Author: Darkowaa

Darkowaa is a Ghanaian-American, currently living where her heart feels most at home - Accra. She doesn't like to call herself a 'bookworm', but rather prefers to call herself an African Book Addict! Books by BLACK writers (or writers of African descent in Africa and the Diaspora) excite her the most.
Book Reviews, Diriye Osman

Fairytales For Lost Children by Diriye Osman

by Darkowaa27 Comments on Fairytales For Lost Children by Diriye Osman

Date Read: January 7th 2016

Published: September 2013

Publisher: Team Angelica Press

Pages: 156

Diriye Osman

The Blurb

Fairytales For Lost Children is narrated by people constantly on the verge of self-revelation. These characters – young, gay and lesbian Somalis – must navigate the complexities of family, identity and the immigrant experience as they tumble towards freedom. Using a unique idiom rooted in hip-hop, graphic illustrations, Arabic calligraphy and folklore studded with Kiswahili and Somali slang, these stories mark the arrival of a singular new voice in contemporary fiction.

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Review – ★★★★★ (5 stars)

*sigh*

Is it too early to already know my favorite book of the year? Fairytales For Lost Children just might be the best book I’ve read this year. I read two stories a day from this collection, to adequately absorb everything in little bits. I even smoothed the velvet-textured book cover against my cheeks after reading some of the stories (no, I’m not a weirdo… maybe a little haha). And when I was done reading Fairytales For Lost Children, I wanted more. I need Diriye Osman to write a full novel soon!

This collection of short stories is raw, erotic, sassy, vivid, devastating and most importantly, liberating. These stories are set in modern day Somalia, Kenya and London. The characters of these stories just want to be loved for who they are. They desire to live their lives free from hate, criticism, and scrutiny, while trying to understand the intersectionalities of their own identities.

There are eleven stories in this collection and I loved how Diriye Osman precedes each story with his beautiful artwork, which visually summarizes each tale. Osman also incorporates lots of Neo-Soul (my ultimate favorite music genre) and old school Hip-Hop music into the stories. He refers to Meshell Ndegeocello’s 2002 soul album, Comfort Woman in about three of the stories, so I just had to purchase that album after I read this collection! Osman also blends languages like Somali, Arabic and Swahili into these stories, which make them feel authentic. I deeply enjoyed each and every one of the stories (which is rare for a short stories collection – there are always one or two stories I don’t care for) but my faves were:

‘Shoga‘ – This tale was pretty explicit but entertaining and heartbreaking at the same time. A displaced seventeen year old Somali boy lives with his grandmother, Ayeeyo, in Kenya. He falls in love with Boniface – the domestic help who is a refugee from Burundi. After enjoying many nights of listening to Bob Marley, smoking marijuana and sleeping with Boniface in his quarters, this seventeen year old later has to deal with the consequences of his pleasures by facing his grandmother – before her time is up.

‘Earthling‘ – This is a story that follows Somali-Brit – Zeytun, who suffers from psychosis and deeply desires love from her family – more so, from her sister. Her only family and support system is her girlfriend, Mari, who admirably stands by Zeytun and aids in her mental and emotional healing. The love exhibited between this lesbian couple was eye-opening and comforting to me.

‘Your Silence Will Not Protect You‘ – This story is preceded by Diriye Osman’s artwork that actually looks like a portrait of himself (he’s the man on the book cover by the way!), so I’m assuming this tale is loosely based on his personal story. Osman boldly narrates the series of events that lead to him coming out to his family, and how he boldly deals with the pain of rejection.

‘The Other (Wo)man‘ – I’ve never read a story like this before. Yassin is a young, twenty-two year old Somali man living in London, pursuing his art degree and is ready to start dating. He meets a middle-aged, British-Jamaican man who works as an army pilot on a dating website (Gaydar) and they go on a couple of dates. But one night, Yassin realizes that the British-Jamaican man’s fetishes not only offend him, but actually push him to maybe trying something he never thought he’d consider. This coming-of-age tale had me sooo worried. But I loved observing Yassin as he strived to understand his ever evolving identities.

My favorite quote from ‘The Other (Wo)man‘ as Yassin takes a walk towards Peckham Rye:

He felt his sense of Somaliness slipping away from him and he was afraid of letting it go, afraid of the moral, psychological and social anarchy its loss threatened to create within him. But at the same time, what was he really hanging onto? A sense of social allegiance? But wouldn’t he be automatically excluded from his community because of his sexual orientation wherever his own allegiance lay? He didn’t belong to just one society: he was gay, Somali, Muslim, and yet all these cultural positions left him excluded… He was Somali first, Muslim second, gay third. But perhaps that hierarchy was only a matter of timing: born Somali, raised Muslim, discovered gay. And now he was venturing out into the world without a sense of his place within it and this frightened him. Yet he realized that he couldn’t mourn what was lost but instead had to consider what was to be gained. He knew he would never belong but did he really want to? (pg. 137)

This collection of short stories is probably the best LGBTQ-themed African fiction out there. I totally understand why Diriye Osman won The Polari First Book Prize back in 2014. Osman’s writing style is bold and fearless and I believe this collection is a priceless gem among the myriad of African fiction novels around. Please read this if you get the chance! And try not to judge the characters in the stories; just immerse yourself in the different happenings of the tales and learn from them. These stories speak volumes on being true to yourself, following your heart and the universal human need to love one another, regardless of sexual orientation, race, occupation, religion. Fairytales For Lost Children must have been liberating to write and I truly admire Diriye Osman as a storyteller and visual artist. Readers around the world will find solace in this work of art – I definitely did! I look forward to reading more of Osman’s work in the future. I’m sure whatever he writes next would be as fierce as this collection.

★★★★★ (5 stars) – Amazing book, I loved it. Absolutely recommend!

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  • Also!! Read Diriye Osman’s essay published in The Huffington Post (2014): To Be Young, Gay and African
  • I really enjoyed this conversation between Diriye Osman and Another Africa, where they discuss Osman’s background, musical influences and his creative process, difficulties he faced in writing this collection, future projects and so much more!

Other Somali writers I plan on reading in the future (click on their names to check out their Goodreads profiles and their collection of work): Nuruddin Farah, Ayaan Hirsi Ali, Warsan Shire (Somali-British), Ladan Osman (Somali-American), Nadifa Mohamed (Somali-British).

Purchase Fairytales For Lost Children on Amazon

Book Reviews, J.M. Coetzee

Disgrace by J.M. Coetzee

by Darkowaa30 Comments on Disgrace by J.M. Coetzee

Date Read: February 8th 2016

Published: 1999

Publisher: Penguin Books

Pages: 220

disgrace coetzee

 

The Blurb

At fifty-two, Professor David Lurie is divorced, filled with desire, but lacking in passion. When an affair with a student leaves him jobless, shunned by friends, and ridiculed by his ex-wife, he retreats to his daughter Lucy’s smallholding. David’s visit becomes an extended stay as he attempts to find meaning in his one remaining relationship. Instead, an incident of unimaginable terror and violence forces father and daughter to confront their strained relationship – and the equally complicated racial complexities of the new South Africa.

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Review –  ★★★★ (4 stars)

This book engrossed me from the first to the last page! I totally understand why J.M. Coetzee won several awards for this novel, including The Man Booker Prize and the Nobel Prize in Literature 4 years after the publication of this book AND even has a 2008 film adaptation of this book starring John Malkovich as the main character, Professor David Lurie. I need to find that film and watch it! I doubt it would be as good as the book, but it will definitely be worth the watch.

Professor David Lurie – the protagonist (who is portrayed as a white South African) rubbed me the wrong way from the beginning of this novel. We first encounter him in bed with a prostitute at a brothel he frequents in Cape Town. This prostitute for some reason decides to quite her job, and David starts searching for her, as he believes they share an intimate bond. Once she tells him off after he spotted her with her children walking about in town, he decides to find new sexual adventures elsewhere. Sooner than later, David finds interest in one of his undergraduate students – Melanie.

For some strange, sick reason, David believes Melanie is actually into him and he invites her to his home, makes her feel comfortable with some alcohol and sleeps with her. This happens several times during the semester, even though Melanie is clearly uncomfortable. When David is finally confronted with his inappropriate behavior by the academic board and Melanie’s father, David (who is not really ashamed of this abominable affair) quits his job and travels to the countryside where his daughter, Lucy resides. Lucy isn’t the same girl David knew her to be. She is overweight, slightly depressed and seems to be living in a trance as she resides on a farm, adjacent to Petrus – a black South African, who apparently is helpful to her.

The story takes a serious turn while David stays in the countryside with Lucy. Readers are rudely awakened by the violent, racially tense incidents that occur and the novel suddenly becomes dark and quite frightening. J.M. Coetzee does an incredible job at ceasing readers’ attention and emotions from the beginning of this novel to the end. There are heavy themes of rape, racism, violence, depression, (white) guilt, animal rights issues, new generation versus old generation, abortion, shame, feminism, sexism, satyriasis, infidelity AND disgrace – all in this novel!

When I sat back and accessed how I felt about this book after I completed it, I concluded that there were double meanings and interpretations to the events that occur in the storyline. There are lots of complexities to unravel in this book. Disgrace would make for excellent discussions in book clubs and literature classes. I have so many opinions on David and his daughter Lucy – it was hard not to judge them… but I’ll keep my opinions to myself so I don’t divulge too much of the storyline! This book definitely took a toll on my emotions and actually had me feeling offended and upset at some parts. Please be warned: if rape is a trigger for you, you might not want to read this novel.

Disgrace is excellent literary fiction, nonetheless. This was a great page-turner with intelligent, yet tender prose. I will surely read more Coetzee soon. Disgrace takes place in South Africa, but the myriad of sensitive themes addressed are certainly universal to humanity. I give this 4.5 stars. Please read this!

(I got Disgrace from a used book store [Ghana Book Trust] last summer. I found some other gems there too! Check out Challenge Update (summer); Currently Reading to see them).

★★★★ (4 stars) – Great book. Highly recommend!

Purchase Disgrace on Amazon

Book Reviews, Ifeanyi Awachie

Summer in Igboland (ebook) by Ifeanyi Awachie

by Darkowaa6 Comments on Summer in Igboland (ebook) by Ifeanyi Awachie

Date Read: January 4th 2016

Published: July 1st 2015

Publisher: Pronoun

Pages: 73

Awachie

The Blurb

Ifeanyi Awachie, a Nigerian-American Yale University student, was tired of images of terrorism, corruption, and poverty– the only images Western media seemed to use to portray her birth country. So she went back to Nigeria for the first time in nineteen years to change the narrative.
Through Awachie’s vivid photos and honest, poetic writing, Summer in Igboland presents contemporary Nigeria from a unique perspective. The book takes on everything from Nigerian nightlife to the politics of hair to vibrant foods to meeting extended family for the first time as an adult.
As intimate as a diary and as informative as a travel blog, Summer in Igboland is a story of finding fun, personal struggle, and most importantly, one’s roots in a country whose negative stories are often the most prominent. Explore it, and discover modern Nigeria through the eyes and voice of an adventurous, passionate first-generation Nigerian.

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Review – ★★★ (3 stars)

Ifeanyi Awachie, a rising senior of Yale at the time won a fellowship to conduct an independent study in Nigeria. The aim of the study was to use photography to challenge the negative stereotypes associated with Nigeria. Ifeanyi was born in Nigeria, left when she was eighteen months old and was raised in Atlanta, Georgia. She had never been back to Nigeria since her move to the United States, so this summer project was supposed to be a great way to connect with her heritage.

Summer in Igboland is a travelogue where Ifeanyi takes readers to different towns in Nigeria and discusses random happenings of the places she visits, while trying to gain a sense of belonging at the place of her birth. This was a fast and easy read! I enjoyed how the travelogue was written with a personal diary feel and that it wasn’t heavy with historical facts about Nigeria.

As Ifeanyi interacts with Nigeria natives and some relatives, she begins to feel her ‘Americanness’ is a flaw, as her differences are very apparent, like: her American accent, her natural hair (she did not wear a weave as most young Nigerian women did), being a vegetarian (even though she hides this from her family) and her inability to speak the language – Igbo. She poses a lot of thought provoking questions with respect to her identity as she navigates her way through Nigeria. When people call her oyibo (which means ‘white person’) or make a fuss about her not speaking the language, she found that her own people tended to relegate her and made her feel less Nigerian. I could completely understand Ifeanyi feeling her Americanness was a flaw, especially with respect to sounding American and not being very fluent in the native language. Why is it that whenever people find that you are different from them, they tend to make you feel guilty for being different? Will we ever live in a world where differences are appreciated?

I particularly enjoyed the anecdotes on Ifeanyi’s new love for fufu*. Before her trip to Nigeria, she detested fufu. Whenever she was forced to eat fufu as a young girl, she would take bites of it with a fork. Fork? WHO EATS FUFU WITH A FORK? is what I asked myself as I read this. In Ghana, when you don’t use your fingers to eat fufu, you simply use a spoon! But then it occurred to me that Nigerians eat fufu differently from Ghanaians – Ghanaian fufu is usually embedded in bowl of soup. Whereas, the dense pounded yam of Nigerian fufu is usually in a separate bowl from the preferred soup. Once I remembered these differences, I was able to understand why Ifeanyi used to eat fufu with a fork, I guess. Check out what Nigerian fufu looks like – here ; Check out what Ghanaian fufu looks like – here. (Nigerian readers, please correct me if I’m wrong with the fufu comparisons!)

Throughout her exploration of different types of fufu and soups, Ifeanyi even states some fufu facts she learned while in Nigeria:

  1. One does not eat fufu with utensils.
  2. One does not chew fufu – one simply swallows.

With respect to the latter, lots of people chew fufu – myself included! *sigh* I can write a whole thesis on this swallowing of fufu phenomenon but I’ll save that for another day. But it was cute to read on Ifeanyi’s love for a dish she initially disliked as I could completely relate to her fufu-eating experience.

I’m glad I read this ebook. I just wish some of the anecdotes were concluded in a more cohesive way. From the blurb, Ifeanyi wanted to change the negative stereotypes associated with Nigeria, but I didn’t really get that from this short ebook. Nevertheless, Summer in Igboland made me think back to the time when I first arrived in Accra at the age of 10 and how I now identify as Ghanaian as well as American. Reading books like Summer in Igboland affirm my love of reading books written by people of African descent / people of the Diaspora because you see yourself in these stories! You start to see and feel that your experience as African, African-American, Caribbean, Black – whatever your heritage or (bi-)cultural upbringing, are all valid. Please consider reading this book, I’d love to discuss it with other readers!

★★★ (3 stars) – Good book. I recommend it, I guess.

Purchase Summer in Igboland on Amazon

Book chat, Book Hauls, Bookish Stuff

Book Chat :: Do you lend your books?

by Darkowaa50 Comments on Book Chat :: Do you lend your books?

Hey everyone!

From time to time, I’d like to pick your brains on different topics that I think interest and affect all book lovers. Today, I’m really curious to know from you all: Do you lend your books to others?

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Image via EpicReads

Let’s chat, shall we?

There have been times when friends have NOT returned the books I lent them. To this day, one of my best friends still has one of my favorite books in her possession (I gave it to her back in 2009 and I eventually had to stop asking for the book back, since she didn’t seem to know where she put it -_-). Other friends who eventually returned books I lent, brought them back with either oil smudges on the pages, discombobulated book spines or limp-looking, torn paperback covers – basically, damaged books.

I feel very connected to the (physical) books I own – am I alone here? I’ve connected with various characters, places and incidents from the books I read. Some of my books have notes I jotted down on the pages, some passages are underlined and some pages are marked for future referencing and whatnot. So right now, I do not like to lend my books to anyone anymore (well, I do share my books with my Mom. She’s an original book lover, so she respects books! And I usually read her books, so its only fair to share mine too haha).

I’m learning to say ‘no’ to lending my books. But it’s not easy to say no – I don’t want a friend or family member to feel offended or think I’m being selfish for not wanting to lend them. Books shouldn’t be the cause of sour relations between individuals… but honestly, after all the bad experiences I’ve had with lending, I’d rather purchase the book of interest for a friend, instead of loaning my copy.

How about you all:

Do you let people borrow your books? Are you attached to the physical books you own? Have you had similar instances where loved ones misplace or ‘abuse’ your cherished books? How would you tell others that you don’t usually lend out your books?

I’d love to hear your opinions, experiences and tips on your book lending policy!

By the way, I’m currently (slowly) reading Jhumpa Lahiri’s latest novel: In Other Words. It’s very passionate thus far!

I also attended a book reading for Elnathan John last weekend (he was shortlisted twice for the Caine Prize) and I purchased his debut novel – Born On A Tuesday, as well as Fela: This Bitch of a Life by Carlos Moore which I spotted at the bookstore where the reading was being held (Vidya Bookstore; Accra). I hope to enjoy them during summer break!

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Image via my Instagram: @AwoDeee

Ankara Press, Book Reviews

Ankara Press: A New Kind of Romance – Two NEW stories!

by Darkowaa4 Comments on Ankara Press: A New Kind of Romance – Two NEW stories!

I’d like to give a special thank you to the lovely ladies over at Ankara Press for reaching out to me and sending me two e-copies of the new additions to their African romance fiction collection. Ever since they launched as an imprint of Cassava Republic Press (Nigeria) in 2014, I’ve always wanted to read some of the stories so I couldn’t pass up the opportunity!

Ankara Press aims at publishing a new kind of romance, for the modern African woman where stories are more grounded with a healthy thrill of fantasy. Stories published by Ankara Press feature young, independent, ambitious African women who are unafraid to love, in African cities from Lagos to Cape Town. Their books challenge African romance stereotypes by portraying women who embrace their sexuality and are open to finding true love.

Mini reviews of the two ebooks are below:

The Seeing Place by Aziza Eden Walker

Date Read: March 1st 2016The Seeing Place

Published: February 14th 2016

Publisher: Ankara Press

Pages: 171

 

 

 

Review – ★★★ (3 stars)

I enjoyed this African romance/chic lit novel. The story takes place in Cape Town and Johannesburg and follows the growing relationship between caramel-colored beauty, Thuli and dark chocolate hunk, Andile. Andile works as a barman but is actually a talented actor, waiting for his next gig; Thuli works as a TV/Film producer. They meet at Andile’s workplace – a bar, when Thuli sought refuge there after she twisted her ankle, trying to evade the rowdiness of a wild street party in Cape Town. They are instantly attracted to one another when their eyes meet and the story takes readers on a rollercoaster of incidents and emotions these characters endure.

The sex scenes in this story were surprisingly quite explicit (I ain’t complaining, haha) and I think readers should be 18 years or older to read this. The storyline was very fairytale-ish, as most romance books are. I don’t know if the average South African woman would identify with Thuli, since her life seemed perfect, despite the ‘hardships’ she faced as a child – does the average 28 year old South African woman drive a matte black Mercedes-Benz and own her own film producing company? All in all, I liked that I learned something from this novel (the importance of communication and being honest) at the end and it wasn’t a flippant tale – as most perceive romance novels to be. Aziza Eden Walker is a great writer! Her writing style was clear and vivid and I enjoyed her way with words. I give The Seeing Place 3.5 stars!

★★★ (3 stars) – Good book. I recommend it, I guess.

Love Next Door by Amina Thula

Love Next DoorDate Read: March 6th 2016

Published: February 14th 2016

Publisher: Ankara Press

Pages: 152

 

 

 

Review – ★★★ (3 stars)

Love Next Door is a cute story about Abongile (or Abby) and Kopano in Johannesburg, South Africa. Abby, an ambitious business analyst is finally independent and has moved into her new apartment in Johannesburg. Next door to her new apartment is school teacher and artist, Kopano. Once they meet outside Abby’s door as she struggles with hauling groceries into her new home, it is like at first sight and readers follow the blooming love affair between Abby and Kopano.

This was a quick read and I loved how the author incorporated a lot of South African culture into the story, for example: Amina Thula enlightens readers on the negative and positive stereotypes surrounding Xhosa women and the Xhosa language peppered throughout the novel gave the story an authentic feel. I didn’t even need a glossary at the end of the book as it was easy to infer the meanings of the various foreign words. The intimate moments between the main characters were milder than that of The Seeing Place, so I guess readers of all ages could enjoy this book. But the writing style wasn’t as vivid as I had liked and the book could have been edited a little more closely. The ending was quite abrupt for me… or maybe I just didn’t agree with how the characters seamlessly reconciled their love after all the ups and downs they endured. Perhaps Love Next Door targets a younger, teenage audience as the tale was quite juvenile… or maybe the characters were a bit juvenile to me. On the whole, this book was well thought-out and I commend Amina Thula for writing this modern love story.

★★★ (3 stars) – Good book. I recommend it, I guess.

 

Ankara Press Cover Artt

Image via http://www.ankarapress.com

How amazingly chic is the cover art? Onyinye Iwu (@only_onyi) designed the cover art for the novels published by Ankara Press and she does a lovely job at highlighting the vibrant colors of the Vlisco cloth, as well as portraying African women of all skin tones, shapes and sizes.

I’m fairly new to the African romance genre, but it would be cool for Ankara Press to explore:

  • Maybe having some stories written by men? Men write romance tales too! In the Valentine’s Day Anthology 2015, (an anthology Ankara Press published last year, featuring writers like: Sarah Ladipo-Manyika, Eghosa Imasuen, Chuma Nwokolo and my favorite- Binyavanga Wainaina) men penned a good number of the stories. I’d love to read a romance novel from a man’s perspective and also see men on the book covers wearing amazing ankara fabric shirts!
  • It would also be cool to read a romance novel featuring characters in a same-sex relationship.
  • Do all romance novels have to end happily-ever-after? It would be interesting to read a tragic African love tale too.

Thank you again to Ankara Press for the ebooks. I enjoyed the stories and look forward to reading more soon! Please do check out blurbs of the various stories published by Ankara Press at www.ankarapress.com.

Book Reviews, Shonda Rhimes

Year of Yes by Shonda Rhimes

by Darkowaa14 Comments on Year of Yes by Shonda Rhimes

Date Read: January 14th 2016

Published: November 2015

Publisher: Simon & Schuster

Pages: 311

Rhimes

The Blurb

In this poignant, hilarious and deeply intimate call to arms, Hollywood’s most powerful woman, the mega-talented creator of Grey’s Anatomy and Scandal and executive producer of How To Get Away With Murder, reveals how saying Yes changed her life- and how it can change yours too.

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Review –  ★★★★ (4 stars)

Who would have thought Shonda Rhimes’ sister’s six words: ‘You never say yes to anything’ during their Thanksgiving dinner preparations in 2013 would push her to a Year of Yes Challenge? Shonda Rhimes – television producer, writer and Hollywood powerhouse is a hard worker and used to drown herself in work to keep her two, super popular television shows –Grey’s Anatomy and Scandal on ABC (television network). Work was Rhimes’ excuse to avoid attending interviews, red carpet events, speaking engagements and the like. Shonda Rhimes was just your typical introvert: focused on reading, writing and just sticking to herself without being in the spotlight. Her sister’s words pushed her out of her comfort zone to dare to say yes to everything and all the invitations that came her way. Through this challenge, she learned to become more comfortable with herself, to love herself more, to have less awkward conversations, to take her health seriously and to even speak at Dartmouth College – her alma mater, during commencement in 2014.

Year of Yes: How To Dance It Out, Stand In The Sun And Be Your Own Person was a relatively easy and entertaining page-turner. I finally understand the magic behind Rhimes’ badass career (in the book, she coins the word ‘badassery’ haha), especially after her Year of Yes challenge to herself. This was an inspiring read with lots of positive affirmations and quotes. Some of my favorite quotes were:

Lucky implies that I was handed something I did not earn, that I did not work hard for. Gentle reader, may you never be lucky. I am not lucky. You know what I am? I am smart, I am talented, I take advantage of the opportunities that come my way and I work really, really hard. Don’t call me lucky. Call me badass. (pg. 181)

An awesome quote on what she wishes to achieve through her television shows:

The need to hear the words: ‘You are not alone’. The fundamental human need for one human being to hear another human being say to them ‘You are not alone. You are seen. I am with you. You are not alone’. I get asked a lot by reporters and tweeters why I am so invested in ‘diversity’ on television. ‘Why is it so important to have diversity on TV?’ they say. I really hate the word diversity. It suggests something… other. As if it is something…special. Or rare. Diversity! As if there is something unusual about telling stories involving women, people of color and LGBTQ characters on TV. I have a different word: NORMALIZING. I’m normalizing TV. I am making TV look like the world looks. Women, people of color, LGBTQ people equal way more than 50 percent of the population. Which means it ain’t out of the ordinary. I am making the world of television NORMAL. I am normalizing television. You should get to turn on the TV and see your tribe. Your tribe can be any kind of person, anyone you identify with, anyone who feels like you, who feels like home, who feels like truth. (pg. 235)

I especially appreciated the commentary on the challenges of balancing motherhood and being a successful career woman. Having 3 successful shows on prime time television AND being a mother of 3 young girls are not easy feats! Rhimes constantly has to find balance when it comes to either being in the studio during writing and filming sessions or finding time to attend her daughters’ recitals and simply spending enough time with them at home. With more women in the workforce nowadays, I feel a lot of women readers who balance motherhood and their careers would identify with Rhimes’ hilarious and thoughtful discourse on finding balance.

I have been a faithful fan of Grey’s Anatomy since 2009, and the writing style of this book is quite similar to that of the show – chatty, funny and conversational. But one thing that bugged me about Year of Yes was how chatty Rhimes’ thought process was in the beginning of the book. It reminded me of the ever so annoying Dr. April Kepner character of Grey’s Anatomy and I was almost put to sleep at times by this. But all in all, I admire Rhimes and I can’t wait to see what other groundbreaking projects she has up her sleeve in the future. Even if you aren’t a fan of her shows, please do read this – its a motivating, brave memoir by an incredible black woman. You might even want to try the Year of Yes challenge for yourself!

★★★★ (4 stars) – Great book. Highly recommend!

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Purchase Year of Yes on Amazon

Bookish Stuff, Giveaways

Winner of the book GIVEAWAY!

by Darkowaa6 Comments on Winner of the book GIVEAWAY!

Hey everyone!

The book giveaway has officially ended and it is time to announce the winner. There was a total of 104 entries! Thank you to everyone who participated and told their friends/loved ones about the book giveaway. I appreciated the encouraging feedback and the impressive number of people who avidly participated!

As the Terms & Conditions of this book giveaway state, a winner will be selected by Random.org, through Rafflecopter.

…..and the lucky winner of African Love Stories: An Anthology is: Nikita Lithur!

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You can purchase African Love Stories: An Anthology on Amazon

I hope February is treating everyone well so far. Don’t forget, its Black History Month! Feast your eyes on a book covers showcase I created last year, which features awesome African-American novels. You might spot some new finds in the showcase; Check ’em out -> HERE

Thank you once again to everyone who participated in the giveaway. If you didn’t win, don’t worry! One of my goals for 2016 is to give back, so please stay tuned for more giveaways this year! 🙂

Ama Ata Aidoo, Book Reviews, Giveaways

African Love Stories: An Anthology edited by Ama Ata Aidoo

by Darkowaa23 Comments on African Love Stories: An Anthology edited by Ama Ata Aidoo

Date Read: January 23rd 2016

Published: 2006

Publisher: Ayebia Publishing

Pages: 249

aidoo

The Blurb

African love stories? Is that not some kind of anomaly? This radical collection of short stories, most published in this edition for the first time, aims to debunk the myth about African women as impoverished helpless victims. With origins that span the continent, it combines budding writers with award-winning authors; the result is a melting pot of narratives from intriguing and informed perspectives.

These twenty odd tales deal with challenging themes and represent some of the most complex of love stories. Many are at once heart breaking yet heart warming and even courageous. In Badoe’s hilarious ‘The Rival’, we encounter a 14 -year-old girl who is determined to capture her uncle’s heart. His wife, she decided would just have to go. Mr. Mensah the uncle is all of sixty years old.

Crafted by a stellar cast of authors that includes El Saadawi, Ogundipe, Magona, Tadjo, Krog, Aboulela, Adichie, Oyeyemi, wa Goro, Atta, Manyika and Baingana, there is hardly any aspect of women’s love life untouched. From labour pains to burials, teenagers to octogenarians, and not to mention race-fraught and same-sex relationships, the human heart is all out there: beleaguered and bleeding, or bold, and occasionally triumphant.

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Review – ★★★★★ (5 stars)

I think I have a soft spot for anthologies. Anthologies help me discover new writers. African Love Stories: An Anthology is the second African women’s anthology I’ve enjoyed. In 2014, I reviewed Opening Spaces: Contemporary African Women’s Writing edited by Yvonne Vera (1999) and was thrilled by the diverse stories and cast of African women writers. I even took interest in the writers who were unfamiliar to me at the time, like Leila Aboulela and Lília Momplé.

I know what you were thinking when you saw the title, ‘African Love Stories’ – no, this is not a collection of sappy, romantic, unrealistic, happily-ever-after tales. African Love Stories: An Anthology is a collection of 21 contemporary short stories laden with breathtaking originality. The stories speak on: the issues inter-racial couples face, a woman’s wrath when she discovers her lover is married, the lengths a village boy goes to rescue his wife-to-be, domestic violence, a child born out-of-wedlock who is scorned at her father’s funeral, same-sex relationships, sisterhood, a mother’s love, sacrifice and so much more. There are layered complexities in all 21 stories and the writers skillfully consummate each short tale such that readers ponder and cherish them, even days after enjoying the stories.

The women writers and the stories of this anthology span across the African continent – from Egypt to South Africa. Well-known authors such as: Nawal El Saadawi, Veronique Tadjo, Chimamanda N. Adichie, Leila Aboulela, Sindiwe Magona, Sefi Atta, Monica Arac de Nyeko, Helen Oyeyemi amongst others, are featured in the anthology. But I expected more diversity with respect to the countries represented in this collection. I didn’t expect a lot of the stories (11 of them) to be written by Nigerian women – this is not a bad thing, don’t get me wrong! I just wish there was a better mix of countries represented, as was in Opening Spaces: Contemporary African Women’s Writing edited by Yvonne Vera (1999). (I’m not comparing… but I’m comparing haha)

Anyways, I enjoyed all the stories from this collection (well, except two) and my faves were:

“Something Old, Something New” by Leila Aboulela (Sudan) – This is a story that chronicles the events that occur prior to a wedding between a young, muslim, dark-skinned Sudanese woman of the diaspora and a white, muslim man from Edinburgh. During their trip to Khartoum for the ceremony, several events occur that threaten their impending wedding. I really admire the calm manner of Aboulela’s storytelling, especially in this tale.

“The Rival” by Yaba Badoe (Ghana) – The Rival has got to be the most absurd story I’ve ever read! In this story, a wife tries her best to keep her marriage from falling apart by the twisted, affectionate love of her husband’s niece. Since when did nieces start falling for their uncles and dreaming of being the ‘madam’ of the house? How awkward! Yaba Badoe created a masterpiece with this strange story.

“Tropical Fish” by Doreen Baingana (Uganda) – University student – Christine, finds herself sleeping with a British expat who exports fish to the UK. The story takes us through the inner thoughts of Christine as she tries to find herself – because she truly seems lost. I was disgusted and at times mad at Christine for tolerating the intolerable in this story. I loved how Doreen Baingana kept me on the edge of my seat while reading this! (I have Doreen Baingana’s novel Tropical Fish which this story is an excerpt from, and I’m excited to read it soon!)

“Needles of the Heart” by Promise Ogochukwu (Nigeria) – I enjoyed the easy, simple nature in the writing of this story. A woman marries a man who she discovers is a chronic abuser. She constantly finds herself making excuses for her husband, even while she suffers on hospital beds from his fury. The ending of the story had me wondering if the author actually condones domestic violence… This story is pretty scary, but holds a great message if you read in-between the lines.

The editor, Ama Ata Aidoo urges readers to enjoy this collection slowly:

Dear reader, it is highly recommended that you take these stories one at a time, so that you meet these African women properly and individually, and listen to them and their hearts: whether Sudanese, Kenyan, Ghanaian, Nigerian or Zimbabwean… (pg. xiv)

and I totally concur with her. I read these stories slowly and savored them. Why rush through such a rich anthology? That’s no fun!

Even though this anthology was published in 2006 – about 10 years ago, I believe the content is ever so relevant to this day. I wholeheartedly recommend this collection to everyone. These contemporary stories may be set in countries in Africa, but the theme of love is universal to all!

★★★★★ (5 stars) – Amazing book, I loved it. Absolutely recommend!

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Purchase African Love Stories: An Anthology on Amazon

GIVEAWAY ALERT!

February is the month of love, and I’d like to give away one brand new copy of this lovely anthology! Enter the giveaway below to stand a chance at winning African Love Stories: An Anthology. The winner will be announced a day after Valentine’s Day – so you have about 10 days to try your luck!

a Rafflecopter giveaway

Giveaway TERMS & CONDITIONS:

  • Giveaway starts Feb 4th 2016 at 12am GMT & ends Feb 15th 2016 at 12am GMT (Greenwich Mean Time)
  • This is an international giveaway – it is open to everyone, worldwide.
  • You must be 18 years and older to participate in this giveaway.
  • The winner will be selected by Random.org, through Rafflecopter and will be notified by email.
  • The winner will have 48 hours to respond to the email before a new winner is selected.
  • If you are the lucky winner of the book, Darkowaa will be shipping your prize to you directly.
  • Once the winner is notified via email, providing shipping details will go to Darkowaa only and will only be used for the purpose of shipping the prize to the winner.
  • The item offered in this giveaway is free of charge, no purchase is necessary.
  • If there are any questions and concerns about this giveaway, please email: africanbookaddict@gmail.com

Good luck, everyone!

Update: This giveaway has ended. Thanks to those who participated! Congrats to the winner!