Book-Music Pairings feat. Dandano (Part 1)

Hey everyone!

Do you listen to music when you read? If you do, what kind of music goes well with the books you read?

I like many different genres of music – Neo-soul / Soul (think Raphael Saadiq, Georgia Muldrow, Jill Scott, Bilal, Erykah Badu, D’Angelo, Sade etc), Jazz (think Robert Glasper, Thelonious Monk, John Coltrane etc), Rap/Hip hop (think The Roots, J-Hus, Kendrick Lamar, A Tribe Called Quest, Noname, Sa-Ra, J Dilla etc), R&B (think Faith Evans, The Internet, Moonchild, Res, SZA, The Foreign Exchange etc), Highlife (think Ebo Taylor, Osibisa, Kwadwo Antwi), Afrobeats (think Wizkid, Tiwa Savage, R2Bees, KiDi, Davido, Simi), I could go on and on!

 

I prefer reading in silence, but when I listen to music while reading, I like to listen to music without any words (especially not Rap), just so the words being sung don’t jumble with the words I read. Music has always been a form of storytelling. I love vibing to the beats and rhythms of music, but once I pay close attention to the lyrics of a song, I’m opened up to a new world.

Lately I’ve been trying to figure out what songs or albums would go well with some of the great novels, short story collections, magazines, poems I’ve read in recent years. I asked Hakeem Adam (who’s knowledge in ALL things Black culture and the arts is vast!), the founder of Dandano – a Digital platform dedicated to the distilled love of African Film and Music, to help me pair some great songs and albums to great literature.

Enjoy our pairings below and stay tuned for Part 2!


  • Behold The Dreamers by Imbolo Mbue – Immigrant Chronicles by M.anifest & Green Card by Wanlov the Kubolor

The African immigrant story is dominant in 21st century African fiction, manifesting in different ways, but mostly pointing towards the American Dream. In Behold The Dreamers, Imbolo Mbue looks to center the disillusionment of the American Dream among African immigrants. The novel asks the dreamer to wake up and think of home. 

Ghanaian rappers M.anifest and Wanlov the Kubolor were both dreamers and like the characters in Behold The Dreamers, they were also forced to think of home after being sold a dream. On both their debut albums, Immigrant Chronicles and Green Card, they chronicle such experiences.

Both albums speak strongly to the hefty emotional and psychological cost involved in buying into the American Dream. Smallest Time, off Green Card for instance, could easily make the score for the novel as the song oozes with a yearning for a familiar home. M.anifest also does similar on Coming To America on his album. Despite the glaring threads that link these works of art, what makes them perfect companions is how thematically they do try to present an honest perspective, without being irresponsible in those narratives – by Hakeem Adam, founder of Dandano.

Check out the book review for Behold the Dreamers

Listen to snippets of the debut albums for M.anifest’s Immigrant Chronicles & Wanlov’s Green Card

 


  • Period Pain by Kopano Matlwa  – A Seat at the Table (more specifically the songs ‘Cranes in the Sky’ and ‘Weary’) by Solange

In Period Pain (the UK edition is called Evening Primrose), we follow Chaba – a junior doctor in South Africa who is struggling to work in under-resourced hospital conditions; but she’s also dealing with family troubles and her own health issues (severe menorrhagia, depression, sexual abuse) while trying to aid in the fight against xenophobia in the nation. South African writer – Kopano Matlwa’s writing in this superb novel reminded me of Solange’s songs Weary and Cranes in the Sky from the album, A Seat at the Table:

‘I’m weary of the ways of the world
Be weary of the ways of the world’

‘I tried to let go my lover
Thought if I was alone then maybe I could recover
To write it away or cry it away
Don’t you cry baby
Away’

While Period Pain may seem depressing with Chaba constantly feeling weary about her new life as a doctor, it’s actually a very humorous, enjoyable book! It was refreshing to be able to relate to Chaba’s experiences in the hospital, as some of them mirrored mine during my medical and surgery rotations at school. In the same vein, while Solange’s A Seat at the Table is an album that boldly speaks on the despair, self-care, fury and pride of Black folk in America (especially in the interludes), there is light and hope by the end of the album – by Darkowaa.

I read Period Pain back in January and will post the review soon!

Listen to A Seat at the Table

 


  • The Famished Road by Ben Okri – Water No Get Enemy by Fela Kuti

Ben Okri’s The Famished Road is a bewitchingly brilliant novel, blurring the spiritual boundary of African realities. Very few pieces of music can touch it terms of stylistic and thematic quality, but Fela Kuti’s Water No Get Enemy comes close.

With rousing horns complementing the temperate drum loops and eerie mellow piano scales, the song feels mystical in its energy yet, it’s one of the few calm cuts from Fela’s discography. The lengthy instrumental intro is also a great way to set the mood as you wade into The Famished Road. Fela’s verse at the tail of the song about the power of water seems to mirror the power shown by Azaro, the spirit child in Ben Okri book – by Hakeem Adam, founder of Dandano.

Vibe out to Uncle Fela’s Water No Get Enemy

 


  • A Small Place by Jamaica Kincaid  – Sor (more specifically the song ‘Afro Aid Problem’) by Kyekyeku

A Small Place is an important book and a wake up call. It reveals a lot of truth, exposes the unsatisfactory leadership of her native island (well, I don’t know if the government of Antigua has changed much today) and ties all the complex issues Antigua faces to our imperfect human nature.

Kincaid’s small book pairs excellently with the song, Afro Aid Problem from the album Sor, by my favorite Ghanaian highlife & folk artist – Kyekyeku. Kyekyeku playfully laments over the many economic problems we Africans face, over harmonious sounds of trumpets, guitar strings, bass guitar, the keyboard & background vocals from his band – by Darkowaa.

‘They take your money and give it back to you and then they call it aid.

They take your money and give it back to you and then they call it grant.

Calculate the money, non-refundable.

Visa processing fee, non-refundable’

Check out the book review for A Small Place

Listen to Kyekyeku’s Afro Aid Problem

 


  • Ghana Must Go by Taiye Selasi – Afropolitan Dreams by Blitz the Ambassador

The concept of an ‘Afropolitan’ is not without its flaws. In some sense, it represents the idea of floating in no definite space with not a single identity as an African. In Ghana Must Go, Taiye Selasi uses certain characters to expand on this philosophy of ‘Afropolitanism,’ which she herself practices.

On Afropolitan Dreams by Blitz the Ambassador, he attempts to construct a scope of the range of sonic identities that an ‘Afropolitan’ can identify with. Blitz takes you through his experiences between Africa and the diasporas showing how his African identity can manifest in different ways. In some ways, this album could be a loosely-knit b-side to Ghana Must Go, presenting you with the thoughts and emotions that Taiye Selasi and her characters do not speak of directly – by Hakeem Adam, founder of Dandano.

Listen to Blitz the Ambassador’s Afropolitan Dreams

 


What are some of your favorite book-music pairings?

Stay tuned for Part 2 of Book-Music Pairings feat. Dandano!

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A Small Place by Jamaica Kincaid

Date Read: May 19th 2017

Published: 2000

Publisher: Farrar, Straus and Giroux

Pages: 81

 

 

 

 

 

The Blurb

Lyrical, sardonic, and forthright, A Small Place magnifies our vision of one small place with Swiftian wit and precision. Jamaica Kincaid’s expansive essay candidly appraises the ten-by-twelve-mile island in the British West Indies where she grew up, and makes palpable the impact of European colonization and tourism. The book is a missive to the traveler, whether American or European, who wants to escape the banality and corruption of some large place. Kincaid, eloquent and resolute, reminds us that the Antiguan people, formerly British subjects, are unable to escape the same drawbacks of their own tiny realm—that behind the benevolent Caribbean scenery are human lives, always complex and often fraught with injustice.

 

Review –★★★★ (4 stars)

Where do I even begin with this book? A Small Place is… brutal. It’s brutal for the reader (especially if you’re a white reader), for Antiguans, the Antiguan government and it’s tourism industry. A Small Place is a short book of 81 pages, full of vitriol, which is somewhat justified. Kincaid gives harsh criticisms on her native island’s dishonest and disappointing leadership and ultimately views the poor governing of Antigua as an extension of colonialism; neo-colonialism, if you will.

In A Small Place, Kincaid takes readers to Antigua in four chapters. In the first chapter, Kincaid describes the picture-perfect beauty of her country and juxtaposes the island’s beauty to the not-so-pretty issues everyday citizens endure. In subsequent chapters, Kincaid critiques the essence of travel, tourism and even tourists – who are mostly white. At some point, I began to wonder if Kincaid condoned xenophobia, because the way she describes how fellow Antiguans and other folks from the Caribbean dislike tourists (to the point where she actually insults imaginary white tourists), it could be seen as quite hateful –

An ugly thing, that is what you are when you become a tourist, an ugly, empty thing, a stupid thing, a piece of rubbish pausing here and there to gaze at this and taste that, and it will never occur to you that the people who inhabit the place in which you have just paused cannot stand you, that behind their closed doors they laugh at your strangeness (you do not look the way they look); the physical sight of you does not please them; you have bad manners (it is their custom to eat their food with their hands; you try eating their way, you look silly; you try eating the way you always eat, you look silly); they do not like the way you speak… (pg. 17)

Halfway through reading, I also began to wonder if this book was banned at some point – it had to be! The bold quote below explains my curiosity –

Is the Antigua I see before me, self-ruled, a worse place than what it was when it was dominated by the bad-minded English and all the bad-minded things they brought with them? How did Antigua get to such a state that I would have to ask myself this? For the answer on every Antiguan’s lips to the question ‘What is going on here now?’ is ‘The government is corrupt. Them are thief, them are big thief.’ Imagine, then, the bitterness and the shame in me as I tell you this. (pg. 42)

I’d fear for my life if I ever published anything like this! I doubt A Small Place is even sold in the Caribbean because Kincaid spews sharp, controversial opinions on (former) Prime Ministers of Antigua, Grenada and Haiti. She’s really a ball of fire, this Kincaid woman!

I think it’s important to read this book/memoir as a satire. If you take Kincaid’s frank critique to heart, you’ll be missing the point completely. Reading Kincaid lament over the corruption and misappropriation of Antiguan government funds felt all too familiar to me. A Small Place mimics the same issues Chinua Achebe had with Nigeria, as seen in The Trouble With Nigeria and mimics the SAME issues we face in Ghana as well. For example – for years, the Chinese have been mining gold in Ghana illegally (locally referred to as ‘Galamsey’) to the point where most of our water bodies (like River Pra & River Ankobra in the Western region, Enu River in the Ashanti Region, The Black Volta in the Upper West Region, River Densu in Accra, Birim River in the Eastern Region) within the country are contaminated with mercury and other toxic metals. While the current administration is trying to put a halt to the illegal mining, allegedly, previous administrations were benefitting from the illegal act. In A Small Place, Kincaid speaks on how ‘The government is for sale; anybody from anywhere can come to Antigua and for a sum of money can get what he wants. (pg. 47).’ Many citizens in Ghana feel the same way! Supermarkets, coffee shops/restaurants, various corporations and even land, are owned by foreigners. Government officials rarely have locals in mind and seem to be easily swayed by money-making foreigners who are slowly taking over our natural resources,

How does a food importer on a small island have enough money to lend to a government? Syrian and Lebanese nationals regularly lend the government money. Syrian and Lebanese nationals own large amounts of land in Antigua, and on the land they own in the countryside they build condominiums that they then sell (prices quoted in United States dollars) to North Americans and Europeans… (pg. 62)

A Small Place is an important book and a wake up call. It reveals a lot of truth, exposes the bad leadership of her native island (well, I don’t know if the government of Antigua has changed much today) and ties all the complex issues Antigua faces to our imperfect human nature. Kincaid’s writing style is direct yet lyrical in this brutally honest account of this small place. This book was originally published back in 1988, but sadly, it’s still relevant to several countries in Africa and the Caribbean today. When will the greed, lies, corruption and dishonesty from people in positions of power ever end? While this book reminded me of Chinua Achebe’s The Trouble With Nigeria, Kincaid’s sour wit and sarcasm are 100 times more piercing than Achebe’s. Read A Small Place and marvel at this woman’s heroism.

★★★★ (4 stars) – Great book. Highly recommend!

[My Kincaid collection thus far. Image via the Instagram page]

Purchase A Small Place on Amazon

Caribbean Literature chat with writer, Joanne C. Hillhouse

How do you feel about literature from the Caribbean? Who are some of your favorite writers of Caribbean descent? 2 months ago, I sent out a Tweet asking for recommendations of book bloggers & blogs that focus on Caribbean literature/culture. I received a good number of responses, with most of them having a focus on Caribbean Kid Lit & Mommy blogs.

(click image to see responses via Twitter)

As I was receiving recommendations, I realized that I had been following writer Joanne C. Hillhouse’s website and blog for almost 2 years now. For those who don’t know, Joanne C. Hillhouse is a writer of Antiguan descent, based in Antigua. She’s the founder of Wadadli Youth Pen Prize (founded in 2004), which is ‘an annual writing challenge, guiding young Creatives toward culturally relevant literary expression, and nurturing and showcasing their best efforts.’ Hillhouse’s website and blog have been staples of mine when it comes to getting my Caribbean literature fix, as she often gives lots of recommendations and shares her experiences reading various books from the Islands.

Joanne C. Hillhouse was gracious enough to chat with me via email on Caribbean literature, the reading culture in Antigua, her favorite writers/Caribbean (book) blogs and the Wadadli Youth Pen Prize. Get your TBRs ready, because they will definitely grow after you indulge in this wholesome book chat, with writer Joanne C. Hillhouse. (note – ‘JH’ represents Joanne C. Hillhouse’s responses).

Enjoy!


  1. At what age did you read your first novel by a Caribbean writer? How was that experience?

JH: I can’t remember. My introduction to Caribbean literature, the way I remember it, was primarily through the oral tradition (jumbie stories, folk stories, Anansi stories, even calypso the more narrative of which I still sometimes use in workshops) and through short stories used in school. I remember short stories like the one about Millicent with her prideful nature and her organdy dress, by Merle Hodge, though I’m not sure I registered who the author was at the time as this was primary school or at highest first form of secondary school, and Millicent and her classroom tyranny was what resonated.

I remember excerpts of Michael Anthony’s The Year in San Fernando standing out as well. Actually, this is unlocking a memory of what might, emphasis on might, have been the first Caribbean book I read, Miguel Street by V. S. Naipual. My brother was in secondary school and I believe it was one of his, but I read it, recognized it, loved it.

I also remember reading Sam Selvon’s A Brighter Sun, I think it was A Brighter Sun, in secondary school over the summer in third form maybe, and then by the time term started it had been dropped from the reading list; I remember that because I remember being disappointed. It didn’t help that I didn’t fall in love with the Caribbean book I ultimately did have to study – no further comment on that.

A book that stands out though, though this would have been later teens, is Jamaica Kincaid’s Annie John, which hit close to home in many ways, not least of which because I, too, was a girl from Antigua and I recognized the physical, socio-cultural, and emotional landscape of the book. I mark this as one of the books that opened up a portal of possibility for me in terms of me becoming a writer.

 


  1. What’s the reading culture like in Antigua and Barbuda? Is Caribbean literature required reading in the school system?

JH: Most of the reading of Caribbean literature that happens, I would say, happens in school and even there it’s limited, though I can’t speak specifically to what’s required reading or what isn’t and how much it’s changed since my school days. I’ve been fortunate to have some of my books read in the schools, including The Boy from Willow Bend which has been on the schools reading list here in Antigua and in Anguilla for years. I have been fortunate, as well, to meet some of the young people who did have to read my books in school and they didn’t seem to hate it the way we tend to things we’re obligated to do, which is always the danger. They seem to like them actually.

But the reality is that outside of school, Caribbean books are not widely read, though it’s perhaps better than it was. I grew up reading more books from England and the U.S. –they were just more readily available (and weren’t school books) and I don’t think that has changed as much as I’d like to wish. I would distinguish though between reading and storytelling, and though one of our leaders, reportedly, once said that we’re not a reading public, I would venture to say that we have always been a storytelling public – stories handed down have sustained our culture from the time when we didn’t have agency over our own lives (slavery) to present (post-Independence), and I think people appreciate seeing some of our stories written down.


  1. How prevalent is African literature in Antigua? Are books by African writers sold in bookshops and/or read & raved about among book lovers on the Island?

JH: Not very. Some are sold, yes, but honestly perhaps more so those who’ve been embraced in Western culture – like a Chimamanda Adichie.


  1. You’ve successfully published six books and I plan on getting my hands on your recent novel – Oh Gad!, especially after Trinidadian-American writer Elizabeth Nunez recommended it on NPR’s Weekend Reads. How long have you been a writer? Do labels like ‘Antiguan writer’ or ‘Caribbean writer’ limit how you identify as a writer?

JH: How long have I been a writer… I remember going to see Chariots of Fire on a class trip in primary school and not really getting it but liking the theme music and making up lyrics, that I still sort of remember, to that theme music. There are probably other moments like that, but that’s one I remember. Then I remember journaling and attempting my first story in a black and white note book my Tanty used to own and write in, when she died. Her death was very traumatic, and that notebook and the silver bracelets I still wear were things of hers that I held on to. Then, in my teens, probably earlier, entering school essay competitions – around tourism and Independence themes; won a trip to another Caribbean island once and my mom sent my big sister with me, I imagine because I was too young to travel alone though she is only a year and change older than me.

Lots of writing activity in my teens, poetry, short fiction, song lyrics, including one that I worked out with my guitar teacher and submitted it with the youth choir I was then a part of to a sub-regional radio Christmas carol competition; I still have that prize plaque. I remember taking my stories to show to one of my English teachers when I started the Antigua State College, one of the first times I sought critical feedback. Then at the College, between age 16 and 18, I would write plays, soapy melodramas in retrospect, that were performed by the College drama group; on to the University of the West Indies where I was both taught (fiction) and mentored by Mervyn Morris, who then recommended me for my first fiction writing workshop, the Caribbean Fiction Writers Summer Institute facilitated by Olive Senior at the University of Miami. It was there that I started work on what would become my first book.

I’m not a fan of labels and I try not to think in terms of limitations, though I’m certainly aware of and have encountered the obstacles in the path of a writer from a small place – first within the wider Caribbean and then internationally. The world of publishing is paradoxically both crowded and vast. But as far as the writing goes… every writer comes from somewhere, right? New Orleans pulses in the writings of Anne Rice and Ireland was richly rendered by Maeve Binchy, Mario Puzo embedded his readers in a particular part of the Italian-American experience, Junot Diaz provides a window to the Dominican-American experience and Edwidge Danticat to the Haitian experience; their locales/cultures enriched the work rather than limiting them. Antigua and the Caribbean are in my skin, on my tongue, and in my writing. I embrace that. One of my favourite reviews – plural because it’s been said more than once, about more than one piece of writing – has come from readers, Antiguan or otherwise, who have described my writing as unapologetically Antiguan/Caribbean. My stories are particular, and, I like to hope, potentially universal not in spite of but because of that.


  1. You’re the founder and coordinator of the amazing Wadadli Youth Pen Prize, which promotes the literary arts among young people in Antigua and Barbuda. What inspired you to start this writing program and how has the reception been since its launch in 2004?

JH: I was at a luncheon in Canada, the Caribbean-Canadian literary expo, maybe the first off-island literary event I was invited to as a published author, in 2003; and the featured speaker at the luncheon was a Guyanese writer of my generation (Ruel Johnson) who spoke of the lack of nurseries for potential or emerging writers in the region. As I had felt that lack keenly coming of age in Antigua, I foolishly resolved to do something about it, and when I got home I fired off a proposal to my first two partners without fully understanding the commitment I was making or the work involved.

It has experienced peaks and valleys in terms of the response; this was our best year numerically and also our most challenging because of those high numbers. It’s hard for me to assess its reception; I’m too deep in it. I only know that it has come to mean as much to me as anything I’ve written, I’ve seen people who’ve come through it go on to do things creatively, I believe that it is now part of the cultural landscape and at the same time something that still has a lot of growing to do…and that it’s been something like a labour of love that has got to become more institutionalized if it is to survive me (or my ability to do it), and I want that.

The breakdown on Wadadli Pen and its works and impacts can be found here: https://wadadlipen.wordpress.com/about


  1. I enjoy visiting Wadadli Pen, as well as your personal website Jhohadli as there’s always fresh content on the literary happenings in the Caribbean! Do you frequent other websites or book blogs that focus on Caribbean literature? If so, please recommend your top 3 favorite websites/blogs.

JH: I follow many book, arts, and cultural blogs Caribbean and not Caribbean. Top three Caribbean? I’m much too indecisive to ever have a definitive top 3 but the Caribbean(ish) blogs I have most recently interacted with are Island Editions by a Canadian author who divides her time between Canada and Bequia and blogs on publishing and writing mostly; Repeating Islands which curates Caribbean themed content from different sources; and Random Michelle, an Antiguan blogger who regularly posts photo prompts to which I like to challenge myself to respond. So, I’ll mention those with a shout out to the Paper-Based book blog, the blog of a Trinidad based bookshop, written by poet and reviewer Shivanee Ramlochan, who also reviews books for the Caribbean Beat magazine and at her personal blog Novel Niche: A Place for Books and who recently published her debut collection – the blog reviews Caribbean books, including my own Musical Youth and a blog, Jamaican Woman Tongue, run by one of my favourite former professors from the University of the West Indies, Carolyn Cooper.


  1. I’ve enjoyed works by Jamaica Kincaid, Edwidge Danticat and Austin Clarke and I hope to indulge in more novels from the Islands, including yours. For those who are new to literature from the Caribbean, which books and/or authors do you highly recommend?

JH: Some of my favourite Caribbean books of fiction would be:

The Farming of Bones by Edwidge Danticat

Lucy by Jamaica Kincaid

The Brief Wondrous Life of Oscar Wao by Junot Diaz

The Lonely Londoners by Sam Sevlon

Fear of Stones by Kei Miller

Gone to Drift by Diana McCaulay

The Book of Night Woman by Marlon James

Waiting in Vain by Colin Channer

White Woman on the Green Bicycle by Monique Roffey

Buxton Spice by Oonya Kempadoo

A good introductory read to contemporary Caribbean fiction, meanwhile, would be Pepperpot: Best New Stories from the Caribbean.

Other links on my blogs:


  1. Finally, do you have any new books or projects in the works for readers and writers to look forward to in the near future?

JH: Works in progress, at least three, one of which is a sequel to Musical Youth, the first book was a finalist for the Burt Award; one of which is a novel with two main women characters from very different worlds; and one of which I can best describe as character vignettes in a moving space. I have been trying to get funding or a residency or something that would allow me to just sit and work on digging in to these for a long uninterrupted while, but short of that I continue incrementally and have been for some time. Bills have to be paid, you know, and I freelance as a writer, editor, workshop facilitator, and writing coach, I love it but the hustle can be draining. But those three that I mentioned, which is more than I’ve said publicly before, more than I like to say at all about works in progress, but maybe saying it will push things along, lol, those three are the works in progress that may be books someday. But there are various works, non-fiction to short fiction to poetry, in various stages of progress. I try to write a bit every day, so I’m always working on something.

Coming soon, a re-issue with new art of my first picture book Fish Outta Water, so look out for that, totally new aesthetic, and I have to note that still new, so I’m still in promotion mode on that, is With Grace, my second picture book, a Caribbean fairytale which debuted in December; and I’m still hoping more people will discover the previous books all of which are listed on my website.

Works by Joanne C. Hillhouse


Thanks so much for taking the time to chat with me on literature from the Caribbean. I hope we get to do this again soon!

JH: Thanks for the interest and the opportunity.

2015 at the University of the (US) Virgin Islands Literary Festival & Book Fair where Hillhouse (on the right) was a panelist and Jamaica Kincaid (on the left) was the featured speaker.

Photo via Joanne C. Hillhouse – Wadadli Pen

2015 Summer Book Haul!

IMG_0826Hey everyone! Since May of this year, I have received the bulk of my book orders from the mail and I’d love to share some of them with you. Please click on the title to go read more about the book on Goodreads.

Tendai HuchuThe Maestro, the Magistrate and the Mathematician by Tendai Huchu 

I’ve read the first 15 pages of this and its decent thus far! I love a book on African (in this case, Zimbabwean) immigrant experiences abroad. But the font in the book is small, so reading this might take a while.


Saturday's Shadows Saturday’s Shadows by Ayesha Harruna Attah

I’m glad this book is thick! I can’t wait to enjoy this story which focuses on the Avoka family. Hopefully I’ll read Saturday’s Shadows before the year ends. Recommendation: check out Ayesha’s first novel- Harmattan Rain.

 


 Hiding in Plain Sight by Nuruddin Farah Farah

Hiding in Plain Sight is my first novel from Somalia. Nuruddin Farah has written several books and I hope to read more of his work in the future. The cover art is lovely if you see the physical copy. I love the iridescent details! This is on my 2016 *TBR list.


Some Love, Some Pain, Sometime: stories by J. California Cooper 

J. California Cooper

I’ve heard and read nothing but great things about Ms Cooper. I hope I love her work as much as others do! Hopefully I can add her to my favorite African-American pioneer writers: Gwendolyn Brooks, Lorraine Hansberry, Maya Angelou, Richard Wright and Alice Walker.


 The Fishermen by Chigozie Obioma The Fishermen

*sigh* This tale on love, brotherhood and madness has been the best book I’ve read this summer… and maybe all year (expect the book review soon)! Please pick this up if you get the chance. Obioma took fiction to another level with this book.

 

 


 nalo hopkinsonThe Salt Roads by Nalo Hopkinson

I’m not a huge fan of science-fiction, but Nalo Hopkinson seems pretty amazing from what I’ve read/heard. And her stories feature Afro-Caribbean folk, so I’m sure I’ll enjoy this!


Love is Power or Something Like That by A. Igoni Barrett igoni

I enjoy short stories and I look forward to reading this collection by half-Jamaican & half-Nigerian – A. Igoni Barrett. His latest novel, Blackass was released about two weeks ago!


Samuelsson_Yes-Chef_pbYes, Chef by Marcus Samuelsson

This is a memoir that I’m excited to read! I love Chef Marcus Samuelsson from the Food Network on television and I’d love to read more about his life, especially since he is of Ethiopian heritage. Can’t wait.

 


 

Krik? Krak! by Edgwige Danticat Edwidge Danticat

I recently finished reading this short stories collection and I must say, it was a perfect summer read! Edwidge Danticat, who is well-known in the Caribbean Literature sphere ‘reps’ hard for Haiti – and I love it.


fine boysFine Boys by Eghosa Imasuen 

How cool is the book cover art? I was sooo glad when I finally got my hands on this book! I had been searching for the physical copy since 2013 since it is only available on Kindle (I don’t prefer e-books). So when Imasuen came to Accra last month for a reading hosted by Writers Project Ghana, I  did not hesitate to attend the event, purchase the book and stand in line for it to be signed. #winning!

 


 My Brother by Jamaica Kincaid My Brother Jamaica Kincaid

Well-known Caribbean writer – Kincaid’s work is always a joy to read as she writes with palpable emotion. This is the third Kincaid novel I own – her books Annie John and Lucy are must reads! I love her writing style and learning more about Antigua from the characters in her novels. Oh, and her books are usually in large fonts, so that’s always wonderful.


MabanckouTomorrowTomorrow I’ll be Twenty by Alain Mabanckou

The cover art of this book made me buy it! Alain Mabanckou is a renowned Congolese writer and I’m curious to read on the twists and turns in this memoir-esque novel. His books are usually written in French; Tomorrow I’ll be Twenty or Demain J’Aurais Vingt Ans originally in French, was translated to English by Helen Stevenson. This novel has been compared to J.D Salinger’s The Catcher in the Rye which I loved when I was 13, so I should enjoy this too! This is high up on my 2016 TBR list.


The Wine of Astonishment by Earl Lovelace Earl Lovelace

Trinidadian author, Earl Lovelace is another big name in Caribbean literature. The Wine of Astonishment is a classic and I’m glad I finally own it. This is the first novel I own from the Caribbean Writers Series.

 


Toni MorrisonGod Help the Child by Toni Morrison

This is ToMo’s latest baby. I’ve seen lots of mixed reviews of this book on Goodreads, so I don’t know when I’ll get to it. Maybe in 2016? (Sula is the only ToMo I’ve read thus far. Meh).

 

 


 

Pig Tails ‘n Breadfruit by Austin Clarke Austin Clarke

Have you ever read a culinary memoir? Well, in Austin Clarke’s book Pig Tails ‘n Breadfruit ‘each chapter is devoted to a detailed description of the ritual surrounding the preparation of a particular native dish—Oxtails with Mushrooms, Smoked Ham Hocks with Lima Beans, or Breadfruit Cou-Cou with Braising Beef.’ This is a (culinary) memoir of Austin Clarke’s childhood in Barbados. Clarke is a preeminent writer of the Caribbean and I’m ready to indulge – literally!



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Have you read any of these? What are you reading this summer? Please let me know!

*TBR : ‘to be read’

Lucy by Jamaica Kincaid

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Date Read: May 22nd 2014

Published: September 4th 2002

Publisher: Farrar, Straus and Giroux

Pages: 164

The Blurb

Lucy, a teenage girl from the West Indies, comes to North America to work as an au pair for Lewis and Mariah and their four children. Lewis and Mariah are a thrice-blessed couple–handsome, rich, and seemingly happy. Yet, alomst at once, Lucy begins to notice cracks in their beautiful facade. With mingled anger and compassion, Lucy scrutinizes the assumptions and verities of her employers’ world and compares them with the vivid realities of her native place. Lucy has no illusions about her own past, but neither is she prepared to be deceived about where she presently is.
At the same time that Lucy is coming to terms with Lewis’s and Mariah’s lives, she is also unravelling the mysteries of her own sexuality. Gradually a new person unfolds: passionate, forthright, and disarmingly honest. In Lucy, Jamaica Kincaid has created a startling new character possessed with adamantine nearsightedness and ferocious integrity–a captivating heroine for our time.

Review –  ★★★★★ (5 stars)

Lucy is a quick read and was wonderfully written. I really enjoy Jamaica Kincaid’s style of writing – it is clean and simple yet laden with deep meaning. Lucy, the protagonist of the novel is a sorrowful, bitter person and I blame her abandoned upbringing and the love-hate relationship she has with her mother as the cause. The novel in general is full of misery – not only from the protagonist, but also from the family Lucy is working for (Mariah and Lewis).

Even after Lucy obtains all the things she once longed for – freedom to do as she pleases and to be away from home (a nameless Caribbean island) she still isn’t fully satisfied with life. The bond she forms with her friend Peggy and her romantic relationships with men don’t seem completely sincere in love. There is a deep void in Lucy’s life and I believe only her mother’s love can fill it but her mother was quite controlling and hostile to Lucy as a child. What kind of mother tells her daughter that she was named after Satan because she was a botheration from the moment she was conceived? And that ‘Lucy’ is the girl’s name for Lucifer? Crazy.

 This story could be seen as a sequel to Jamaica Kincaid’s novel, Annie John. There are a lot of similarities in the protagonists of the two stories. Kincaid seems to enjoy writing on mother-daughter relationships in these two novels… and they are both quite tragic! Kincaid’s ability to articulate emotions and feelings of joy, vulnerability, sorrow, pain and grief are very palpable in her novels. This is why I love her books and I highly recommend this one!

★★★★★ (5 stars) – Amazing book, I loved it. Absolutely recommend!

Purchase Lucy on Amazon