novel which honoured and unpicked some of their brilliance and wit. I have spent years closely listening to my sisters, my mother and my wonderful female friends, hearing about the difficulties and joys they encounter as they navigate their way through the world, so I felt like I had a wealth of insights to draw on when creating Belinda, Amma and Mary’s stories.

In terms of other motivations, I think that there is still a worryingly patriarchal quality to many aspects of Ghanaian culture. At times female experience and achievement is overshadowed by a focus on male endeavour. I wanted to craft a story which redressed that bias a little!


  • Some writers dislike being ‘pigeon-holed’ and labeled as ‘African writer’ or ‘Black writer.’ How do you prefer to be identified as a writer?

MD: Yes, I do find these labels quite unhelpful! My blackness and my Africanness are integral parts of my identity and important elements of my writing, but they exist alongside other, equally important traits. For example, I’m very much a ‘London’ writer, and the character and quality of the city that I was born in and lived in all my life colours my prose hugely. I’m also a writer who is keen to depict and celebrate pop culture.

Additionally, I’m a writer interested in domestic spaces and how they shape personalities and relationships. I’m also a gay writer, and I’m an author who wants to use fiction to investigate the fraught intersections between class, gender, race and sexuality … so some might say that makes me a political writer to a certain extent … the list is endless! So I suppose the labels ‘black’ and ‘African’ are useful for giving a sense of some of my concerns, but they don’t actually address the full diversity of my literary interests. Ultimately, I think I’d like to be ‘identified’ as a writer who is trying to make exploratory, sensitive, funny, humane fiction.


  • Do you remember the first book you read by a Ghanaian writer? If so, what book was it and what were your impressions? After working on the #GHat60 project last year, I was amazed at the great number of Ghanaian writers doing amazing work. How do you feel about the future of Ghanaian literature?

MD: I’ve always found Kofi Awoonor’s poetry magisterial and haunting. Last year I read Ama Ata Aidoo’s Changes and was impressed by the crispness and precision of her language, and the complicated friendship between Esi and Opokuya.

And I love Yaa Gyasi’s Homegoing. It’s textured, profound – an absolute masterpiece. The scale of its ambition, its beautiful understanding of what people do to endure and survive great suffering … I cried bucketloads when reading it! Rather obsessively, I’ve now foisted it on all of my relatives!

But I’ve got lots to learn about other contemporary Ghanaian fiction, so I’m eager to hear your recommendations!

(all these Ghanaian writers were featured in the #GHat60 3-part series, last year)

  • What have you been reading and loving lately? And who are some of your favorite Black writers and influencers of your work?

MD: The Adulterants by Joe Dunthorne is currently on my bedside table. It is fantastic. It is hilarious. It is GREAT. Dunthorne’s observations are stingingly sharp. He is brilliant at exposing hypocrisies, contradictions and delusions, and his descriptions of London are so inventive; he has such a gift for creating similes that are both original and incredibly accurate in their comparisons.

More broadly, Zadie Smith, Chimamanda Ngozi Adichie and Toni Morrison are huge inspirations for me; because of the seriousness and commitment with which they undertake the business of making fiction and because of how – in their very, different different ways – they profoundly understand the transformative power of storytelling.


  • The book cover for Hold is stunning! Does the young woman on the book cover represent one of the core characters in the book? A lot of readers in Accra are excited for the release of your debut! Will the book be available in Ghana once it’s out? Any plans of launching the book in Accra?

MD: Jack Smyth – the designer at 4th Estate – has done a fantastic job with the cover. The gaze in the girl’s eyes is so wonderfully enigmatic. And I like the fact that this girl could ‘be’ Amma, Belinda or Mary; I like this possibility because it highlights the important parities and communalities between these three seemingly different girls.

I’m intending to visit Ghana early next year so I’d love to do reading in Accra then! I can’t wait to hear what Ghanaians make of the novel…


  • Finally, what would you like us to take away from Hold?

MD: A very difficult question indeed! I’m keen to avoid being too dictatorial about this sort of thing. Each reader should feel free to ‘take’ from the novel what seems most significant and compelling to them. My only hope is that Amma, Belinda and Mary feel sufficiently vivid, convincing and whole to readers because, when I wrote the novel, these three girls felt very alive to me.


Pre-order Hold on Amazon


Check out the 75 Ghanaian writers that were highlighted in last year’s 3-part series below:


Ghanaian Writers | Book Chat :: with Ayesha Harruna Attah

Once again, the month of March is here! Ghana gained independence in March (TODAY, March 6th 1957), so I like to dedicate this month to celebrating Ghanaian writers and their work. In the African literature scene, Ghanaian writers and their books are seriously underrated. As a reader of Ghanaian heritage, I enjoy discovering new Ghanaian writers and learning about our pioneer writers. If we don’t celebrate our own, who will?

Last year on African Book Addict! we celebrated 75 Ghanaian writers and their books in a 3-part series. This year (more like this month), I’ll be in conversation with some of the writers highlighted in last year’s series!

First up is Ayesha Harruna Attah – author of Harmattan Rain, Saturday’s Shadows and forthcoming The Hundred Wells of Salaga, which will be published by Cassava Republic Press in May! Enjoy this fun book chat where Ayesha talks about the inspirations for her forthcoming novel, the first book she read by a Ghanaian writer & the future of Ghanaian literature, the Black writers who influence her work and why we should indulge in The Hundred Wells of Salaga.

(note – ‘AHA’ represents Ayesha Harruna Attah’s responses)


Check out the synopsis for The Hundred Wells of Salaga below:

Aminah lives an idyllic life until she is brutally separated from her home and forced on a journey that turns her from a daydreamer into a resilient woman. Wurche, the willful daughter of a chief, is desperate to play an important role in her father’s court. These two women’s lives converge as infighting among Wurche’s people threatens to cleave the region, during the height of the slave trade at the end of the 19th century.

Set in pre-colonial Ghana, The Hundred Wells of Salaga is a story of courage, forgiveness, love and freedom. Through the experiences of Aminah and Wurche, it offers a remarkable view of slavery and how the scramble for Africa affected the lives of everyday people.


  • The Hundred Wells of Salaga is your 3rd forthcoming novel, congratulations on this achievement! When did you first get ideas on the story and how long did it take you to write the novel?

AHA: Thank you! About ten years ago, I found out that my great-great grandmother was enslaved. I wanted to know more. Who was she? Where had she come from? What were her desires before her dreams were snatched away? To unearth more, I made a trip to Salaga, in northern Ghana, where there was an infamous slave market. But I kept hitting walls – either people didn’t want to talk or they didn’t know enough. So in 2012, I decided to research how people ended up in Salaga and to also put my imagination to work. I officially started writing in 2014.


  • Did you learn anything about yourself while writing The Hundred Wells of Salaga?

AHA: I learned just how much I didn’t know about African history. For instance, it was a big surprise to me that in the 19th century in the Sokoto Caliphate, there were women teachers, jajis, who taught other women and they used poetry as a way of disseminating values.


  • While reading Harmattan Rain, I saw bits of my life reflected in Sugri’s character and in Saturday’s Shadows, Kojo’s character mirrored a lot of my life as well! How much of your personal life seeps into your stories?

AHA: I don’t consciously set out to put my lived experiences into my writing, but it would be almost impossible to divorce myself from my characters. Even if I were writing the vilest character on earth, it would be with my flavor and through my eyes. Of course, there are certain moments in life that are too good to keep to oneself and, those, I very intentionally put into my stories. For instance, the anecdote in Saturday’s Shadows, where a man cuts himself with a blade to prove he’s invincible—that was a real life scene I witnessed.


  • Do you remember the first book you read by a Ghanaian writer? If so, what book was it and how was the experience? After working on the #GHat60 project last year, I was amazed at the great number of Ghanaian writers doing amazing work. How do you feel about the future of Ghanaian literature?

AHA: I think it was The Anthill in the Sea, an illustrated poetry book by Atukwei Okai. I don’t even remember how old I was. Maybe seven. I loved it.

On the future of Ghanaian literature, there is so much potential and possibility brimming, which I find really exciting. I think the work the Writers Project of Ghana is doing is commendable and writers such as Ruby Goka, Nana Awere Damoah, Mohammed Naseehu Ali, Nana Ekua Brew-Hammond, Nii Ayikwei Parkes, Boakyewaa Glover give me hope for our generation of writers. What we desperately need are publishing houses with serious distribution networks.

(all these Ghanaian writers were featured in the #GHat60 3-part series, last year)


  • What have you been reading and loving lately? And who are some of your favorite Black writers and influencers of your work?

AHA: After almost a year and a half of new mummy duties, I have started reading again. Since January, I have read Akwaeke Emezi, JJ Bola, Ayobami Adebayo, all debut novelists and I have loved all their books.

I devour work by Toni Morrison, Alice Walker, Bessie Head, Ama Ata Aidoo, Lucille Clifton, and of course, Ayi Kwei Armah, who gave me the push I needed to write my first novel.


  • Finally, why would you like readers to indulge in your forthcoming, The Hundred Wells of Salaga? What would you like us to take away from the story?

AHA: The involvement of Africans in the slave trade is a part of history that I feel hasn’t been confronted or dealt with enough. There were entire villages built in rocks to prevent slave raiders from attacking. It was a traumatic moment we suffered on the continent, and if trauma isn’t healed it manifests itself in disease, passiveness, self-harm… The list is endless. My impression is that most African countries do not want to deal with this past. Just recently, the world learned of slave auctions in Libya. I was ashamed and appalled that Ghanaians and Nigerians were involved, once again as middlemen. I hope that this book will wake us up to the role that we played in the slave trade, and begin us on the path of forgiveness and healing.


Pre-order The Hundred Wells of Salaga on Amazon


Check out my thoughts on Ayesha Harruna Attah’s novels:

Harmattan Rain  |  Saturday’s Shadows


Check out the 75 Ghanaian writers that were highlighted in last year’s 3-part series below:



Happy New Year, everyone!

What books are you excited to read this year? Below are 56 new African, African-American and Caribbean books that look very promising. This is just a snippet of the books 2018 has to offer!

Please click on the images to read the blurbs and/or to purchase the books.

(this post contains Amazon affiliate links)

MORE books to look out for in 2018:

Image via Nylon

Well-Read Black Girl: Finding Our Stories, Discovering Ourselves

Yes! Glory Edim, aka – Well-Read Black Girl, is working on an anthology that will feature black women writers like – Zinzi Clemons, Nicole Dennis-Benn, Marita Golden, and Tayari Jones as they highlight the first time they saw themselves represented in literature. To be published by Random House.


Image via Simon & Schuster

I first encountered Bahamian writer – Janice Lynn Mather’s writing in the 2014 anthology, Pepperpot: Best New Stories From The Caribbean. Her short story- ‘Mango Summer’ was such a poetic, gentle and innocent tale on sisterhood and loneliness; with the abundance of mangoes being a humorous distraction to the heartfelt tale.

I loved her writing in ‘Mango Summer’ and eagerly look forward to this debut! To be published by Simon & Schuster, June 2018.


Image via Reader’s Digest 

She Would Be King by Wayétu Moore

Wayétu Moore is a writer of Liberian heritage and is the founder of One Moore Book, which is a children’s book publishing company that focuses on providing culturally sensitive and educational stories for children living in regions with low literacy rates and underrepresented cultures. Her debut – She Would Be King, reimagines the dramatic story of Liberia’s early years through three characters who share an uncommon bond. I can’t wait for the book cover to be revealed soon!! To be published by Graywolf Press, September 2018.


Image via Anissa Photography 

On The Come Up by Angie Thomas

If you loved The Hate You Give, you’ll probably love Angie Thomas’ second novel – On The Come Up! I hope the book cover is revealed soon. To be published by Balzer + Bray, May 2018.


Image via Ibi Zoboi

Pride by Ibi Zoboi

Haitian writer – Ibi Zoboi’s second novel, Pride is a love story inspired by Jane Austen’s Pride and Prejudice, set in Bushwick (Brooklyn, NY). To be published by Balzer + Bray, September 2018.


What new releases are you excited about? Please do share!

2017 Recap & My Top 5!

Hey everyone!

I hope the holiday season has been relaxing for you all. 2017 is almost over and it’s time for a recap of the year! I ended up reading 28 books this year. The break down of my 2017 reading experience is as follows:

Average books read per month: 2 books 

Anthologies read: 3 books

Audiobooks ‘read’: 3 books

African literature: 10 books

Caribbean literature: 4 books

African-American literature: 13 books

Others: 1 book (this is a non-African/non-Diaspora book. Written by Cheryl Strayed).

20 women writers 5 men writers

Top 5 favorite books of 2017

  1. Questions for Ada by Ijeoma Umebinyuo
  2. Our Sister Killjoy by Ama Ata Aidoo
  3. Born On A Tuesday by Elnathan John
  4. Houseboy by Ferdinand Oyono
  5. Now We Will Be Happy by Amina Gautier

These were the most insightful, affirming and enjoyable books for me this year! School/life has been quite hectic this year, so I’m behind on book reviews. Expect the remaining book reviews in 2018, but in the meantime, I HIGHLY recommend these 5 books!

Reviews for books read this year are in the Book Reviews section of the book blog.

What were your top 5 favorite books of 2017?

Favorite bookish events / images of the year:

African Book Addict! FEATURES:

It’s been both overwhelming and exciting being recognized for all the hard work that goes into creating content for this book blog. Book blogging here at African Book Addict! is purely a hobby (as I’m currently a 4th year Dental Student – its a 6 year program), so receiving recognition and praise is always affirming and such a blessing.

Below is a list of the features and recognitions African Book Addict! has gained this year:

Also, special thanks to the authors who’ve contacted me to show their appreciation for reviews of their books that have been posted on this platform and/or AFREADA.

Image via novelscript Instagram stories

2017 Reading Intentions round up:

At the beginning of the year, I set 3 reading intentions. But I don’t think I’ve successfully achieved them all…

  • My first reading intention was to READ MY OWN DAMN BOOKS. Only 9 of the books I read this year had been on my bookshelf for a while. The rest of the books I’ve enjoyed were acquired THIS year! Is it possible for a moody book lover to restrict him/herself to just the books sitting on one’s bookshelf? It’s tough y’all!


  • The second reading intention was to PURCHASE LESS books this year. Well… I ended up purchasing about 30 books (discounted/ used books – chill out!) over the summer and many, many more for friends & family as gifts. I might have jinxed myself by setting this goal/intention for myself!  *shrug*


  • Lastly, I set out to buddy-read some novels with other book bloggers/ book lovers. I successfully read Behold The Dreamers with Ifeyinwa Arinze and we had a great conversation on the book as well! I had planned to read books with other bloggers – Osondu (of Incessant Scribble), Didi (of Brown Girl Reading) and Afoma (of Afoma Umesi). Osondu and I weren’t excited about the book we set out to read, so our buddy-read was unsuccessful; Didi and I were to read a debut that a writer had sent us – but we couldn’t get passed the first 50 pages, so we quit; Afoma and I also tried to read an ARC together this month, but the book is super slow… maybe we’ll continue to read it together in the new year. Buddy-reading has been challenging! I think I’ll talk more about this in the new year.

Were you able to achieve some of your 2017 Reading Intentions? 

[Don’t beat yourself up if you weren’t able to – its definitely not that serious and you can still achieve them in 2018!]

Total books read in 2017

I’m TRULY grateful to everyone who frequents this book blog and for the great discussions (agreements, disagreements and recommendations) we have in the comments section. I always appreciate the support and love shown here, from you all. This year, I’ve enjoyed discovering new book blogs, book lovers & Bookstagram accounts (Book Instagram) and I hope to connect with more in the future! Here’s to more great years of reading ahead, for all of us. 🙂  


2017 Christmas Wish list

Hey everyone!

Christmas is right around the corner and I honestly have no business buying any new books, anytime soon! But a simple wish list won’t hurt, would it? Below are books I’d love Santa to drop into my imaginary Christmas stockings:

(not in order of preference; click titles to read the blurbs on Goodreads)


The Ways of White Folks by Langston Hughes

It’s been a while since I indulged in some Langston Hughes. The last time I enjoyed his work (poetry/ stories) was 5 years ago in college, for the myriad of American Studies, African American History and African American Literature classes I was taking. This short story collection is set in the 1920’s and 30’s – so you can be assured it explores racial tension between black and white folk and possibly tension within the black community. Is it me, or does Mr. Hughes look super hot on the book cover? I want it!

Still Can’t Do My Daughter’s Hair by William Evans

I never knew this collection even existed! I discovered this poetry collection and the author thanks to Black Book Quotes Bookstagram account, where Leila highlights a huge array of books by Black writers. How adorable is the cover art?! In this collection, Evans explores masculinity, fatherhood, family, and what it means to make a home as a black man in America today. Since this book is about 96 pages, I could easily read it via my Kindle app, but the cover art makes me want to buy the physical copy! It deserves a spot in my bookshelf.

Always Another Country: A Memoir of Exile and Home by Sisonke Msimang

If you’ve read All your faves are problematic: A brief history of Chimamanda Ngozi Adichie, stanning and the trap of #blackgirlmagic via Africa Is A Country, I’m sure you’d want to indulge in more of Msimang’s lucid writing. Jonathan Ball Publishers in South Africa released this memoir back in October of this year. Unfortunately, Sisonke Msimang hasn’t sold the book rights outside South Africa yet, so its unavailable online at the moment. In Always Another Country, Msimang takes readers from Zambia to Kenya, Canada, the US and South Africa as she reflects on childhood jealousies, adult passions, motherhood and ‘what it means to be born into a life scored by history.’ I want this book in my hands!

The House of Hunger by Dambudzo Marechera

The House of Hunger has been on my TBR for about 3 years. All the readers I know who’ve indulged in Marechera’s work claim him as an ultimate favorite. This novella portrays life in a Zimbabwean township and explores the lives of families living in black urban areas. Some readers have described this novella as ‘a masterpiece’ and ‘one of the greatest Zimbabwean novels of our time’ while using words like ‘brutal’, ‘sharp’, ‘disturbing’, ‘sublime’ to describe Marechera’s writing. I want to see/read what I’ve been missing out on! I hope to read this at some point in 2018.

Queer Africa 2 edited by Makhosazana Xaba and Karen Martin

This anthology (pub. 2017) is the sequel to Queer Africa: New and Collected Fiction which found great success back in 2013. It consists of 25 stories by writers from Kenya, Nigeria, Rwanda, Sierra Leone, Somalia, South Africa, Uganda. The stories touch on “desire, disruption and dreams; others on longing, lust and love – a range of human emotions abound in lives of Africans and those of the Diaspora who identify variously along the long and fluid line of the sexuality, gender and sexual orientation spectrum in the African continent.” I absolutely love the colorful needlework on the book cover! Last time I checked, this anthology was quite pricey. I hope my local library gets this book soon so I can experience the stories.

Black Cool: One Thousand Streams of Blackness edited by Rebecca Walker

Whether you like it or not, BLACK people have defined what it means to be cool – worldwide. Black Cool, which is edited by well-known feminist – Rebecca Walker (Alice Walker’s daughter), explores the emergence of black cool, through essays by Mat Johnson, bell hooks, Margo Jefferson and more. Henry Louis Gates forwards the anthology with historical context, where he connects past African elements to the current concepts of ‘cool’. I’m mostly curious to know how the writers articulate the thousand streams of our blackness. Blackness embodies so many shades, cultures, countries, customs, beliefs. Blackness is surely NOT a monolith!

What books are on your Christmas wish list? Please share some titles!

Happy Holidays & Merry Christmas, everyone!


• Check out the 2016 Christmas wish list